Throughout the 16 (!) years since GRINDHOUSE, there’s been talk about Eli Roth turning his fake trailer THANKSGIVING into a real movie. Now it’s finally here and the unexpected thing about it that might not have happened if he’d made it earlier (like when he was talking about it as a double feature with Edgar Wright’s DON’T) is that he didn’t repeat the grimy faux-‘80s style of the trailer. Instead he took the premise, a couple of kills and the climax and adapted them into a straight-faced, contemporary horror movie, almost like it’s the modern remake of the movie in the original trailer. AndI’m thankful for thatit’s sweeter than pumpkin pie How do you like them sweet potatoes? I think it was a good choice.
It’s a holiday slasher movie in the year 2023, obviously it knows you know it’s silly, but it’s acting in good faith. It’s less of a comedy than JACK FROST or MACHETE. There’s kind of a post-SCREAM feel to it but it’s ‘80s in its construction. It asks okay, if this is the slasher movie for Thanksgiving then what are the things we gotta do? Pilgrims, turkeys, corn on the cob, potato mashers? As in the trailer, it’s set in Plymouth Massachusetts, there’s a killer in a pilgrim hat, there’s a parade where a guy in a turkey costume gets beheaded, people are tied up at a table and served a human cooked like a turkey. But now there’s also a story and characters and what not. (read the rest of this shit…)
DRIVEN is a weird footnote in the overlapping filmographies of Sylvester Stallone and Renny Harlin. It’s no CLIFFHANGER, and it’s not trying to be. If anything maybe it wants to be the ROCKY V of Formula 1 race car driving. Or whatever type of race cars they’re driving in this one. They’re not NASCAR I can tell.
Okay, stop the presses, I just looked it up (it turns out I’m on the internet right now). I guess Formula 1 is very secretive like the Masons so Stallone couldn’t get enough info on them and switched the movie to be about “ChampCar” racing. I guess that’s why they didn’t make a big deal of what type of racing it was in the movie, ’cause nobody was gonna get excited about something called “ChampCar.” (read the rest of this shit…)
BEST OF THE BEST 2 was an unexpected classic. The only slight hesitation I had was that he SPOILER killed the bad guy MORE SPECIFICS OF SPOILER at the end. I mean it was an evil guy, but the typical “he forced me to kill him” conclusion seems like kind of a cop out after part 1’s unorthodox peace and brotherhood ending.
Well, it turns out Tommy Lee (Phillip Rhee) agrees. Killing Brakus “went against everything I believe,” so he quit teaching, left Eric Roberts behind and seems to be driving across the country visiting his sister to rediscover himself, just like Seagal did at the beginning of MARKED FOR DEATH. Actually it’s weird because Tommy gets sideswiped and his car gets fucked up, which is a classic way of stranding an action hero drifter in the middle of nowhere to have an adventure. But then it turns out he was headed there anyway because that’s where his sister lives. This might be because it was originally written as a standalone movie but director/star Rhee had it modified to somewhat fit his BEST OF THE BEST character. (read the rest of this shit…)
One thing we’ve learned from the movies is that cops often come from faraway lands to follow a fugitive or transfer prisoners back to their jurisdictions, and when they do that they have to team with a screw-up from the local department and at first they hate each other and say ignorant things but over time the screw-up will learn from working with the foreigner and the foreigner will see something in the screw-up that no one else did and they will gain respect for each other and at the end they will be great friends to set up for the sequel that most likely will never come. Pat Morita came from Japan and did it in COLLISION COURSE, Jackie Chan came from Hong Kong and did it in RUSH HOUR, Clint Eastwood came from Arizona and sort of did it in COOGAN’S BLUFF, except he didn’t need the partner because he’s motherfuckin Clint. Well, here we got Schwarzenegger coming from Russia to Chicago to get the Georgian gangster who killed his partner and is bringing “the American poison” into their country. James Belushi has to escort him and Walter Hill has to escort the movie. (read the rest of this shit…)
Hi, everyone. “Moriarty” here with some Rumblings From The Lab…
Holy sheeee-it, I love IRMA VEP by Oliver Assayas. Meaning I guess I think he’s a damn fine filmmaker, and worth payin’ attention to. And double holy sheeee-it with a side order of gawDAMN, but I love reviews by Vern. Put these two things together, and this one just might be my favorite article of the day…
Hey boys,
It’s Vern again, just checking in to tell you HOW DARE you say that about movie piracy on the internet, blah blah blah complete 180, hypocrisy, blah blah blah etc. I have been reading this sight every day for 7 years just WAITING to catch you fuckers saying something I disagreed with. FINALLY I have achieved my goal and you will be QUITE unpleasantly surprised when you read what I have to say in the talkbacks. I will spare no expense when it comes to calling Harry fat AND making fun of Moriarty’s last name. I will be VERY offended and outraged and demand accountability as if you were a president who had manipulated intelligence, repeatedly lied and presented crudely forged documents to justify invading a country, thus creating a quagmire in which american soldiers continue to die every day. (read the rest of this shit…)
disclaimer from the future: Back in ’96 when BOUND came out and then in 2002 when I wrote this I really believed the movie to be the work of two men who were horny to watch lesbian sex and trying to pass it off as enlightenment. This turned out to be not so accurate! But I will leave this review as-is for the historical record.
Well I saw this picture a long time ago, but now with all of America waiting anxiously for THE MATRIX PART 2: RETURN OF THE MATRIX and THE MATRIX PART 3: BEYOND MATRIXDOME, I thought it would be a good time to go back and take another look at the Wachowski brothers first picture, this stylish neo-noir with a side of lesbians.
It’s funny to think that these guys have now done 3 MATRIX movies in a row, and the only other movie was this one, which they made only to prove to the studio that they could direct THE MATRIX. At the time nobody knew what the fuck the Matrix was so they just thought they were trying to be like the Coen Brothers when they made their first movie BLOOD SIMPLE or the Dahl brothers when they made their first movie RED ROCK WEST but really they were just being the Matrix Brothers doing a demo reel. (read the rest of this shit…)
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Recent commentary and jibber-jabber
MaggieMayPie on Trigger Warning: “I watched this the weekend that REBEL RIDGE came out. I went into Netflix to watch that and I saw…” Nov 20, 20:46
Matthew B. on Trigger Warning: “Anyone get the feeling that large chunks of act three went missing here? The big confrontation with Anthony Michael Hall,…” Nov 20, 18:24
Felix Ng on Trigger Warning: “I thought this was okay as well. Like an early 2000 Van Damme DTV.” Nov 20, 13:49
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Skani on Dragged Across Concrete: “I defended the movie at the time, but I do think Zahler is a weird dude, and I think Mel…” Nov 20, 10:24
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VERN on Dragged Across Concrete: “Both the violence and the racism depicted in the movie are fictional. I did not feel it was committing acts…” Nov 20, 09:15
Throughout the 16 (!) years since GRINDHOUSE, there’s been talk about Eli Roth turning his fake trailer THANKSGIVING into a real movie. Now it’s finally here and the unexpected thing about it that might not have happened if he’d made it earlier (like when he was talking about it as a double feature with Edgar Wright’s DON’T) is that he didn’t repeat the grimy faux-‘80s style of the trailer. Instead he took the premise, a couple of kills and the climax and adapted them into a straight-faced, contemporary horror movie, almost like it’s the modern remake of the movie in the original trailer. 
released April 27, 2001
One thing we’ve learned from the movies is that cops often come from faraway lands to follow a fugitive or transfer prisoners back to their jurisdictions, and when they do that they have to team with a screw-up from the local department and at first they hate each other and say ignorant things but over time the screw-up will learn from working with the foreigner and the foreigner will see something in the screw-up that no one else did and they will gain respect for each other and at the end they will be great friends to set up for the sequel that most likely will never come. Pat Morita came from Japan and did it in COLLISION COURSE, Jackie Chan came from Hong Kong and did it in RUSH HOUR, Clint Eastwood came from Arizona and sort of did it in COOGAN’S BLUFF, except he didn’t need the partner because he’s motherfuckin Clint. Well, here we got Schwarzenegger coming from Russia to Chicago to get the Georgian gangster who killed his partner and is bringing “the American poison” into their country. James Belushi has to escort him and Walter Hill has to escort the movie. 
SPOILER ALERT !!
disclaimer from the future: Back in ’96 when BOUND came out and then in 2002 when I wrote this I really believed the movie to be the work of two men who were horny to watch lesbian sex and trying to pass it off as enlightenment. This turned out to be not so accurate! But I will leave this review as-is for the historical record.
