I use hands to help my fellow man / I use hands to help with what I can / But when I face an unjust injury / Then I change my hand into FIST OF FURY

Posts Tagged ‘Michael Douglas’

A Perfect Murder

Tuesday, June 19th, 2018

June 5, 1998

I thought I had reviewed A PERFECT MURDER before, but for some reason it didn’t come up when I searched for it, so I watched it again. Then when I searched for my DIAL M FOR MURDER review to refresh my memory I did find a review of A PERFECT MURDER from five years ago. But that review wasn’t that good so fuck that review. This is the first time I’ve reviewed it in my opinion.

A PERFECT MURDER is the first of two Viggo-Mortensen-co-starring Hitchcock remakes that came out in 1998. The other is Gus Van Sant’s PSYCHO, which is not a summer movie, but is worth bringing up as a comparison. While that was a complete anomaly – an audience-provoking experiment infused with bright colors and stylized costuming – this loose, updated remake of DIAL M FOR MURDER is an expensive, high gloss star vehicle. Remember? They used to make R-rated thrillers that were A-movies, sometimes by top directors. Michael Douglas’s movie before this was David Fincher’s THE GAME. For co-star Gwyneth Paltrow it was part of a prolific period – after being in SE7EN and then really blowing up with EMMA she starred in five 1998 movies: SLIDING DOORS, GREAT EXPECTATIONS, HUSH, this, and best picture winner SHAKESPEARE IN LOVE. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Falling Down

Thursday, June 18th, 2015

tn_fallingdownJoel Schumacher’s FALLING DOWN (1993) is a movie I’ve always hated for what I thought it was saying. Watching it again a couple decades later I think I was partly wrong. Maybe even mostly wrong. But I still can’t get all the way on board. I’ll try to explain why.

Michael Douglas plays a defense industry office drone in L.A. who one morning gets stuck in traffic, loses his shit, decides to abandon his car and walk home. And along the way he decides to go nuclear on anyone he thinks is wronging him. This includes gang members who try to collect a toll for him sitting on their rock and a Neo-Nazi (Frederic Forrest, VALLEY GIRL) who shows him his weapons cache, but also a convenience store clerk, the staff and patrons of a fast food restaurant and random construction workers. As he travels he builds up an arsenal by taking people’s weapons, like a video game that didn’t exist yet at that time.

(He’s credited as “D-FENS” after his vanity license plate, but they find out his name is William Foster, so that’s what I’ll refer to him as.) (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Behind the Candelabra

Monday, April 28th, 2014

tn_candelabraBEHIND THE CANDELABRA is Steve Soderbergh’s one last big score before retirement. In some countries it played in theaters, but here in his home country it went straight to cable. Why? The Man obviously didn’t get how contemporary this story is even though it takes place in the ’70s through early ’80s.

It’s about this young working class guy, animal trainer, orphan (Matt Damon, THE BOURNE IDENTITY), one day he and his buddy (Scott Bakula, COLOR OF NIGHT) hit Vegas together, turns out his buddy knows this super famous musician guy (Michael Douglas, Streets of San Francisco), they get to hang out backstage, next thing you know he gets a job with the guy, gets to be in the crew, his posse, his entourage, like in the show Entourage (I don’t know, I haven’t seen it, but I figure I got a good guess what a show called Entourage would be about). (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

A Perfect Murder

Thursday, March 14th, 2013

tn_perfectmurderWith DIAL M FOR MURDER fresh on my mind I was really curious how they updated it in the 1998 remake A PERFECT MURDER. In this one Michael Douglas plays the scheming husband, Gwyneth Paltrow is the wife and Viggo Mortensen (when he was still a rising character actor and not yet the guy from LORD OF THE RINGS) is her boyfriend.

The basics are all there. The husband knows the wife is cheating, he blackmails someone else into doing the deed, but she ends up killing the guy, and he has to desperately maneuver to cover his tracks, ultimately being undone by a mistake he made after giving the would-be killer a key to the apartment. But within that framework they do all kinds of things to update, expand, complicate and alter things. Some of it is kinda clever in the way it will surprise you if you’re expecting everything to go the same as in the Hitchcock version (I can’t say “the original,” because that would be the play by Frederick Knott, credited as the basis of this). (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Haywire

Sunday, January 22nd, 2012

tn_haywireBSteven Soderbergh’s take on an action/spy thriller – built around “The Face of Women’s MMA” Gina Carano after he saw her on Strikeforce while flipping channels around – lives up to my high expectations. It’s written by Lem Dobbs and it’s like the kid sister of THE LIMEY, mixing the style of that Soderbergh classic with kind of a more upbeat ex-Marine-badass-operative-betrayed-and-on-the-run type of story. It has THE LIMEY’s sense of quiet, deliberate pace and dread and also its dry you-just-fucked-with-the-wrong-person type of humor. Of course, professional fighter Carano has different strengths as a performer than Terence Stamp does, so her movie has less emotion and more punching, kicking, choking, armbars, heads broken through furniture, foot chases, etc. Gina’s not gonna mourn the loss of the daughter she never knew, and Terence isn’t gonna climb up onto a roof. In my opinion. And it’s great to have both of them. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.