No, this is not the one where Adam Sandler has a magic remote control that he uses to conquer the world, that’s CLICK. This is CRANK, this is the one where Jason Statham (the Transporter himself) is a hitman who gets injected by high concept poison. It’s gonna kill him, but he figures out that it won’t finish until his adrenaline rate goes down. So he tries to run around, have sex, do coke and get in shootouts until he is able to get revenge on the poisoner. So it’s SPEED in a guy, with a side order of revenge.
An inventive thrill ride full of imagination and wit that keeps you constantly involved as it builds to an unbelievable climax… would be a good way to do this movie. Instead they went the DOMINO route of “if you throw every stupid show-offy technique you ever saw in a commercial at the screen, technically it counts as entertainment.” I think I know what they were thinking: he has to keep his adrenaline up, so the movie has to keep its adrenaline up too. But it’s flawed logic. THE JERK is about a moron, but the movie doesn’t have to be moronic. I don’t think SPEED had cameras flying around constantly to convince you that it’s about speed. If you show a guy in hospital gown zooming around on a motorcycle pursued by police, that is by definition somewhat exciting. But when you throw in unnecessary zooms and split screen and do a jokey flashback on one side and then freeze on a guy’s goofy expression and then switch it to black and white and then zoom into Statham’s chest to show an x-ray of his heart beating (a nod to the Furious Movement) AND you gotta throw in “exciting” guitar music made by a guy who used to be in Tangerine Dream who is now trying to rock out, it seems like you’re overcompensating. It isn’t exciting anymore, it’s just annoying. To me it’s another movie that has no build or rhythm at all, just the same frantic shit for 87 minutes straight. (read the rest of this shit…)