I’ve enjoyed the sleazy, creepy original SILENT NIGHT, DEADLY NIGHT several times over the years, and the hilariously awful half sequel/half recap PART 2 almost as many times, and tried to convince myself that Monte Hellman’s PART 3 was kinda interesting two or three times. But I never got around to the straight to video parts 4 and 5. UNTIL NOW.
You know what, that was overdramatic probly. But still. This is the first time I watched them. Here are my findings.
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SANTA’S SLAY is an enjoyably dumb killer Santa movie. It’s from 2005 but it’s in the ’80s b-horror tradition of cheesy acting and dialogue and sort of pretending to be serious but with an intentionally asinine premise. Not quite as campy as KILLER KLOWNS FROM OUTER SPACE or RETURN OF THE KILLER TOMATOES, but less serious than the SILENT NIGHT, DEADLY NIGHTs. Actually the movie it reminded me of most is from the year before, Jeff Lieberman’s SATAN’S LITTLE HELPER. That was a Halloween movie, though. (read the rest of this shit…)
I remember the original FRIGHT NIGHT being an okay movie, but I haven’t seen it since the ’80s, so I don’t remember it well enough to compare the remake to it. But on its own I did find the remake to be an entertaining-if-not-entirely-original take on the ol’ vampire shit.
Anton Yelchin plays the hero Charley, Imogen Poots (CENTURION) plays his way-out-of-his-league girlfriend Amy, Christopher Mintz-Plasse plays his friend “Evil Ed,” who gets bit by his neighbor Jerry. Because Jerry is a vampire – don’t worry, it’s not some weirdo biter guy.
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The ’70s version of the classic Herschell Gordon Wells tale does not hold a candle to the ’32 version I reviewed at Halloween time. The lifeless color scheme pales compared to the evocative black and white, the screenplay feels much slower and less eventful, the makeup may be more sophisticated but it’s less creepily believable, and somehow they made it in the ’70s without making it nearly as perverse. If the girl he’s fucking is part panther like in the old one I don’t think it’s ever mentioned.
It’s from AIP so it’s what you might expect from those guys, kinda trashy but kinda dull.
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I don’t know how much faith I’d normally have in a DTV sequel to HOSTEL that Eli Roth didn’t have anything to do with, but this one has a good pedigree: it’s directed by Scott Spiegel. He’s no visionary, but he’s not a nobody either. He was one of the producers of HOSTEL, he was the co-writer of EVIL DEAD 2, he directed that grocery store siege movie INTRUDER, he co-wrote THE ROOKIE with Boaz Yakin. Most important for this though he directed FROM DUSK TILL DAWN 2: TEXAS BLOOD MONEY, which for a long time was one of the best DTV movies in existence, especially among sequels to theatrical releases. To be honest I haven’t seen it in years, but I remember it being relentless in its use of gimmicky POV shots, putting us into the perspective of a dog doing push-ups, an oscillating fan, the inside of a bat’s mouth, etc. If you could accept that it was gonna be a low rent follow-up to a better movie it was a fun time. (read the rest of this shit…)
Holy shit! There’s another good werewolf movie! And it’s from the ’90s. This is not really one of my favorite subgenres, but there’s definitely a couple good ones of this type. Obviously AN AMERICAN WEREWOLF IN LONDON is one of the greatest horror movies of all time and still the most perfect specimen of the scary/funny balance. Then I like THE HOWLING 1&3 and GINGER SNAPS is pretty good with decent sequels by DTV standards (even if they were theatrical in Canada). And DOG SOLDIERS I remember enjoying. The end. (read the rest of this shit…)
The Island of Lost Souls is an interesting island. That’s what Ed Parker (Richard Arlen) finds out when he shipwrecks and the drunk captain (Paul Hurst) of the boat that rescues him dumps him along with the cargo on this small slice of uncharted jungle property. Dr. Moreau (Charles Laughton) is out there doing some cutting-edge scientifically research with one colleague, Montgomery (Arthur Hohl). He’s somehow figured out how to bypass millions of years of evolution and has created futuristic plants, including giant asparagus. He lives with a pretty young weirdo girl named Lota (The Panther Woman) and a staff of hairy servants who Parker believes are the “strange looking natives” of the island. Yeah, they look strange all right, they look like the wolf boy on the cover of the told freaks video. (read the rest of this shit…)
Q (aka Q – THE WINGED SERPENT) is writer/director Larry Cohen’s version of a giant monster movie, about a small time New York City getaway driver played by Cohen’s DeNiro, Michael Moriarty. He’s recently out of the joint, failing to get a job as a bar pianist, and gets screwed over by some mobsters during a failed diamond heist. He runs straight from the scene of the crime to a (closed, it turns out) law office high up in the Chrysler building, where he ends up having to hide from a security guard in a not-open-to-the-public area beneath the needle. There he finds a dead body and a nest with a giant egg. Huh.
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PIG HUNT is a 2009 low budget horror romp that was released by Fangoria, a magazine I proudly subscribe to but, let’s be honest, not a name I trust on a video cover. A group of friends from San Francisco take a trip out to some property that this guy John (Travis Aaron Wade) inherited from his uncle, where they’re gonna go hunting together. It’s some macho dudes and one resented-but-tough girlfriend (Tina Huang, who apparently played a waitress in DRIVE). And there’s a giant pig out there somewhere.
I almost said there might be a giant pig out there, to avoid spoilers, but that would be a disappointing movie if they set up the possibility of a giant pig and then didn’t follow through, wouldn’t it? So don’t worry, there’s a pig. But it’s not a straight monster movie, there’s more threats involved and they’re both human and regular-sized. (read the rest of this shit…)
TUCKER AND DALE VS. EVIL is a corny name for an enjoyable comedy that plays off of the ol’ slasher tropes in a clever way. It starts like a real slasher movie, with a group of college kids heading out to the woods for Memorial Day weekend. And for a minute it really could pass for an authentic modern day (but not necessarily good) serious non-comedy horror movie. When they stop at a gas station to get beer they have a run-in with creepy rednecks, just like I SPIT ON YOUR GRAVE or similar movies. But of course the rednecks are the titular Tucker (Alan Tudyk) and Dale (Tyler Labine), two completely innocent guys who just get nervous talking to women and come off as scary to kids like this. I wonder if that’s what the deal was with Leatherface?
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