I’m not fully acquainted with the filmography of John Sayles, but I’m pretty sure THE BROTHER FROM ANOTHER PLANET is an outlier. It was 1984, so Sayles had already had his Roger Corman/exploitation beginnings (writing PIRANHA, BATTLE BEYOND THE STARS, ALLIGATOR, THE HOWLING and THE CHALLENGE) and moved into directing his indie dramas (RETURN OF THE SECAUCUS 7, LIANNA, BABY IT’S YOU). Here he makes his only ever sci-fi movie as a director, but it’s not all that commercial. Supposedly the story came to him in a dream.
The most sci-fi part is the opening cockpit lights and bleeping sounds as the mysterious extra-terrestrial played by Joe Morton (CURSE OF THE PINK PANTHER) crash lands on earth. He loses a leg in the process and hops around in an abandoned church until he somehow grows it back. Since he’s missing one shoe we see that his feet have three big clawed toes, like a dragon, but otherwise he looks human. In the city he finds a replacement shoe in a garbage can and I wondered if he understood that was garbage or if he just assumed Earth has public shoe dispensers. (read the rest of this shit…)
RED ONE is not a prequel to THE BIG RED ONE or 
Like all modern horror movies, CARNAGE FOR CHRISTMAS – a 2024 indie that came to Shudder on the 15th – is about a true crime podcaster who experienced trauma. But it does not feel like it’s trying to be “about trauma,” and the true crime aspect works because the protagonist, Lola Darling (Jeremy Moineau) is treated as a straight up detective character like Nancy Drew, Jessica Fletcher or somebody there’d be a BBC mystery series about. She’s very self-possessed, observant and knowledgeable, has an interest in the morbid, sneaks around crime scenes with a flash light, brings her own latex gloves.
If you knew there was a new Hellboy movie this year – the fourth live action one – chances are you weren’t thrilled about that fact. For most people, it seems, 
DESPERATE LIVING (1977) is the fifth feature film from John Waters, the one he did before dipping his toe in the mainstream with POLYESTER. Its opening – not counting the credits sequence showing a fancy place setting where a (real) fried rat is served and (fake) eaten – introduces us to Baltimore socialite Peggy Gravel (Mink Stole, NEIGHBOR), returned early from the mental hospital. Her husband Bosley (George Stover, 
When I was slasher searching on Tubi in October I was surprised how many 
You know that guy, Henry Spencer (Jack Nance, GHOULIES)? Guy with the tall hair? Yeah, he works at a printing press I believe is what he said. Supposed to be very gifted. Anyway he knocked up his girlfriend Mary (Charlotte Stewart, Little House on the Prairie). Very awkward. Went to meet her family, it was like the quietest, saddest dinner party of all time. Darkest, too. Turn on some lights in there, people. They asked him if he’d do the honor of cutting the tiny little chickens they cooked and yes, I’d be honored, but also… is there some specific way you want me to do this? I could use some guidance here.
FRANKIE FREAKO is the new one from director Steven Kostanski, who I started paying attention to when he did 
THELMA (2024) is a cute little comedy about a 93 year old lady (June Squibb, NEBRASKA) spending a couple days feeling like her life is an action movie. She’s widowed and lives on her own, but her very nice twenty-four-year-old grandson Danny (Fred Hechinger, 
Just when you thought it was safe to get back into the holiday spirit, the cozy, crackling fire is back. ADULT SWIM YULE LOG 2: BRANCHIN’ OUT is a sequel to the brilliant 2022 Christmas surprise 
