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Posts Tagged ‘Hiroyuki Sanada’

John Wick Chapter 4

Monday, March 27th, 2023

JOHN WICK CHAPTER 4 is the culmination of one of the great movie series of our time, and a masterwork of its genre, one of the few American action movies to arguably outdo overseas epics like THE RAID 2, THE NIGHT COMES FOR US and THE VILLAINESS. Like its predecessors it expands on JOHN WICK’s distinct style of martial-arts-and-guns ultraviolence, introduces colorful new allies and enemies, and invents even more astounding ideas for types of action spectacle you haven’t seen before. But this one adds an extra layer of emotion through heroic bloodshed style bonding and a deeper realization that everything John Wick does in these movies only digs his hole deeper.

I’ll warn you before I get into the biggest spoilers, but as usual this review will be better for reading after you’ve seen it. If you’re just wondering how good it is compared to other chapters, I believe the first film stands on its own and then the sequels get better the more spectacular they become. So CHAPTER 3 was the best but has now been usurped by CHAPTER 4. (But I love the Halle Berry and Mark Dacascos stuff in 3 so much it’s not an easy choice.) (read the rest of this shit…)

Bullet Train

Wednesday, August 10th, 2022

David Leitch’s BULLET TRAIN has plenty going for it. It has a strong ensemble of actors playing colorful characters, like a quippy modernized Murder on the Orient Express, except in this one everybody’s trying to murder each other and/or escape, it’s not so much of a whodunit. It’s a fun idea, it looks good, the action scenes are really well executed, with the actors really putting in the work, as we’ve come to expect from 87North (formerly 87Eleven) productions.

But to me the movie is a disappointment. For the last year or two I knew it was the big 87North movie with the crazy-good cast headed up by Brad Pitt fighting each other on a train, and I just took it for granted it was gonna be top of the line. On the surface it is – it’s colorful, has a sense of style, and mostly avoids that everything-is-green-screen feeling of so many modern movies. It even has a good soundtrack of (until Rare Earth on the end credits) non-obvious songs, from Shuggie Otis to Pussy Riot to a really strong use of “Holding Out For a Hero.” Strong because it’s not the original Bonnie Tyler version from FOOTLOOSE, but a Japanese cover made by Miki Asakura in 1984 as the theme for a show called School Wars (now remixed with some MORTAL KOMBAT-y dance music flourishes). (read the rest of this shit…)

Army of the Dead

Tuesday, June 1st, 2021

I’ve been waiting for Zack Snyder’s ARMY OF THE DEAD since it was first announced in 2007, at which point he’d only directed DAWN OF THE DEAD and 300. Snyder would’ve produced and they had commercial director Matthijs van Heijningen (who later did the THE THING premaquel) set to direct. My understanding of the premise was that Las Vegas was walled off to contain a zombie outbreak, a team of mercenaries were hired to go in for a heist, and the hero was really trying to rescue his daughter who was stuck in there.

14 years later it exists in what could only be an entirely different form, since it’s directed by Snyder himself, rewritten by a guy who was 13 years old when it was announced, starring a guy who was a WWE wrestler and hadn’t even been in a David DeFalco movie yet, made with technology that didn’t exist, distributed on a service that didn’t exist. As always, Snyder is unpredictable. I definitely wouldn’t have guessed that I’d be happier with his 4 hour redux of JUSTICE LEAGUE than the zombie movie I’d already been waiting several years for when he did MAN OF STEEL. But here we are.

ARMY OF THE DEAD did not live up to my hopes, so I will share many complaints about it. But that doesn’t mean I didn’t like it – it’s an entertaining movie, especially for straight-to-Netflix. I recommend watching it if you’re into this sort of thing and won’t pull your hair out that it’s either surprisingly sloppy or prioritizes setting up anime spin-offs and fan theory speculation over telling a good story. (read the rest of this shit…)

Mortal Kombat (2021)

Tuesday, April 27th, 2021

MORTAL KOMBAT (2021) is a perfectly okay movie, especially given the past success rate of video game adaptations. It does a decent job of putting some of the Mortal Kombat characters into a passable modern movie. I found it reasonably entertaining, and had I expected it to be bad I might even have been pleasantly surprised. It also might’ve played better in a theater, if I could go to one.

Here’s the problem: I’m the type of guy who thinks you could make something truly kick ass out of any bullshit that involves colorful characters fighting each other. They’ve been talking about a new Mortal Kombat movie for more than 10 years, with James Wan announced as producer for six of those, and I think the ‘90s incarnations are fun (if ridiculous) movies that have plenty to build upon. So for years now I have been anticipating this movie that ended up being directed by Australian commercial director Simon McQuoid and written by Greg Russo (first credit) and Dave Callaham (DOOM, THE EXPENDABLES, WONDER WOMAN 1984), with a story credit for Oren Uziel (who had been developing it with Kevin Tancharoen after his unlicensed Mortal Kombat: Rebirth short and an episode of the official web series Mortal Kombat: Legacy). And I thought it might be something special. Maybe next time. (read the rest of this shit…)

Royal Warriors

Wednesday, January 29th, 2014

tn_royalwarriorsROYAL WARRIORS is a pretty good 1986 Michelle Yeoh vehicle directed by David Chung (cinematographer of ONCE UPON A TIME IN CHINA) with action choreography by Hoi Mang (YES, MADAM!, NO RETREAT NO SURRENDER).

Michelle, called Michelle Khan at the time, plays Michelle Yip, who at the beginning is visiting Japan and enjoying one of those things where Japanese youths dress up rockabilly style and dance in the street. She happens to be in the way watching a guy play barrels as drums when some gangsters come by chasing a fleeing kid. So when she sees what’s happening she goes after them, stickfighting, climbing on statues and kung fu-ing them before she whips out her badge and we learn that she’s a Hong Kong cop. (read the rest of this shit…)