"KEEP BUSTIN'."

Archive for the ‘Thriller’ Category

Dark Age and Tripwire

Sunday, September 28th, 2008

DARK AGE

In my ongoing tribute to the land of MAD MAX and CHOPPER I have come across another good giant crocodile movie that pre-dates ROGUE by a good 20 years. But this one actually has John Jarrat – the widower Russell in ROGUE, the fuckin maniac in WOLF CREEK – as the park ranger hero.

This one reminds me of RAZORBACK a little, because it reminds me of JAWS a little. The director, Arch Nicholson, was second unit director on RAZORBACK, but his movie is in a more realistic vein, less stylized and exaggerated. The crocodile never runs through the side of a house and steals a baby like the razorback did. The photography is pretty naturalistic, it’s by Andrew Lesnie whose name seems familiar because he did the LORD OF THE RINGS movies, the BABE movies, and I AM LEGEND. (read the rest of this shit…)

Wrong Turn 2: Dead End

Wednesday, August 27th, 2008

“Montani semper liberi (Latin, “Mountaineers are Always Free”)”

–West Virginia state motto

I’m always searching for DTV gems and this one has gotten some talk so it’s about time I got to it. But the truth is I didn’t like the first WRONG TURN. I know a few people who like it, but to me it was a big bag of mediocrity, forgettable enough that I apparently forgot to ever review it. So now I can’t read my review to refresh my memory about it. But I do remember that it took one of my favorite horror setups (tourists intrude on crazy backwoods inbred/mutant/cannibals, savagery ensues) and then hardly bothered to riff on it. Too slick, not enough mayhem, not enough imagination. THE HILLS HAVE EYES remake has problems and nobody besides me seems to like it, and I hated the sequel to it. But even in that one you at least get a couple OH SHIT adrenaline moments, some uncomfortable laughs. You don’t know what that ugly crazy fucker is gonna do next. WRONG TURN was the clean studio version of that. TV stars in some Ontario woods running from guys in monster makeup. Just no rush, no grit, no nothin. (read the rest of this shit…)

The Dead Pool

Saturday, August 9th, 2008

THE DEAD POOL is the fifth, last, and worst of the DIRTY HARRY series. It’s still watchable because it’s Dirty Fuckin Harry, but it completes the pattern of each entry being not as good as the last.

It’s important to consider the time of the release though. In the US it came out 20 years from last month. July 13th, 1988. It was a Wednesday. Harrison Ford was out celebrating his 46th birthday. One of the girls from the “High School Musical”s was being born. Long haired kids in Minneapolis were trying to find someone to buy them beer at a convenience store near the Metrodome where the Monsters of Rock Tour would be playing that night. Red Sox fans were trying to figure out what to make of John McNamara being replaced by Joe Morgan. Ronald Reagan was signing Executive Order 12646, establishing an emergency board to investigate a dispute between the Port Authority Trans-Hudson Corporation and certain of its employees represented by the International Brotherhood of Electrical Workers. And there was a new fuckin Dirty Harry movie coming out! (read the rest of this shit…)

Sudden Impact

Friday, August 8th, 2008

I’m not sure what the title means on this one, but if it were up to me it would be called A DIRTY HARRY SALUTE TO DEATH WISH II. The three before this all felt like “DIRTY HARRY” but in this one he goes to San Paolo and all the sudden he’s in Charles Bronson’s jurisdiction.

Let me point out a few connections: The score is by Lalo Schifrin, but the opening credits are still DEATH WISH sequel style cheeseball drum machine and keyboard rockafire explosion over establishing shot of the city (Lalo’s revenge for not getting to score part 3, I bet). Kevyn Major Howard, the gang rapist Stomper in DEATH WISH II, plays a criminal who gets off due to improper police work by Callahan. And like most DEATH WISH movies the lead villains are maniacally overacting gang rapists. In DEATH WISH and DEATH WISH II Bronson is getting revenge after (among other things) his daughter was gang-raped into a state of catatonia. In this one Sondra Locke is getting revenge because she and her sister were gang raped and her sister is in a state of catatonia. Speaking of which, Bronson’s wife Jill Ireland was in DEATH WISH II, and here we have Clint’s live-in lady friend at the time starring in this one. It ends a little more like the first DEATH WISH with the police (in this case Harry) knowing about the vigilante actions and letting it go because they sympathize. (read the rest of this shit…)

Ricochet

Wednesday, July 23rd, 2008

I think I saw this movie back when it came out and I remember it just being ridiculous, but seeing it again I thought it was a good ridiculous. The movie begins with a melodramatic Hitchcock style credit sequence, but then cuts straight to Denzel Washington, Ice-T and Kevin Pollack playing very aggressive basketball on a playground. As far as I know this one is one of only a handful of movies in all of cinematic history that begin with those three guys playing street ball.

I like this scene because it very quickly sets up most of the major players in the movie while also establishing just why the movie is cool. For one thing, the director is Russell RAZORBACK Mulcahy, video director turned movie director who is fond of fancy hotshot camerawork. But this is 1991, still firmly in the naive days when a director followed a code of honor that they were expected to provide visual clues to the audience to understand what the fuck is going on. For some of you younger individuals it’s probaly hard to imagine, but the camera is flying around in such a way that it enhances your enjoyment of the movie, instead of pissing you off. This starts in the basketball scene with the camera somehow following right behind Denzel as he weaves through the other players and slam dunks. (read the rest of this shit…)

Vern asks Why Watch Dark Knight when you could be watching…

Sunday, July 20th, 2008

Well it looks like this week is Nerd Hanukkah, when everybody freaks out about the new Batman movie and then they go to San Diego and they seem to open presents every day. I’m not clear what exactly it is they do there but it apparently involves comic books and occasionally Halle Berry or Charlize Theron or somebody. There will be alot of exciting posters passed out or something and lots of exciting news will be broken about some movie or other. You’ll be hearing about your star treks and your hobbits and your Iron Man part 2s and what not. But there is one sequel that you won’t be hearing jack shit about there unless you are currently sitting there reading this article. Ladies and gentlemen, I am proud to announce that I got the exclusive inside scoop on a movie and the title alone is gonna knock your god damn socks off. Your socks are gonna tear right through your fuckin Captain America boots, fly across the room and land on a table where somebody from some Dr. Who spinoff is signing autographs.

There’s only one thing to do, I gotta spit it out: THE ART OF WAR II: BETRAYAL. Starring WESLEY GOD DAMN SNIPES. (read the rest of this shit…)

In the Line of Fire

Sunday, June 29th, 2008

Here’s a movie not directed by Clint Eastwood (it’s Wolfgang Peterson, the DAS BOOT guy) but like alot of his directorial works of the past 20 years it deals with him getting old. Clint plays a Secret Service agent named Frank Horrigan. He’s still working but he’s washed up – he was there when JFK got shot and is still haunted by his failure. After that he became a huge asshole, he started drinking and his wife and daughter left. But this is Clint we’re talking about so we still like him, and also he plays jazz piano.

This is a good example of those ’90s big budget studio action thrillers along the lines of EXECUTIVE DECISION and DIE HARD WITH A VENGEANCE, movies that depict the workings of a city and its various departments as they respond to an emergency. In this case it’s the Secret Service responding to a threat against the president. We see Clint and his new partner (Dylan McDermott, or possibly Dermot Mulrooney – I don’t know which is which so if it’s important to you check IMDb) making their rounds, so first they have to shoot some guys over counterfeit money, then they have to check out a report of “some weirdo.” It just so happens that this is the one in a thousand of those calls that really is a dude planning to kill the president. He’s not home but he sees Clint in his apartment from afar and the game begins. (read the rest of this shit…)

The Enforcer

Wednesday, June 25th, 2008

In the third Dirty Harry picture Inspector Callahan has become some sort of an enforcer, a guy who travels around enforcing things. Alot of people tend to dismiss the series after MAGNUM FORCE, and it’s true that this one isn’t as good as the two before it, but I gotta admit I like it.

Alot of the goofiest shit from ’70s and ’80s cop movies, the cliches that get made fun of all the time, might be traced directly to this movie. This is definitely a prime example of the cartoonishly out of line bureaucrats in the police headquarters who demand the police “clean up the streets” but get mad at them when they do. “I didn’t say to use violence.” It’s got the scene where he gets suspended and has to give back his badge, which is memorable because Harry calls it a “seven point suppository… you heard me, stick it up your ass!” And the opening section of the movie is about him driving around encountering different police situations unrelated to the plot just so they can show the funny/abrasive way he deals with criminals, like the guy supposedly having a heart attack in a restaurant who he kicks and tells to get up or the liquor store hostage-takers who demand a car, so he “gives it to them” by driving through the front of the liquor store. (Of course followed by a scene where the aforementioned bureaucrat yells at him with a tally of all the damage done.) (read the rest of this shit…)

The Happening

Sunday, June 15th, 2008

Okay, you guys were right. I’ve been defending M. Night Shyamalan as a talented director based on how he moved the camera around in THE SIXTH SENSE and UNBREAKABLE. I didn’t like SIGNS as much, but alot of it worked. I didn’t see THE VILLAGE, which may have strengthened my argument through the ancient technique of “denial.” And LADY IN THE WATER was a hilarious disaster, which means he’s at least interesting even when he’s embarrassing himself and all of his ancestors and descendants and anyone who has ever known him or seen one of his movies.

But after this one I’m with you guys, I give up on Shyamalan. And it has nothing to do with twist endings (there isn’t one in this movie). This is just a bad movie that blows it from the beginning and gets more silly as it goes along, and there isn’t even much of the technical skill he used to display to make up for it. (read the rest of this shit…)

Magnum Force

Thursday, June 12th, 2008

DIRTY HARRY is probaly a better movie overall, but as far as sequels go I think MAGNUM FORCE is a work of genius, because it does two things.

ONE:

It does a good job of following the template of the original and delivering alot of what people liked about that one, for example the classic hot dog/bank robbery scene is replaced by a scene where he goes to get a hamburger at an airport cafe and ends up stopping a hijacking. You gotta love when he butts into the security pow wow at the airport, they tell him what’s going on, he asks “Can I make a suggestion?” and it cuts to him walking toward the plane wearing a pilot’s uniform. Classic! (read the rest of this shit…)