
I almost didn’t bother trying out the sequel, but I’m so glad I did. It turns out 1993’s BEST OF THE BEST 2 is an unheralded gem of the ’80s style American b-action movies. It’s such a huge leap in entertainment value from BEST OF THE BEST that I couldn’t even believe it. I guess this is a spoiler for the next couple reviews, but not only does BEST OF THE BEST 2 best BEST OF THE BEST, but BEST OF THE BEST 2 is the best of the BEST OF THE BESTs, too. (read the rest of this shit…)
Archive for the ‘Action’ Category
Best of the Best 2
Wednesday, July 28th, 2010Best of the Best
Tuesday, July 27th, 2010
BEST OF THE BEST is a watchable movie, but not the best of any genre, except possibly Eric Roberts non-sequel karate tournament movies. So I’m not sure about using the word “best” two times in the title. Seems a little presumptuous, unless one is supposed to cancel out the other. They were definitely set on that title, though. It’s spoken out loud in the movie and appears in one of those ’80s inspiration-rock montage songs.
This isn’t a full-on martial arts movie or even on par with a JCVD. This is one of those mainstream-trying-to-come-to-grips-with-something-they-don’t-understand pictures, like a breakdancing movie. While it was written and co-starring the Korean-American martial artist Phillip Rhee, everybody else is a white American (Eric Roberts, Chris Penn), or a respected actor (James Earl Jones). Jones plays the coach and the rest play the five elite martial artists recruited for the U.S. National Karate Team to compete against The Koreans in Tae Kwan Do. (read the rest of this shit…)
Mortal Kombat Annihilation
Thursday, July 15th, 2010
MORTAL KOMBAT ANNIHILATION is an asinine sequel by any standards, but as long as you don’t hold the MORTAL KOMBAT legacy too close to your heart it’s pretty fuckin funny.
In the first one it seemed like they tried hard to mold the vibe of the game into a new type of martial arts movie for the early digital era. In this one I really thought the video game creators must’ve got a big head and forced every bullshit video game concept they could think of onto the poor bastards who had to try to turn it into a passable story. (read the rest of this shit…)
Predators
Saturday, July 10th, 2010
Well, whattya know? PREDATORS really is a good old fashioned action movie in the tradition of PREDATOR. Whichever corporate overlord holds the deed to the PREDATOR licensed property seems to be taking a temporary break from the “make sure they know we just want their money” policy that was in place for the two cheesy movies where the PREDATOR predators and the ALIEN aliens all got humiliated together fighting that pizza delivery boy at the pool party or whatever.
The movie begins with THE PIANIST himself, Adrien Brody, dropping from the sky. He just wakes up mid-air, hurtling toward an unknown jungle, no idea how he got here, and luckily finds that he has some kind of small parachute contraption attached to him. We’ve all been there, so it’s a real relatable way to start a movie. (read the rest of this shit…)
Mortal Kombat
Friday, July 9th, 2010
I know MORTAL KOMBAT is not exactly a high kwality movie. It has one or more leads who are completely unconvincing as fighters. Linden Ashby as Johnny Cage can maybe get by on arrogance, but the teacher from BILLY MADISON as Sonya Blade just comes off as a grouchy aerobics student in a black painter’s cap that’s supposed to make her a supercop. This movie is a pioneer in bad computer generation imaginations, possibly the first movie to prove that CGI not good enough for a feature film is in fact good enough for a feature film. (Say thank you, SPAWN).
But I gotta admit, I kind of like this stupid fucking movie. It has, as we Americans say that the French say, a certain… I don’t know how to spell it in French. It invented a completely new style of cheesy stupid fun. And it keeps a straight face the whole time. I mean, look at Scorpion there. Does he look like he’s gonna wink at you? Fuck no. The man is serious. (read the rest of this shit…)
Street Fighter
Monday, July 5th, 2010
I haven’t really kept up with this, but I heard something about Roger Ebert drawing a nerd fatwa by saying that video games aren’t art. From the sounds of it I think people should lay off the guy, because do you really want to convince Ebert to love video games and have him spend his last years playing Halo looking for its themes? I don’t want that, and I wish he’d cut down on the Twitter a little too. (read the rest of this shit…)
Trespass
Friday, July 2nd, 2010
Didn’t Robert Zemeckis used to be a big deal for movie nerds? Right now he’s mainly looked at as a heretic because of his obsession with doing those creepy motion computerized movies that I seem to be pretty alone in appreciating. But there was another Zemeckis before that, a live action one. Everybody loved that BACK TO THE FUTURE and a couple of his other movies. It seems like people used to put him up there just below Spielberg as one of those worshipped All-American brand name mainstream directors of the ’80s. (read the rest of this shit…)
Red Heat (1988)
Thursday, June 17th, 2010
One thing we’ve learned from the movies is that cops often come from faraway lands to follow a fugitive or transfer prisoners back to their jurisdictions, and when they do that they have to team with a screw-up from the local department and at first they hate each other and say ignorant things but over time the screw-up will learn from working with the foreigner and the foreigner will see something in the screw-up that no one else did and they will gain respect for each other and at the end they will be great friends to set up for the sequel that most likely will never come. Pat Morita came from Japan and did it in COLLISION COURSE, Jackie Chan came from Hong Kong and did it in RUSH HOUR, Clint Eastwood came from Arizona and sort of did it in COOGAN’S BLUFF, except he didn’t need the partner because he’s motherfuckin Clint. Well, here we got Schwarzenegger coming from Russia to Chicago to get the Georgian gangster who killed his partner and is bringing “the American poison” into their country. James Belushi has to escort him and Walter Hill has to escort the movie. (read the rest of this shit…)
The A-Team
Wednesday, June 16th, 2010
More like THE C+/B- TEAM if you ask me! Nah, I’m sure somebody beat me to that one, and they probly graded lower. THE A-TEAM is semi-enjoyable but not nearly as good as I wish it was and truly believe it could’ve been even if it’s an adaptation of a stupid ’80s TV show where everybody fires guns and nobody ever gets their head blown off. Directed by Joe Carnahan in a toned down version of his SMOKIN’ ACES hyperactive style, using a script he took over from an individual responsible for THURSDAY, SWORDFISH, HITMAN and WOLVERINE, it’s a movie that only partially earns its swagger. I kind of went back and forth on my feelings about these characters constantly laughing as they pull off ridiculous digitized feats in jets and choppers. It’s kind of relatable and endearing, kind of frat boy and smarmy. It’s the only action movie I can think of where after multiple action beats the characters yell “THAT WAS AWESOME!” (read the rest of this shit…)

If I had to choose the better STREET FIGHTER I guess I’d have to go with the newer one, STREET FIGHTER: THE LEGEND OF CHUN LI. It’s a slick, competently made preboot with TV actress Kristin Kreuk as the young Chun Li. There seems to be more martial arts in the first 8 minutes (when Chun Li is still a kid) than in the entire STREET FIGHTER: THE MOVIE even if you watched it two times in a row. Could’ve done without Chun Li’s constant voiceover narration through the first half, though. 

















