August 23, 1991 saw the release of two American suspense thrillers by notable overseas directors. Best reviewed, highest grossing and first alphabetically was Kenneth Branagh’s DEAD AGAIN, starring Kenneth Branagh and his then-wife Emma Thompson, written by Scott Frank (PLAIN CLOTHES).
Under the opening credits are an old timey montage of 1940s newspaper headlines detailing the story of a singer named Margaret Strauss (Thompson), who was stabbed to death with scissors, and then her husband Roman “The Maestro” Strauss (Branagh) was convicted of murdering her. The opening is done in black and white, with The Maestro getting a weird haircut and posing with evil smiles in the shadows as he tells reporter Gray Baker (Andy Garcia in his followup to THE GODFATHER PART III) that he loves his wife. When Baker asks if he killed her, he leans over and whispers to him and you’re supposed to wonder what he said I guess. But, like, what would he say? Definitely no? Arguably yes?
Anyway the main story is 40 years later when private detective Mike Church (also Branagh), who specializes in finding lost heirs and speaks in a shifting series of dorky American accents that I don’t think is intended to be funny, reluctantly agrees to do a favor for a priest he knows (Richard Easton, YOUNG WARRIORS). A mysterious amnesiac woman who does not speak (Thompson again) showed up at the orphanage where he grew up, and he agrees to drop her off at the hospital, but when he sees all the scary mentally ill people she’d be with he feels bad and lets her sleep at his apartment. No, he doesn’t do anything untoward, but yes, he quickly falls in love with her and acts like a weirdo. (read the rest of this shit…)
MANIAC COP is like an ’80s b-movie dream team. William Lustig (MANIAC) directs, Larry Cohen (IT’S ALIVE!) writes, James Glickenhaus (THE EXECUTIONER, 
