“Excuse me everyone – I surrender!”Wow – for some reason I never had any interest in EMPIRE OF THE SUN before. Turns out it’s great and sort of a beginning for alot of things. It’s Spielberg’s first WWII drama. One of Christian Bale’s first movies. The one that gave Ben Stiller the idea for TROPIC THUNDER. etc. (read the rest of this shit…)
Well, this is depressing. I skipped over Spielberg’s stone cold masterpieces RAIDERS OF THE LOST ARK and E.T. OF THE EXTRA-TERRESTRIALS ’cause I’ve seen ’em a bunch before, but decided to watch TWILIGHT ZONE: THE MOVIE because I don’t think I’ve seen it since the ’80s. Turns out it’s Spielberg’s first bad movie, at least for his segment. And that’s small fish compared to John Landis’s, since it was an actual legitimate tragedy that ended lives and derailed a great filmatist. Bummer. Not worth it. (read the rest of this shit…)
This movie has a reputation as kind of a mess. Admittedly it is a 2 1/2 hour broad comedy about paranoia right after the bombing of Pearl Harbor. In my opinion a 2 1/2 hour broad comedy about paranoia right after the bombing of Pearl Harbor was not necessarily one of the top two or three things the world hoped for as Steven Spielberg’s followup to CLOSE ENCOUNTERS OF THE THIRD KIND. But fuck ’em. It’s what they got and they oughta fuckin appreciate it. (read the rest of this shit…)
THE SUGARLAND EXPRESS is the feature debut of young TV director Steve Spielberg. It’s hard to think of it as his first real movie when DUEL was so damn good, but officially it’s the first one he made for theatrical release. Things have really changed, haven’t they? You don’t get hungry young up-and-comers starting out in TV and then making a splash in movies. There’s great TV now but it’s not a place for visionary directors.
To commemorate the 2 (two) new Spielberg movies that came out recently I decided to finally get aorund to watching all the Spielberg movies I’ve never actually seen. This is gonna include a couple that you guys will be surprised by because everybody else in the world saw them a long time ago. But mostly it will be the “lesser” Spielbergs. Not JAWS, CLOSE ENCOUNTERS or E.T. (read the rest of this shit…)
Word of warning: THE ADVENTURES OF TINTIN is really only about 1 (one) specific adventure that this guy Tintin has, it’s not about all of his adventures. I don’t know if that was a typo or a mistranslation or what but it’s fucking bullshit.
Tintin (Jamie Bell from UNDERTOW) is a boy reporter from Belgium. I think. But I don’t remember them specifying where it was or having Belgian accents, and I didn’t notice any cameos by famous Belgians like Jean-Claude Van Damme and other famous Belgians. But I’ve read it’s based on a Belgian comic strip. (read the rest of this shit…)
released June 29th, 2001
(ten years ago today!)
Today, as we celebrate the opening of the third Steven Spielberg produced Hasbro adaptation about overly detailed space robots with different accents wiggling around and smashing buildings, let’s also take a moment to note the tenth anniversary of that one time when Spielberg tried to make a thoughtful robot movie.
My Summer of 2001 10th Anniversary Retrospective will continue shortly, but as requested here’s a brief interlude in the present to deal with some pressing issues.
SUPER 8 is the new picture from writer/director Jay-Jay Abrams (‘Felicity’) that is produced by Steven Spielberg and done in a style that’s a slavish tribute to the classic Spielberg pictures of the ’70s and ’80s. It takes place in ’79 and it’s about a kid whose mom recently died (if it was a real Spielberg movie it would be about divorce), his dad doesn’t really understand him, his friends are making a zombie movie, and also there is a gigantic train crash that unleashes a monster that scares away the dogs, knocks over alot of shit and kidnaps his girl.
With IRON MAN 2 in theaters and on Slurpee cups I’d say Summer Movie Season 2010 is officially underway. And I thought a good way to welcome the season would be by watching some movies I haven’t seen before: the JAWS sequels. Only thing is, as much as I love it I never actually wrote a review of JAWS. And I’d feel like an asshole reviewing the (I’m gonna guess possibly crappy) sequels and ignoring the original masterpiece.
But wait! There may be an answer contained within the Outlaw Vault. I knew I had written something about it, I just hadn’t posted it before. Back when I was considering a book about summer movies I wrote a rough draft for part of the ’75 chapter. So even though I’m still alive I’m gonna clean it up a little and package it as new material, like a posthumous B.I.G. guest appearance. (read the rest of this shit…)
MY SUMMER VACATION IN THE KINGDOM OF THE CRYSTAL SKULL
or
AH, FUCK IT, LET’S GET THIS OUT IN THE OPEN: I LIKED INDIANA JONES AND THE LEGEND OF THE CRYSTAL SKULLS, AND I DON’T REALLY UNDERSTAND WHAT EVERYBODY IS GRIPING ABOUT
Last July this thing happened called TRANSFORMERS. It was one of the biggest movies of that summer, but I thought it was a terrible one. My main problems were the characters, the story, the comedy, the action sequences, and (this is a first for me) especially the design of the characters. The CGI characters were so overcomplicated and indistinguishable from each other that they actually made Michael Bay’s notorious camera placement and editing beside the point, because even if it was two robots in front of a stationary camera in one continuous shot you still might not have any clue which one is which, what they’re doing or which direction they’re facing. That’s actually the biggest problem of many big problems in the movie and I’m pretty sure it’s a cinematic first – using the latest technology, Michael Bay invented a completely new way for a movie to suck. So I figured it was a bad, bad movie. (read the rest of this shit…)
You know, MUNICH is almost the movie I was hoping SYRIANA would be. SYRIANA has alot to say about the complicated way the world works, but it doesn’t get you excited about it. You’re probaly not gonna be sitting on the edge of your seat. More likely you’ll be scratching your chin saying, “Interesting, interesting.” I’d rather see a movie that can be complex and political without sacrificing in the awesome department. A good balance of substance and badass. And that’s what this is.
Okay so maybe MUNICH isn’t as true to life as SYRIANA (in fact, some people think the real guy it’s based on made up the whole story and never worked for Mossad) but it sure is a more entertaining movie. Eric Bana (winner of the secret, recently declassified 2001 lead badass outlaw award for CHOPPER) plays Avner, a small time Israeli agent personally chosen by the prime minister to lead a team of assassins to kill 11 people believed to be involved in the planning of the massacre of the Israeli athletes at the Munich Olympics. (read the rest of this shit…)
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(NOTE: My ten year contract has passed on the Titan books, so I don't get residuals on them like I do WORM ON A HOOK and NIKETOWN, but I would love for you to read them because I'm proud of them)
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