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Archive for the ‘Reviews’ Category

The Ice Harvest

Wednesday, April 5th, 2006

I was excited about this at one point, but I missed it when it was in theaters. I thought it was a diamond heist movie starring Billy Bob Thornton, but it turns out Billy Bob is the co-star and there are no diamonds. The ice in the title is literal, because it’s winter. Christmas Eve, to be exact. There’s not snow though, just frozen rain, which is not something you see in Christmas movies very often, and rings true to me since here we’re lucky to even see that. (I don’t know about Kansas.)

It’s not exactly a heist movie because like RESERVOIR DOGS or something you never see the theft itself. John Cusack (the rich man’s Scott Baio) is a Kansas mob lawyer and Billy Bob Thornton (ON DEADLY GROUND) is his partner in skimming. They have just stolen upwards of $2 million from their boss, but can’t leave town yet due to the ice. The movie is about them trying to hang out and play it cool for a few hours before they can leave. They figure the boss won’t know about the missing money until they’re gone, but this seems to be incorrect since Cusack keeps seeing an enforcer played by Mike Starr (ON DEADLY GROUND) going around town looking for them. (read the rest of this shit…)

Doom

Sunday, April 2nd, 2006

There are three very clever sequences in this movie. First, it opens with narration over a starfield, and then pans over to show Mars. Suddenly the familiar UNIVERSAL logo letters spin around Mars. So it’s just like the usual studio logo except the red planet instead of the globe. Then the letters go off screen and the camera zooms into Mars and into a space colony where the movie takes place. It’s like there’s not even time to bother with a studio logo, our only option is to work it into the plot. That is how urgent it is to get to the motherfucking DOOM.

Yeah yeah, I know my movie history, so you don’t have to flood me with emails pointing out that the great visionary McG already connected the first shot of C’S As 1 to whichever studio logo it was. But this is a different thing because the movie has already started, and then we get the logo within the movie. If we are to follow our understanding of standard cinematical language, there may really be giant letters orbiting around Mars within the reality of DOOM. It all takes place indoors, so there’s no way to know if there are giant UNIVERSAL shaped shadows dripping across the landscape. (read the rest of this shit…)

Vern takes a large, slimy slug in the mouth! He enjoys it as it SLITHERs down his gullet!

Friday, March 31st, 2006

Ahoy, squirts! Quint here with our main man Vern who has seen SLITHER and wants to tell you about it. Give him your ear… uh… I mean, give him your eye. Enjoy!

Boyos–

I guess horror movies are like anything else, they go in cycles. We’ve had this whole drought where it seemed like there was nothing but sissy PG-13 studio horror, and lots of horror fans whining. Now the harsher R-rated horror movies are starting to trickle back in, and a whole other set of people get their chance to whine. (It turns out that our society is just now going down the shitter because there’s a movie where mutant cannibals are mean to a baby. Even though it’s a remake of a 30 year old movie about mutant cannibals being mean to a baby.) Anyway, now with SLITHER we get back another old buddy we haven’t seen in so long we almost forgot about him: the funny horror movie. (read the rest of this shit…)

Mean Guns

Wednesday, March 29th, 2006

A while back I reviewed this sci-fi action movie called EQUILIBRIUM and I complained about the cliche of using techno music in all the action scenes. I asked why somebody didn’t try out some different styles of music on some action scenes. A while later a guy named Jonathan Lee wrote to inform me of a movie called MEAN GUNS where they did just that, they used mambo music during all the action (and other parts of the movie).

The only recognizable stars are Ice-T and Christopher Lambert, and then there’s a bunch of other people. Mario Van Peebles was not available. Anyway, “The Syndicate” has recently bought a prison somehow, and the day before the grand opening Ice-T calls a bunch of criminals there for big meeting, like THE WARRIORS. (read the rest of this shit…)

Transporter 2

Monday, March 27th, 2006

One day not too long ago I was sitting in a theater waiting to watch some movie, the identity of which has by now dissolved into the fountain of time. (that’s not a real saying, I just made it up. My audience deserves new sayings, not the same old shit they’ve heard before and understand.) And suddenly there was a trailer for a sequel that probaly nobody, and definitely not me, asked for. The movie of course was THE TRANSPORTER 2 in case you forgot which review you’re reading here. There was kicking, jumping, cars flipping, things exloding, a half naked lingerie wearing sexy nurse assassin with makeup smeared down her eyes Tammy Faye Baker style, that sort of thing. There was this ridiculous shot where The Transporter jumps his BMW from one parking garage into another and skids out right on the edge of the thing. All that flash and bang got me excited and I realized that somehow, even though I kind of hated THE TRANSPORTER, I wanted to see the sequel. I can’t remember ever being excited about a sequel to a movie I didn’t like. But like Jesus and the correctional system said, you gotta give a guy a second chance. (read the rest of this shit…)

Inside Man

Sunday, March 26th, 2006

INSIDE MAN has gotta be Spike Lee’s most mainstream joint ever. It’s a gimmicky bank robber thriller, not the type of story and characters he as a jointmaker is known for. You can go down his entire jointography and he’s never done this type of movie – it’s not as gritty and realistic as CLOCKERS, it’s not as meandering and novelistic as THE 25TH HOUR or SUMMER OF SAM, it’s not something he seems to be as passionate about as say MALCOLM X or the Jackie Robinson movie he’s been talking about doing for about 500 years that now is gonna be a Robert Redford Joint. (Yeah right Robert Redford, you had no idea Spike Lee wanted to do a Jackie Robinson movie. Who would’ve ever known Spike was interested in that sort of thing?)

So it’s not pure 100% grade A Spike Lee Joint which accounts for its lack of greatness, but I think it’s also kind of a good thing for Spike. He’s never made a movie completely lacking in merit (well, I haven’t seen SHE HATE ME yet) but he seems to get less and less focused as he gets older. Maybe doing one mainstream thriller will get him back in the mode of telling a somewhat concise story. I don’t know. (read the rest of this shit…)

The Hills Have Eyes (2006)

Sunday, March 26th, 2006

As you may remember, I fucking DESPISED the Texas Chain Saw remake, but I thought the Dawn of the Dead one was fun. I can definitely be a purist at times but not always. I just calls it like I sees it. For me THE HILLS HAVE EYES is a remake with alot of potential because the original is a movie that I like alot, but I know it’s flawed. It’s got these great archetypal type themes, a perfect setup, lots of great horrible gruesome fun, but it’s pretty sloppy and cheap looking, and not always in a good way.

The remake, by the same frenchmen who made HIGH TENSION, had a couple things here and there that bothered me, but I think it goes in the pantheon of the good remakes. It stays very true to most of what I like about the original, and in some areas it even improves. TEXAS CHAINSAW I felt like was made by people who had no fuckin clue what was great about the original; DAWN OF THE DEAD was a good action movie but had none of the substance of the original; also please note I used two semi-colons in this sentence, which I think is pretty god damned professional in my opinion. To me, THE HILLS HAVE EYES feels like a new production of the old classic, because it stays very close to the original story for the first half, and when it veers off in a different direction it still stays true to the themes of the original. Shit, I’ll say it: THE HILLS HAVE EYES = Shakespeare. Hopefully we’ll have many different versions of THE HILLS HAVE EYES – we’ll have it modernized, we’ll have it set during WWII, or in space, we’ll have it done entirely by puppets or animals or children. (read the rest of this shit…)

Desert Heat

Thursday, March 23rd, 2006

DESERT HEAT aka COYOTE MOON or INFERNO

When I reviewed Jean-Claude Van Damme’s SECOND IN COMMAND on The Ain’t It Cool News recently I made a shocking admission: I haven’t seen a whole Van Damme movie since 1998’s KNOCK OFF. I understand if that means I lose credibility in some of your eyes, but I gotta be open and honest with you people. I’m one of them straight shooters, in my opinion. So I gotta admit it: I learn more and more about Steven Seagal every day, but when it comes to Van Damme I’m a straight up amateur. And I want to become a more well rounded person so I asked for some advice on the best movies from Van Damme’s post-theatrical days. Two people made convincing cases for COYOTE MOON, or DESERT HEAT as it’s called here in the states, so that was my first stop. (one guy described the plot, the other guy a threesome scene.) (read the rest of this shit…)

Formula 51

Monday, March 20th, 2006

FORMULA 51 aka THE 51st STATE

Here’s a movie I always meant to see just because it was directed by Ronny Yu (BRIDE OF CHUCKY), but I skipped it because I never heard a single good word about it. Until the day Paul wrote to disagree with my MUNICH review and then, possibly to avenge me for the review, recommended I watch this one.

Okay, so the movie’s not terrible, it has it’s moments of inspiration, but to me it was a big mess and a little on the cheesy side. When it was over I realized that a better score would’ve gone a long way toward making it more acceptable. Ronny Yu does the whole thing in a goofy, frinetic style and then the cheeseball dance music done by some guy named “Headrillaz” makes it seem like some out of touch commercial trying to be cool. (read the rest of this shit…)

V for Vendetta

Friday, March 17th, 2006

V FOR VENDETTA is a big exciting futuristic comic book movie, produced and written by the Wachowskis, starring Hugo Weaving and Natalie Portman, playing in Imax in some towns, but not here. It’s a movie nerds are pretty excited for, but the talk is less about is he wearing the right cape, are his powers depicted in exactly the way I personally imagined them, etc., and more about the politics. Because although it features a guy in a cape and mask who fights bad guys in dark alleys, the story is more of a 1984 type deal than a spiderman. Apparently the comic strip book was written in England in the 1980s in response to the Margaret Thatcher administration.

I saw a review in Entertainment Weekly that talked about references to Bush and Bill O’Reilly and Abu Ghraib and what not, but I figure this is more like STAR WARS prequels: it’s about all the assholes throughout history, and the leaders we have now just so happen to be members. It’s like I always say, if your government is strikingly similar to the dystopian sci-fi stories of the past then you got a problem there, in my opinion. (read the rest of this shit…)