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Posts Tagged ‘biopic’

Ferrari

Wednesday, January 17th, 2024

My favorite Michael Mann Mode (MMM) is crime movie mode. Or guy chasing another guy mode. Moody guy looking out a window talking to another guy across the city mode. The mode you can feel coming in the air tonight, oh lord.

FERRARI is obviously not that mode. It’s biopic mode, I’ve got a 496-page biography to recommend to you mode, I’ve been obsessed with this guy for years and hopefully I can articulate some of the reasons why plus some side info about car engines and racing teams mode, Ferrari started manufacturing in 1947 and the events depicted here take place in 1957 but we’ll have some text at the end explaining what happened to everybody later mode. Not my favorite MMM, no, but the nice thing about his modes is that he’s good at all of them. (read the rest of this shit…)

Oppenheimer

Wednesday, August 16th, 2023

First thing I want to say is that I’ve been calling this movie “Oppy” while having no idea that it’s what everyone calls him in the movie. I guess it’s just the natural, instinctive nickname that comes to mind for J. Robert Oppenheimer, even before “J.R.”

Second thing I want to say is that I was so wrong about the phenomenon of OPPENHEIMER! I had been confused as to why people were talking about it as a sure-thing blockbuster smash, but here I am finally having seen it after 3 weeks of sold out shows at the Imax. I had to give in and buy the tickets a week in advance, and the show did sell out in the same theater that never filled up for DEAD RECKONING, JOHN WICK 4, CREED III, DIAL OF DESTINY, etc. There’s lots of hype about it being shot for Imax format, and this is is the only full Imax format screen in the state, so that’s important context. But still – a 3-hour R-rated drama about a scientist selling out every show every day for weeks? Just because Christopher Nolan directed it? Hooray for the auteur theory! (read the rest of this shit…)

Being the Ricardos

Wednesday, January 5th, 2022

BEING THE RICARDOS is a straight-to-Amazon movie, the latest from playwright turned TV show creator turned screenwriter turned director Aaron Sorkin. It tells the story of one week in the lives of ‘50s sitcom icons Lucille Ball and Desi Arnaz, when a radio show had reported on Ball registering to vote as a communist in 1936, and they went ahead preparing an episode of I Love Lucy thinking their careers might be over.

Because this is Sorkin, and a movie, it’s about how a beloved American icon could’ve been taken down by the red scare, but it’s also about the nature of comedy genius, the struggle for artistic freedom, workplace dynamics, and marital strife. Sorkin piles on the separate events of Lucy telling the network she’s pregnant and of discovering Desi’s infidelity, leading to the end of their glorified-on-television marriage. I spent the whole movie thinking “These couldn’t possibly have happened in the same week, could they?” and of course no, they did not. (He also changed which episode was being filmed.) (read the rest of this shit…)

Judy

Monday, February 17th, 2020

Before the 2019 awards season dissipates entirely from memory I want to get my thoughts down about one of the movies I watched. As I’ve said before, one of the reasons I like following the Oscars is to get myself to watch a few things that I wouldn’t otherwise, for a little of the ol’ BoH (Broadening of Horizons). I always bring up the example of when I had no interest in THE MISERABLES but I watched it because it was the only best picture nominee I hadn’t seen and it turned out I loved it.

This year all the best picture nominees were things I’d seen or was already planning to see. But there was one movie that I correctly guessed would be a winner that I really did not think would be my cup of tea – JUDY.

Things I had against it: Not generally a fan of biopics. Not particularly curious about the life of Judy Garland. Never really impressed by Renee Zelweger. I absolutely would not have watched this for any other reason than “Eh, she’s gonna get best actress, might as well find out if I should be mad about that or not.” (read the rest of this shit…)

Dolemite Is My Name

Wednesday, October 23rd, 2019

DOLEMITE IS MY NAME is a dream come true – topnotch director, writers and cast making a beautiful, warm, well produced triumph-of-the-underdog epic about Rudy Ray Moore, the small time club singer who reinvented himself by selling dirty comedy records out of the trunk of his car and then strutting his way into independent filmmaking. The script is by kings of the oddball biopic Scott Alexander & Larry Karaszewski (THE PEOPLE VS. LARRY FLYNT, MAN ON THE MOON, The People vs. O.J. Simpson) and it’s got a whole lot in common with their best film, ED WOOD. It’s another story about an L.A. misfit perceived as a failure who, through tenacity and lack of self consciousness, puts together a family of people to will their silly, awesome dreams into reality.

ED WOOD glorifies people whose work was and continues to be made fun of, arguing that the passion and personality behind these works imbues them with an artistic purity and value that they hadn’t previously been given credit for. Moore and friends work with a similar scrappily amateurish zeal, but they in fact made a hit movie that, at least in some parts, was intended to be laughed at. So the happy ending in this one is real! (read the rest of this shit…)

Miles Ahead

Tuesday, August 23rd, 2016

tn_milesaheadad_milesMILES AHEAD is the directorial debut of Don Cheadle, and he stars in it as Miles Davis. I think it didn’t get much attention for the same reason it’s good: it’s a small, odd movie, not fulfilling most expectations of a musician biopic. I’m not sure if it even is a musician biopic. Maybe it’s a little of that mixed with Miles’ guest appearance on Miami Vice. It’s a small time crime story where the lead happens to be Miles Davis and the McMuffin is a reel-to-reel of the only recording session he’s done in years. He wants it for himself but Columbia Records has contractual claim to it, so people are trying to get it.

The story takes place over just a couple of days, with the device of Ewan McGregor as totally fictional Rolling Stone writer Dave Braden barging his way into the “black Howard Hughes” life of Miles, promising to write his “comeback story!” At first Miles gives him many variations of “fuck off, white boy,” but eventually the two are hanging out together. Making this odd couple happen requires deceit and cocaine and puts the reporter in the middle of many tense situations involving guns and/or a fierce insistence on artistic purity. (read the rest of this shit…)

Steve Jobs

Monday, March 21st, 2016

tn_stevejobsLooking back through my notebook I discovered that I wrote most of a review of STEVE JOBS back when it was in theaters, but I never typed it up. I guess since it wasn’t nominated for best picture I didn’t catch that when I was doing all the pre-Oscars reviews. But I think it’s a movie worthy of more attention than it got, and it’s available on video and I use a Mac so it seems only fair to finish it.

Steve Jobs was a genius and also an asshole. That’s kinda the basics of Aaron Sorkin’s screenplay, and many of his other screenplays, and therefore I have to guess something he can relate to. Like his other computer history piece THE SOCIAL NETWORK I think this one leans in the direction of genius not justifying assholishness, but it seems to be a question he struggles with.

I’m a little – not alot – familiar with the playwright turned TV mastermind’s work. I know people who adore his shows Sports Night and The West Wing, and some who are masochistically fascinated with The Newsroom.

(read the rest of this shit…)

Mishima: a life in four chapters

Thursday, December 17th, 2015

tn_mishimalucasminusstarwars

This is the story of Yukio Mishima (Ken Ogata, VENGEANCE IS MINE), once “Japan’s most celebrated author,” but now largely known as a crazy who commited public ritual suicide. Paul Schrader’s complex, lushly produced film weaves together both sides of the writer’s legacy, illustrating what he called “the harmony of pen and sword,” an attempt to fuse his art and his actions into one.

It starts in 1970 the morning of the day when we know from the onscreen text that Mishima is going to take “4 cadets from his private army” to a military base, kidnap a general. Mishima, and those of us who have heard of this incident, know he will make a speech about the soul of Japan and then cut his belly open with a sword. But he doesn’t seem nervous. He skips breakfast but has one last leisurely morning, reading the paper, enjoying some tea in his lovely backyard. (read the rest of this shit…)

J. Edgar

Saturday, March 3rd, 2012

tn_jedgarJ. EDGAR is the work of an unlikely biopic all-star team: Leonardo “The Aviator” DiCaprio playing the notorious FBI director (even though he’s an old man during alot of the movie), Clint “Bird” Eastwood directing, and Dustin Lance “Milk” Black on the keyboards. This topic required calling in the pros because J. Edgar Hoover was an asshole and a weirdo, but not in a charming or funny way, like Larry Flynt or somebody. And even though he was (according to many, including this movie) a  minority – a closeted and tormented gay man – there is nothing anti-establishment about him. He’s not a guy who bucked the system. He created the damn system. Hard to make that glamorous in a movie.

In fact, that’s kind of a reoccurring theme, he keeps complaining about movies glamorizing the “radicals” and “hoodlums” he fights against and is happy when they finally make ones that make kids want to grow up to be G-men. But this won’t make kids want to grow up to be FBI director. Sorry, J. (read the rest of this shit…)

Dragon: The Bruce Lee Story

Wednesday, May 26th, 2010

tn_dragonWe here in Seattle are very proud of Bruce Lee. We claim him as our own. He’s one of our icons like Jimi, Cobain, and… well, I’m not gonna say Sir Mix-a-lot. I don’t know. Quincy Jones?

Of course, Bruce was born in San Francisco, raised in Hong Kong, filmed his movies in Hong Kong. He only lived here for about 5 years. But I think it’s fair to say they were important years. Any biography of Bruce mentions that he studied philosophy, right? Well that was right here at our University of Washington. He actually majored in drama, so give us partial credit for his acting too. He started his first kung fu schools here. He met his wife here. He married her here. When he died his family still lived here, so he’s buried here, and so is Brandon. We still don’t have a Bruce Lee statue, but Linda and Shannon Lee are trying to build The Bruce Lee Action Museum here. So we got a legitimate claim, I think. We are a Bruce Lee town.

That’s why it’s so embarrassing that some dumb motherfuckers dropped the ball and got us completely erased from this biopic. (read the rest of this shit…)