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Archive for the ‘Reviews’ Category

G.L.O.W.: The Story of the Gorgeous Ladies of Wrestling

Wednesday, April 17th, 2013

tn_glowDo you guys remember G.L.O.W.? Back in the ’80s, specifically 1986-1990, it was a weekly televised all women’s wrestling event. What I remember is it was taped in what looked like a hotel banquet room (turns out it was in a casino). And because of the time it happened there was alot of big hair, alot of glitter, alot of shiny aerobics type outfits. And face paint.

This movie is one of these nostalgic documentaries we’re gonna start seeing even more of because of Kickstarter. It’s HEY, REMEMBER G.L.O.W.?: THE MOVIE. Not alot of substance. But it’s an unusual topic that’s interesting to me, so I enjoyed the stroll down memory lane.

The director Brett Whitcomb and writer Bradford Thomason actually did another nostalgic documentary about a colorful pop culture oddity that only could’ve happened in the ’80s, THE ROCK-A-FIRE EXPLOSION. I recommend that to anybody that wants to see a movie about the animatronic bears and gorillas and shit that played music at the Show Biz Pizza chain, the weird guy that invented them, the crazy coke-fueled hey day when the company was on top of the world, the inevitable downfall, and the dilapidated warehouse where he still keeps all the old crap he has left. That’s real interesting stuff, GLOW actually seems kinda predictable compared to that but, you know, it’s about women who used to paint their faces and wave chainsaws around and rap and bodyslam each other on TV. I’m gonna watch it. (read the rest of this shit…)

Night of the Warrior (and my new column)

Tuesday, April 16th, 2013

tn_nightofthewarriorThis websight called Daily Grindhouse invited me to write for them recently, and I figured why not? I like days, I like grinding, I like houses. My new not-sure-how-regular-it-will-be-yet column, which goes under the working title of VERN’S PUNCH-QUEST, will be kind of like Slasher Search except I’ll be watching obscure b-action type stuff, mostly ones from the ’80s and ’90s that nobody’s recommended to me or anything, just ones that look cool or goofy. And hopefully some of them will turn out to be good.

For the first column I chose NIGHT OF THE WARRIOR starring Lorenzo Lamas. Click on the title to read it.

Ballistic: Ecks vs. Sever

Tuesday, April 16th, 2013

tn_ballisticSo nice they named it twice for some reason? I actually was always curious to see what this BALLISTIC: ECKS VS. SEVER movie was all about, so those of you who voted it up in the SUGGESTIONS gave me that nudge I’ve been needing for years.

Antonio Banderas plays Jeremiah Ecks, an ex-FBI agent who went deep undercover and faked his death but also thought his wife was dead but she wasn’t but now he’s retired but they come to him and say his wife is actually alive and he should help them go after this kidnapper Sever (Lucy Liu) because she knows where his wife is. She took the son of innocent Talisa Soto (MORTAL KOMBAT) and rich asshole Gregg Henry (PAYBACK) and she keeps him in a big metal cage in a Batcave type underground lair but she seems to like him because she brings him cafeteria lunch trays loaded with good food like home made macaroni and cheese, Jello and Ding-Dongs, and he says “Thank you” politely. (read the rest of this shit…)

G.I. Joe: The Movie

Sunday, April 14th, 2013

tn_gijoeI am an individual who thirsts for knowledge and understanding, so I figured I should find out more about where these GI JOE movies come from. In my review of GI JOE: THE RISE OF COBRA I explained how the Ain’t It Cool Newsies put a nerd fatwah on me for saying GI JOE was based on a toy commercial, and made me read some comic books and admit that i could see how somebody good could turn the GI Joe saga into a colorful action movie with fun gimmicks and larger than life characters.

But since them I’ve talked to other dudes who never knew of the comics but have a nostalgic attachment to the toys and cartoons they grew up on, even if they know they’re dumb. And these cartoon-faction Joeists insisted I watch GI JOE: THE MOVIE, a 90 minute cartoon extravaganza intended for theatrical release IN 1987 but then it went DTV because, let’s face it, it was more of a TV cartoon than a motion picture. A reverse TOY STORY 2. It’s really something though.
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Evil Dead (2013)

Tuesday, April 9th, 2013

tn_evildeadnot to be confused with THE EVIL DEAD (1981). They take the ‘the’ out to streamline it, like FAST & FURIOUS.

I’m an EVIL DEAD 2 man myself. But I love THE EVIL DEAD too. It’s a timeless classic that I dig out every couple of years and it keeps getting better. And I never wanted them to remake it. But the truth is, I’m afraid, that that first one is pretty forgotten in our culture. I know this by the overwhelming number of genuine horror fans, not just Johnny-come-latelys, who are confused why the remake looks so serious. You have to keep explaining to them, no, this is supposed to be a remake of the first EVIL DEAD. The one before EVIL DEAD 2? That sequel is just such a perfect do-over that it eclipses the first one in the popular consciousness.

This is in that rare category of horror remakes where instead of somebody (Platinum Dunes or whoever) buying the rights and cashing in on the name the original director decides to get it over with, picks out a director himself, produces it and is pretty hands on to try to make it worthwhile. The originator of this strategy might’ve been George Romero with NIGHT OF THE LIVING DEAD (1990). It was also used successfully by Wes Craven for THE HILLS HAVE EYES (2006) and THE LAST HOUSE ON THE LEFT (2009). Note that he had nothing to do with A NIGHTMARE ON ELM STREET (2010). That’s what they’re up against here.
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Jurassic Park 3D

Monday, April 8th, 2013

tn_jurassicparkSomehow I’ve gone all these years and never reviewed a JURASSIC PARK movie. Somewhere in a notebook I think I have a partly written review of THE LOST WORLD from the last time I watched it, and I could’ve sworn I reviewed part 3 back when it came out, but no. Nothing. Until now. So hold onto your butts… IN 3-D!

JURASSIC PARK would be a hard one to find a new angle on. It’s been around for 20 years, widely seen since day 1, broadly enjoyable and rightfully appreciated. In the rankings of Spielberg’s summer blockbuster movies I’d have to put it way below big daddy JAWS, because the characters are less nuanced, their actions are less believable, the quiet moments aren’t as deep, the emphasis is more on spectacle (if only because the special effects worked this time), the whole feel is more artificial. But just holding it up against these type of movies in general it places pretty fuckin high on the totem pole.

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Baytown Outlaws

Monday, April 8th, 2013

tn_baytownoutlawsI only gave this a chance because I knew Zoe Bell was in it somewhere and I thought it starred Billy Bob Thornton. Turns out both are pretty small parts. And the opening has alot of signs that this is one of these post-GRINDHOUSE prefab exploitation movies that I can’t stand. It uses that old stylistic device that has pretty much never been used in a cool way, the freeze-frame-turns-into-shitty-Photoshop-tracing-that’s-supposed-to-look-like-a-comic-book-panel. The titlated outlaws are three crazy gunhappy berserker redneck brothers, the unshaven type with greasy hair and fetishistically dirty tank tops, ugly tattoos, biker jewelry, of course a rebel flag on one of them. #1, I don’t understand why these type of characters are so appealing to people who make movies like this, and #2 are we at a point where SMOKIN’ ACES is actually an influential film? Holy shit. I thought I was the only one who liked some parts of that.

But you know what? This BAYTOWN OUTLAWS isn’t bad. It won me over. (read the rest of this shit…)

Victory

Saturday, April 6th, 2013

tn_victoryVICTORY is a 1981 John Huston film that combines a LONGEST YARD type game-between-prisoners-and-guards story with a GREAT ESCAPE type story about escape greatness. It all begins when Sylvester Stallone, a Canadian prisoner in a German WWII labor camp (I thought American, but apparently he has a maple leaf on him somewhere), loses control of his soccer ball. It rolls over to Max Von Sydow, a Nazi officer who starts showboating by foot juggling it even though he’s wearing his big Nazi boots, and he kicks it over to Michael Caine, a British prisoner who was a pro footballer/soccerer before the war.

That one casual sporting exchange is historic because it starts up the conversation that leads to the deal: the best players from among the Allied prisoners will play an exhibition game against the German national team. For the Nazis it’s good propaganda at the end of a war that, let’s face it, did not improve their country’s image on the international stage. For the prisoners it’s an opportunity to plan an escape.
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Breaking Point

Tuesday, April 2nd, 2013

tn_breakingpointBREAKING POINT is an early Bob Clark picture in sort of a DEATH WISH vein. DEATH WISH came out 2 years earlier. Bo Svenson (who had already been in WALKING TALL 2, and is my favorite Buford Pusser) plays Michael McBain, a regular guy who’s walking home with his stepson late one night when he sees two gangsters beating a man to death in an alley. He’s an honorable, manly kinda guy so he fearlessly goes over to tell them to cool it. But he’s too late to save the guy.

And being that that’s who he is, of course, he’s willing to identify the two guys who did it to the police. Or at least that’s the plan, but everybody starts saying he’s crazy to get involved. His wife, his sister, his sister’s fiancee – all of them think he should just stay out of it. So he gets second thoughts, and pretends he doesn’t remember anything. (read the rest of this shit…)

Boot Camp

Tuesday, April 2nd, 2013

tn_bootcampHere’s one of these movies I come across by accident in the video store, I never heard of it before but I’m compelled to bring it home. See, it takes place at one of those camps where parents send their problem or perceived-as-a-problem teens to, and pay to have them tormented and worked to the bone and the idea is that just being treated like shit in a different way than at home will make up for whatever caused them to do drugs or listen to Slayer or whatever and turn them into productive members of society. I remember during the ’80s watching Sally Jessy Raphael promote these places on her show. I always wanted to send her to dig holes and do push ups while a dude spits at her and calls her a pig. See if it made her show better.
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