Remember there was gonna be that movie THE TOMB starring both Stallone and Schwarzenegger? Now it’s called ESCAPE PLAN and IGN has the trailer:
What do you think? I think it looks promising. Not humorless but not a corny joke-a-thon like an EXPENDABLES, cool high concept premise, good supporting cast. And Stallone gets to work with 50 Cent after the internet shamed him out of casting him in THE EXPENDABLES, but before he follows Robert DeNiro into a series of gloomy interchangeable DTV thrillers.
ESCAPE PLAN is directed by Mikael Håfström, a Swede who previously did DERAILED (haven’t seen it) and 1408: AN EVIL FUCKIN’ ROOM (pretty good). One of the writers did ROAD HOUSE 2, the other MIRROR MIRROR.
thanks to Jim Newberry for telling me this was up
KICKBOXER 3 is one of the movies I watched for the Super-Kumite but had to turn it into an exhibition match due to its lack of tournament. This is a pretty enjoyable one though with a weird mix of sports movie and violent shootout movie. Also it deals with sex trafficking just like the last movie I reviewed. (Don’t worry – it’s against it.)
If you trust me to say “Go watch this intense crime drama, I thought it was excellent” without needing me to tell you anything else about it, then go do that. I’m awarding EDEN my controversial The Best Thing I’ve Seen Lately medal to encourage you. It came out on the DVD last week under the title ABDUCTION OF EDEN, but the title on screen and when it was playing film festivals was just EDEN. (I hear they had to change the cover and name for Redbox – artistic decisions now determined by vending machines. Today’s cinematic art must have the same wide appeal as Doritos or Chips Ahoy.)
In SNITCH, Benjamin Bratt (CATWOMAN) plays El Topo, a notorious ex-military badass who leads a Mexican drug cartel. He’s elusive to the authorities, preferring to stay back in a car and watch his underlings from afar, but when the shit goes down he’s the first to pull out a huge gun that looks like it should be mounted to a jeep. He’s very dangerous, especially to the naive Americans who he convinces to drive his drugs across the border. What they don’t understand is they don’t need to be working on a playlist for the drive back.
I’m kinda late on writing this one up, not sure if it’s even playing anywhere anymore, but what are you gonna do.
JACK REACHER is the latest in a line of movies based on a pulp character using the character’s name as the title and not making enough money to continue as a series like they probly planned (see also JOHN CARTER, ALEX CROSS, PARKER, HITCHCOCK). This one’s specifically from a book called One Shot by Lee Child, ninth in the Reacher series. I don’t know the books, just the complaint by many readers that it’s important for him to be a big intimidating guy and not a little guy in a little leather jacket like Tom Cruise always plays. So this would probly bother me if I had read them. 
SUPERGIRL is the story of Superman’s younger cousin Kara (Helen Slater), who lives in Argo, a small commune of (I guess) Krypton refugees encased in a glass sculpture under the water or in another dimension or in space or something, I don’t think it’s explained but maybe you gotta read the comics. The “city” is powered by two magic Faberge egg type deals, one of which Kara’s adult friend Peter O’Toole “borrows” for the day to use in an art project. It’s portrayed as eccentric envelope-pushing, like a teacher standing on a desk or a magic nanny taking the kids onto the roof to watch dancing, but in fact it’s incredible irresponsible behavior that very well could cause the death of the already endangered Kryptonian race. It’s even more inexcusable when he leaves this crucial component of the survival of his entire people with a kid, Kara, who uses it to play God and give life to a giant dragonfly. As kids do.
Last month I ran an interview that david j. moore, author of the upcoming book World Gone Wild: A Survivor’s Guide To Post-Apocalyptic Movies, did with 
