The opening of WARCRAFT seems promising. A booted foot steps over a skull. The camera arcs up dramatically to show an elaborately armored warrior picking up a shield and sword, stepping into a clearing for a duel. And then we see the guy he’s fighting. He is an orc. That means he’s a motion capture or animated type monster character who is like 8 or 9 feet tall with saber teeth, giant muscles, fists as big as your head, fingers that even seem too big for him, even though he’s a giant. A voice is narrating about the war between the humans and the orcs, but it’s a deep, distorted voice, because it’s not the human talking to us, it’s the orc.
In the next scene, the orc is laying next to his very pregnant wife, talking about their plans, what they will name the baby. She teases him about him having a big head. They laugh at each other. This is a fantasy adventure movie and minutes in we have a monster couple being intimate and loving! It’s like CLASH OF THE TITANS meets the end of FARGO when Marge and Norm are in bed talking about the painting he’s doing for the stamp.
This is why I came to this. A fantasy movie but from a monster perspective. This is beautiful! So as the metal letters of the logo float at me in 3D I am as excited as the nerds who cheered when the trailers started and one guy yelled “FOR THE HORDE!,” and went on to surprise me by gasping and clapping for the I-thought-unimpressive ASSASSIN’S CREED trailer.
Then the next scene is about some humans, standard issue guys in armor standing in castles talking about shit, and they are not as interesting as those orcs. But it continues to be about them for a while. And a while longer. And eventually you realize that the movie is gonna mostly about them. It’s like one of those movies about the civil rights movement or apartheid or something but they have a white guy as the main character. They don’t think non-orc audiences can relate to an orc protagonist. (read the rest of this shit…)
VERN has a new action-horror novel out called WORM ON A HOOK! He has been reviewing movies since 1999 and is the author of the film criticism books Seagalogy: A Study of the Ass-Kicking Films of Steven Seagal and Yippee Ki-Yay Moviegoer!: Writings on Bruce Willis, Badass Cinema and Other Important Topics as well as the crime novel Niketown.