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Archive for the ‘Action’ Category

Cobra

Wednesday, July 11th, 2007

COBRA is not a great Stallone movie, but Stallone does play a cop named Marion “THE COBRA” Cobretti, and in this crazy world that’s gotta count for something. In the opening scene a ranting maniac goes into a super market, kills a bunch of people and takes the rest hostage. The police are helpless so they “call in the Cobra.”

Cobretti struts in wearing sunglasses and chewing on a matchstick. You’d think he’d want to have the full power of vision at his disposal in a situation like this, but he chooses fashion instead – not a great character trait for a human being, but acceptable for an action movie hero. If you want to get picky Dirty Harry probaly should’ve put down his hot dog to foil that bank robbery, but he didn’t, and we admire him for that. (read the rest of this shit…)

American Ninja

Friday, July 6th, 2007

This review is dedicated to Ryan Kenner, who’s been bugging me to see this for almost a year, and to the soldiers and planners of the American Revolution, especially if any of them were ninjas (not sure)

AMERICAN NINJA is not something I consider a classic, but it is a solid, enjoyable b-movie and it finally made me understand the Michael Dudikoff phenomenon. When I saw him in a much later movie, BLACK THUNDER (a Stealth bomber thriller remade as Seagal’s FLIGHT OF FURY) I was surprised at his lack of fighting. I assumed he was some karate champion or something like most of the ’80s action stars, but when I looked him up I found out he started as a model. No wonder.

But in this movie wouldn’t’ve noticed, because he does do plenty of fighting and makes it convincing. His line deliveries are sometimes bad but they manage to make him not talk very much. In fact, he doesn’t speak for the first 15 minutes of the movie, it almost seems like he’s mute. (read the rest of this shit…)

Vern vs. TRANSFORMERS – One shall stand and one shall fall…

Tuesday, July 3rd, 2007

Three words for you about TRANSFORMERS: Ho. Lee. Shit. Not as in “Holy shit, I was blown away, it was a blast as well as AWESOME!” but as in “Holy shit, society really is on the brink of collapse.”

Usually if a movie is already playing in theaters I don’t send my review here, I just use it at my geocities.com/outlawvern sight, but jesus, SOMEBODY had to say something. I can’t believe how many positive reviews I have read of this. I think Harry’s was the only negative I saw, but he was polite about it. I read Moriarty’s review before the screening and I thought wow, what if I actually like this movie? Like me, Moriarty hates Michael Bay’s movies from head to toe, style and content, and me and him agree on all kinds of stuff. I don’t remember too many cases where I thought he was being too easy on a movie, at least not a big one like this (only one that comes to mind is the much smaller DAREDEVIL). I never thought I would like this movie until I read his review. He had me about 80% convinced that it would surprise me and win me over, like LIVE FREE OR DIE HARD did. And I might have to seek counseling after enjoying those two movies in a row, but that’s life. (read the rest of this shit…)

Vern returns to tell you all about the new Wesley Snipes DTV effort: THE CONTRACTOR!!!

Monday, July 2nd, 2007

SPOILER ALERT !!

THE CONTRACTOR, which comes out July 10th, is probaly the best DTV Wesley Snipes picture so far. Sure, it’s got that usual DTV vibe – Avid farts, cheesy electronical music, somber tone, not gonna make you smile or laugh too much, definitely not original in any way. But for this type of movie it’s pretty solid, and it takes advantage of Wesley’s talents. He runs alot, he gets in some shootouts, some car stunts, one quick but impressive fight. But most of all they let him act. He plays the sort of quiet, unfriendly-but-ultimately-kind badass he excels at. He gets to communicate what’s going on with facial expressions and posture more than with words, which is his thing. He gets some good bonding moments, including with his adversary after he mortally wounds him. In a DTV movie if there’s anything other than black and white/good and evil, any grey area at all, it deserves a shiny star on its sticker chart. I like that kind of shit.

When I got a screener for THE CONTRACTOR I got kind of nervous because I hadn’t seen his last one, THE MARKSMAN. And since the front cover for THE CONTRACTOR calls him “the world’s greatest marksman” I thought this might be an unadvertised sequel like Seagal’s BLACK DAWN was to THE FOREIGNER. (read the rest of this shit…)

Holy Cow! It’s Vern’s Review Of LIFE FREE OR DIE HARD! Did He Like It Or Not?!?!

Wednesday, June 27th, 2007

SPOILER ALERT !!

Hey, everyone. ”Moriarty” here.

I haven’t seen this one yet. Almost went to a midnight show tonight, but it just didn’t time out right. But honestly, you guys don’t care what I have to say about this. You probably don’t care what Quint or Harry have to say, either. Or Capone. Or Massawyrm. Or anyone here at the site except for one man… the guy whose original rant about the PG-13 rating ended up summoning Bruce “Walter B” Willis out of the ether in one of the craziest talkback moments of all time.

Yes, that’s right. It’s time for Vern’s review of LIVE FREE OR DIE HARD. Which means it’s time for me to piss off and hand over the stage to him:

“No one has that power. There is a much more powerful guy in Hollywood, and his name is Rupert Murdoch. It’s his corporation. I only work there.” –Bruce Willis to Vanity Fair, on not being able to do an R-rated DIE HARD

“This city is like a big CHICKEN, waiting to get PLUCKED.” –SCARFACE, edited for TV version

Fellas–

DIE HARD, the motion picture, characters and their likenesses, are the copyrighted intellectual property of the Twentieth Century Fox Corporation. To them DIE HARD is a franchise, a license, a property, a brand, a tentpole, a consumer product, an opportunity for cross promotion with Arby’s and whichever candy bar it was. To them DIE HARD is a dollar amount for an opening weekend, a domestic gross balanced against a marketing budget. But to the rest of the world, to the people with beating hearts, DIE HARD is something more. (read the rest of this shit…)

The Glove

Saturday, June 23rd, 2007

Like I mentioned in my review of WHO CAN KILL A CHILD? that should be running on The Ain’t It Cool News soon, I’m on the mailing list for this Dark Sky DVD label. So I get all these nicely packaged Italian horror obscurities and what not, and to be honest I haven’t watched most of them yet. I loan them to my horror watcher friends and hope they’ll tell me I got a must-see there. But that doesn’t usually happen.

For the batch that comes out this week though I found time to watch them and I was impressed. The one I had the highest hopes for was WHO CAN KILL A CHILD? which is a creepy sun-drenched Spanish horror movie in the vein of VILLAGE OF THE DAMNED. But I already heard that one was good before, so a more impressive find is THE GLOVE, the b-picture in their latest “DRIVE-IN DOUBLE FEATURE” along with SEARCH AND DESTROY. (read the rest of this shit…)

The Perfect Weapon

Friday, June 22nd, 2007

This review is by special request of several individuals on the STONE COLD DVD talkback and other people over the years who have tried to get me to watch this movie. The Perfect Weapon of the title in this 1991 white martial arts movie is Jeff Speakman, an American Kenpo Karate sixth degree black belt who I guess is playing himself, since they just call him Jeff. The movie opens with Jeff shirtless and oiled up, in a living room doing karate moves to that horrible song “I Got the Power (It’s Gettin It’s Gettin It’s Gettin Kinda Hectic It’s Gettin It’s Gettin It’s Getting Kinda Hectic I Got the Power!)” by the group Snap!. It’s funny because this movie is only 85 minutes long but they still felt they had time for him to do moves to that entire song. As it ends he puffs his chest out like he just won a medal.

Then Jeff goes for a ride in his convertible and as he soaks in the open road he thinks about his past. So we learn that after his mom died he was a troublemaking kid, and his cop dad wanted to send him to military school. Fortunately Pops’s Korean war buddy Kim (the great Mako) convinced him to send Jeff to Kenpo Karate Dojo instead. To learn self discipline. (read the rest of this shit…)

Vern Explains The Importance Of The STONE COLD DVD!

Tuesday, June 12th, 2007

Hey, everyone. ”Moriarty” here.

Really, what more is there to say? Vern’s the man, and if he says it’s time to go buy STONE COLD on DVD, who am I to argue?

Ladies and gentlemen, the day has come. The eagle has landed. Brian Bosworth’s 1991 film debut STONE COLD is finally available on Region 1 DVD. We’re through the looking glass, people.

As a DVD this is kind of a bust. There isn’t even a trailer on the thing. They did spring for interactive menus, that’s about it. They even labeled the disc wrong, the widescreen is actually on the standard side and vice versa. The movie is about a biker gang, but the cover seems designed to make it look like a current DTV espionage thriller – there’s not a single motorcycle pictured on the front or back. (read the rest of this shit…)

McQ

Sunday, May 27th, 2007

In the movie McQ, John Wayne plays McQ, a cop trying to find out who killed his partner and why. I’m not sure if McQ is short for McQuaid or McQueen, or if it is his real name like McG. Actually, they usually just call him Lon.

McQ was made in 1974, the director was John Sturges, the style seems to be DIRTY HARRY. Except John Wayne was actually offered the real DIRTY HARRY after Frank Sinatra dropped out. He turned it down because he didn’t want Sinatra’s leftovers. Instead, he would prefer to do a rip-off of Sinatra’s leftovers.

Actually, it’s not like DIRTY HARRY. It’s a little more like MAGNUM FORCE because it turns out the other cops are dirty and there’s a coverup. But still it’s not the same type of movie, because instead of the liberal West Coast port city of San Francisco it takes place in my beloved liberal West Coast port city of Seattle. And instead of a funky Lalo Schifrin score it’s a funky Elmer Bernstein score. So it’s totally different. (read the rest of this shit…)

Revenge of the Ninja

Thursday, May 10th, 2007

(aka NINJA II)

REVENGE OF THE NINJA isn’t connected to the story of ENTER THE NINJA. Franco Nero’s White Ninja character is nowhere to be seen, defying the promise of his final freeze-frame wink. Which is bullshit, man. If you’re gonna wink – especially if you’re gonna freeze-frame wink – you better fuckin mean it.

However, Sho Kosugi (who died in part 1) is reborn as a different character, a collector of Japanese antique dolls whose family is killed by ninjas. His white friend convinces him to take his son and mom to AMerica to open a gallery for his dolls. And I don’t think I need to point out that any time in an action or fighting movie where you are discussing the hero’s doll collection you are on some paper thin ice. But I’ll be charitable and accept this as a fulfillment of the Theory of Badass Juxtaposition. (read the rest of this shit…)