From the director of MISSION OF JUSTICE and the writer of EXCESSIVE FORCE II: FORCE ON FORCE comes SCANNERS: THE SHOWDOWN, or SCANNER COP II in some jurisdictions. It’s a follow-up to SCANNER COP, and the first SCANNERS movie to continue with a character from the last one. For some reason I guess they must’ve assumed the characters from SCANNERS II and SCANNERS III were not dear to our hearts.
In this one Scanner Cop (still Daniel Quinn) has a new Scanner Case. He’s gone from we-behind-the-ears rookie to completely-dry-throughout-the-entire-ear-area cocky veteran with long hair and even – and this is how you understand what he’s all about – a brown leather jacket. (read the rest of this shit…)
SCANNER COP (1994) is a predictably lame execution of a reasonably good concept. If we in fact lived in a world where telepathic “scanners” existed then it could be useful to society to have one on the police force. In this case it’s a kid whose scanner dad goes so crazy he grows 3 tiny little human heads on his forehead. I guess John Carl Buechler, who did the effects makeup, must’ve wished he was doing a Freddy movie. By this time the EPH-3 drug of 
SCANNERS 3 makes it clear that muthafuckas forgot about Cronenberg. Now it’s cheesy electric guitars, actresses who look like ’80s Playboy models and amateurish overacting that shifts in and out of different accents. The action kicks off with our hero scanner Alex Monet (named so because this is a great work of art, and played by Steve Parrish) brain-pushing his buddy as a party trick. But then somebody pats him on the shoulder, breaking his concentration and he fires his friend out the window, killing him. That sucks so he goes to find himself in Asia like Rambo III. 
Of all David Cronenberg’s movies the one that lends itself the most to sequels is 
Walter Hill’s original UNDISPUTED was an exaggerated look at the classic concept of the prison boxing league. UNDISPUTED II showed that the same thing is going on in Russia, but with full-on mixed martial arts. Naturally UNDISPUTED III: REDEMPTION takes it to the next level by creating an international tournament for the champions from all different prisons. Part 4 might have to send them into space.
Didn’t get a chance to link this earlier, but The Ain’t It Cool News is running my review of the new straight to video WILD THINGS sequel. It really is called WILD THINGS FOURSOME. It’s easy to assume they only made the movie in order to use that title, but it actually kind of seems like the 4th person in the foursome (not pictured) was added in at the last minute. She’s barely in the movie at all.
By part 4 the SUBSTITUTE series is almost entirely divorced from the theatrical original. It’s the only one not written by Rocco Simonelli and Roy Frumkes – this time it’s Dan Gurskis, who apparently did an uncredited rewrite on part 3. It’s Treat Williams as Karl Thomasson again, but he’s not even really an undercover substitute. He discusses it that way, but really he’s given the job of history teacher at a military academy under slightly sneaky but not really clandestine circumstances. He’s not THE SUBSTITUTE anymore, he’s THE NEW TEACHER.
THE SUBSTITUTE 3 is much shittier than the previous ones, but still fun because I like the Thomasson character and because of the goofy way returning writers Frumke & Simonelli and new director Robert Radler (BEST OF THE BEST 1-2, various POWER RANGERS episodes) decided to mix things up (hint: more white people). It opens with Thomasson (still Treat Williams) a prisoner in Kosovo. His partner (David Jensen) is tortured nearly to death, but still jokes that he tipped them for their troubles. Before escaping captivity Thomasson has to put the poor guy out of his misery and make a promise to deliver a message to his daughter (Rebecca Staab). 
