Posts Tagged ‘undercover’
Monday, September 11th, 2023
Not to brag but we all know the secret to my great success in this most respected artform of filmatic criticism is my appeal to the youths. You almost definitely can’t tell, it’s basically imperceptible to the human eye, but the individual pictured to the left here is not a cool young teen. He is in fact an adult man of age. But he wears a headband and passes for a youth. That’s pretty much what my reviews are like. Grown up, but ageless, vital, wearing a headband with a picture of a skull on it. Cool.
My timeless words and topics reach out even to generations that have largely abandoned the watching of movies, let alone the reading about them, in favor of other forms of expression such as short video clips of some jackass looking into their phone jabbering about some inane topic or other. I just get them and they get me so it’s not necessary, but just in case I’m gonna pander to that important demographic by offering this fun “back to school” themed review. If I know Gen-whichever-letter-we’re-on-now as well as I think I do those little dorks are gonna flip for my thoughts on Martha Coolidge’s PLAIN CLOTHES, an obscure 1988 bomb about a cop going undercover as a high school student to prove his brother didn’t murder his teacher.
Arliss Howard, in his mid-thirties and fresh off of FULL METAL JACKET, plays 24-year-old Seattle Police Department detective Nick Dunbar. He’s introduced undercover as an ice cream man while his partner Ed Malmburg (Seymour Cassel, HONEYMOON IN VEGAS), whose out-of-fashion mustache and suits signify a generation gap, is on lookout. Nick hates being around so many kids, but when he goes to complain about it to his captain (Reginald VelJohnson right before DIE HARD), who’s sipping from a “Trust Me I’m a Father” mug, is deeply offended and yells that it’s “goddamned unamerican” to not like kids. (read the rest of this shit…)
Tags: Abe Vigoda, Alexandra Powers, Arliss Howard, Dan Vining, Diane Ladd, George Wendt, Jackie Gayle, Loren Dean, Martha Coolidge, Max Perlich, Reginald VelJohnson, Robert Stack, Scott Frank, Seattle, Seymour Cassel, Suzy Amis, undercover
Posted in Reviews, Comedy/Laffs, Crime | 8 Comments »
Wednesday, June 8th, 2022
(warning: to the extent you can spoil a movie like CRIMES OF THE FUTURE, this review contains spoilers)
CRIMES OF THE FUTURE is your typical undercover story – a guy is working for The Man and thinks he’s doing the right thing, but through his investigation he starts to see a different perspective, rethinks his loyalties, and questions whether or not to narc these people out. In this case the guy is a performance artist famous for growing inexplicable new internal organs and having them removed in front of an audience by laying in a machine that looks like a chrysalis, with robotic bone arms cutting him open under the control of a partner sensually poking her fingers into a gooey bladder. And the people he may or may not bust are (spoiler) an underground movement of people surgically altering their digestive systems so that they can eat plastic. But you’ve seen that before too. Just a good old fashioned organ opera like the ones we all grew up on.
Okay, yeah, on second thought maybe it’s fair to say that this is a weird fuckin movie that could only be made by writer/director David Cronenberg (TOP GUN [offered but turned down]). When he did that trilogy of more reality-based Viggo Mortensen joints (A HISTORY OF VIOLENCE, EASTERN PROMISES and A DANGEROUS METHOD) people thought he’d moved beyond slimy mugwumps and uncharted glands and shit, and that this is a throwback. But he wrote and tried to make this before all those, so maybe he’s just getting back on track.
Either way, this has a scene where Mortensen (AMERICAN YAKUZA) has had a zipper installed on his belly and can open it up, and Léa Seydoux (MISSION: IMPOSSIBLE – GHOST PROTOCOL) pleasures him by spreading it open and licking his innards. So it was cool to see at a multiplex on a giant screen with Minions ads and shit playing before it. The summer movie season has finally begun. (read the rest of this shit…)
Tags: ???, David Cronenberg, Don McKellar, Ephie Kantza, Kristen Stewart, Lea Seydoux, Nadia Litz, performance art, Scott Speedman, surgery, Tanaya Beatty, undercover, Viggo Mortensen
Posted in Reviews, Science Fiction and Space Shit | 15 Comments »
Wednesday, January 22nd, 2020
a.k.a. Lukas
THE BOUNCER, a.k.a. LUKAS, is a quite good 2018 JCVD movie that in the right mood might be very good. Or in another mood it might be boring as shit. It’s the rare JCVD movie with an 80% critics / 49% audience score on Rotten Tomatoes. (BLOODSPORT is 39% / 74%.) So it’s not his usual approach.
Narratively it’s a pretty straight forward crime drama or noir type deal – club bouncer with mysterious past gets into trouble through no fault of his own and is forced to inform on his shady new boss, putting himself and his daughter in increasing amounts of danger, caught between two sides he can’t trust. But tonally it kind of reminds me of UNIVERSAL SOLDIER: REGENERATION – a very grim and serious march into doom fueled by Van Damme’s ragged features and hard-earned non-verbal acting skills.
Don’t take that as a comparison in quality. REGENERATION is a masterpiece, I don’t think THE BOUNCER is. Nor does it have the same dosage or strength of action. There’s some vehicle and guns stuff that is REGENERATIONesque, but the occasional fights are raw and unexaggerated, more interested in brutal reality than cinematic flair. More RUST AND BONE than BLOOD AND BONE. Do not expect him to do the splits, do expect him to get knocked over and his face bloodied and he’s too winded to get up but maybe he’ll be able to roll over and shoot at somebody or crawl on top of them and punch their face in. Dour though it may be, I got a thrill out of seeing this broken-but-still-going type of Van Damme character in a movie that feels more artful and legit than the lower rent DTV stuff he sometimes ends up in. (read the rest of this shit…)
Tags: bouncers, JCVD, Julien Leclercq, Kaaris, Kevin Janssens, Sam Louwyck, Sami Bouajila, Sveva Alviti, undercover
Posted in Action, Crime, Reviews | 6 Comments »
Monday, February 26th, 2018
(a.k.a. JOHNNIE GIBSON F.B.I. if you go by the VHS tape)
JOHNNIE MAE GIBSON: FBI is a TV movie directed by Bill Duke. It aired on CBS in October of 1986 against a World Series game. I found a New York Times review from the time lamenting that it was routine TV formula. Accurate, but thirtysome years later the routine TV formula of 1986 has a certain retro appeal.
It’s a premature biopic of a respected FBI agent (Lynn Whitfield, JAWS: THE REVENGE) who was still on active duty at the time. Only the fifth ever African-American female agent at the bureau, she was known for extreme cool under pressure in undercover assignments and a high arrest record, many from “old dog” cold cases they dumped off on her.
We see her rise from a childhood in rural Georgia, poor family, sick mother (Veronica Redd, The Young and the Restless), mean father (Henry G. Sanders, REBEL, CHILD’S PLAY 3, ROCKY BALBOA). One scene involves a white family offering them a Thanksgiving turkey, her father refusing it, and her getting it anyway and surprising the family with it. her dad throws a fit and knocks it onto the floor. So much is established in this scene: Johnnie’s fearlessness and insistence on doing her own thing, her lifetime of dealing with angry men, but also her dad’s attempt to instill self-reliance into her, and the idea that her willingness to engage with white people makes her an outlier. (read the rest of this shit…)
Tags: Bill Duke, Henry G. Sanders, Howard E. Rollins Jr., Lynn Whitfield, Richard Lawson, TV movies, undercover, William Allen Young, Zero External Reviews on IMDb
Posted in Crime, Reviews | 21 Comments »
Monday, April 14th, 2014
THE RAID 2 has alot of what made THE RAID an instant classic:
1. Incredible fight performances and choreography by Iko Uwais (returning as silat-practicing rookie cop Rama, now undercover as “Yuda” [weirdly that was also his name in MERANTAU]), Yayan Ruhian (as a new character named Koso, since his great villain character Mad Dog eventually gave in and died) and a whole bunch of other great martial artists.
2. Action scenes crammed with fast, unrelenting brutality including many, many, many stabbings, headshots, bodyparts smashed through walls, slit throats, broken bones, etc.
But there’s one thing that’s really different:
(read the rest of this shit…)
Tags: Gareth Evans, Iko Uwais, Indonesia, Silat, undercover, Yayan Ruhian
Posted in Action, Reviews | 196 Comments »
Tuesday, November 26th, 2013
Johnnie To’s DRUG WAR is a hell of a procedural, a fast-moving, heavily detailed look at a batallion of Chinese narcotics cops flipping a big time meth manufacturer and trying to use him to take out a guy that’s above him. We watch them step-by-step, finding the guy, making him give in, making a plan on the fly, changing things up as the facts on the ground evolve. They gotta worry if they can trust him, is he gonna blow the whole operation, are they gonna get him killed. They’re like high stakes gamblers almost. Seems like stressful work in my opinion.
In the opening scene the squad catches a bus full of drug mules on a toll bridge. They bring them to the hospital and proceed with the unglamorous work of making them shit out the “drug pods” into bowls before they burst inside them and kill them horribly. I’m looking for a HOLY MOUNTAIN Alchemist/shitting in a bowl joke here, but maybe I’ll just let the moment pass. I am nothing if not classy as all fuck. (read the rest of this shit…)
Tags: Johnnie To, Lam Suet, Louis Koo, Sun Honglei, undercover
Posted in Crime, Reviews | 19 Comments »
Tuesday, June 25th, 2013
In SNITCH, Benjamin Bratt (CATWOMAN) plays El Topo, a notorious ex-military badass who leads a Mexican drug cartel. He’s elusive to the authorities, preferring to stay back in a car and watch his underlings from afar, but when the shit goes down he’s the first to pull out a huge gun that looks like it should be mounted to a jeep. He’s very dangerous, especially to the naive Americans who he convinces to drive his drugs across the border. What they don’t understand is they don’t need to be working on a playlist for the drive back.
The obvious question: is this supposed to be a loose remake of EL TOPO, or a sequel, or what? I gotta go with prequel. At the end of EL TOPO El Topo (originally played by Alejandro Jodorowsky) had achieved enlightenment, gone underground and become a Saint. It just doesn’t follow that he would then become a cartel leader. Instead, SNITCH shows how the El Topo we first met riding through the desert with his young son came from a troubled background. It gives him all the more darkness to be redeemed from, retroactively adding more depth to Jodorowsky’s film. (read the rest of this shit…)
Tags: Barry Pepper, Benjamin Bratt, John Bernthal, Michael Kenneth Williams, Ric Roman Waugh, Rockdrama, Susan Sarandon, The Rock, undercover
Posted in Crime, Drama, Reviews | 11 Comments »
