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Posts Tagged ‘Daniel Stern’

City Slickers II: The Legend of Curly’s Gold

Wednesday, June 12th, 2024

June 10, 1994

CITY SLICKERS II: THE LEGEND OF CURLY’S GOLD is the sequel to the Billy Crystal comedy adventure hit I reviewed in my summer of ’91 series. You may remember that Jack Palance won an Oscar for playing the surly trail boss Curly, who teaches Mitch (Billy Crystal, RUNNING SCARED) how to feel like less of a twerp, helps him deliver a baby calf, dies, and is bizarrely buried out in the middle of the desert. The sequel opens with Mitch riding out to visit Curly’s grave, only to have him reach and rise out of it, in a parody of the end of CARRIE. (A nightmare, of course.)

I thought it would be funny if they got Palance back just to do that scene, but this is actually a sequel that follows in the tradition of A BETTER TOMORROW 2, where the stand out character was killed in the first movie so they brought the actor back as his twin brother. Mitch keeps seeing Curly outside his window and shit, his friends think he’s losing it, but in fact Curly’s twin brother Duke is following him around trying to find a treasure map hidden in his brother’s hat, which Mitch has. (read the rest of this shit…)

Get Crazy

Thursday, August 3rd, 2023

August 5, 1983

GET CRAZY is a goofy let’s-put-on-a-show comedy directed by Allan Arkush, with a tone similar to his earlier, more popular ROCK ’N’ ROLL HIGH SCHOOL. It’s another broad comedy and celebration of punk culture, oddly mixed with some blues this time.

Daniel Stern (BLUE THUNDER) stars as Neil Allen, stage manager for the historic Saturn Theater, where legendary promoter Max Wolfe (Allen Garfield, NASHVILLE) is putting on his 15th annual New Year’s Eve concert. But there’s a villain trying to steal his thunder. Younger, more competitive promoter Colin Beverly (Ed Begley Jr., CAT PEOPLE) of Serpent Sounds lands his helicopter in front of the theater, causing various women’s clothes to blow off, and struts in with his two henchmen (Bobby Sherman and Fabian), all three of them dressed in silver. He threatens to take over the lease on the Saturn, causing Max to have a heart attack and his shitty nephew Sammy (Miles Chapin, THE FUNHOUSE) to kiss Beverly’s ass. (read the rest of this shit…)

Blue Thunder

Thursday, May 11th, 2023

This year for my traditional summer movie retrospective I’ve decided to look back at the summer movie season of 1983. If you know your basic math, you can figure out that this is the, what, 40th anniversary of that summer? Sounds right. I was in the single digits at the time and from what I can remember only saw two of these in the theater that summer. So as always it will be fun to watch them in order of release and try to get a picture of what that time was like from an adult perspective.

I don’t really have a thesis for this one other than it had alot to live up to. The summer before saw the release of hits like CONAN THE BARBARIAN, ANNIE, ROCKY III, POLTERGEIST, STAR TREK II: THE WRATH OF KHAN, and E.T. THE EXTRA-TERRESTRIAL, plus two flops that are now beloved classics (BLADE RUNNER and THE THING) and some other interesting stuff like THE SECRET OF NIMH and TRON. It’s widely considered the greatest summer movie season of all time, a claim I’m not inclined to argue against. So good luck trying to follow that, 1983. I’m sure you know what you’re doing.

They also all knew they were coming out against RETURN OF THE JEDI. That was the guaranteed biggest movie of the summer, and some of the others seem to have wanted to ride that wave. We’ll see if they can stay afloat. Anyway, that’s why I’m calling this series…

1983: SUMMER OF NUB

(Note: yes I did the research and I know that “love” in Ewokese is actually “nuv,” while “nub” is just half of the phrase for “freedom,” but I thought this would make people laugh more because they just know the song is called “Yub Nub.” Apologies to the Ewok community, who I have nothing but the deepest respect for.)

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May 13, 1983 saw the release of a pretty crazy take on the police thriller: BLUE THUNDER, from director John Badham (SATURDAY NIGHT FEVER, DRACULA), working from a screenplay by Dan O’Bannon (DARK STAR, ALIEN, DEAD & BURIED, HEAVY METAL) & his first-timer writing partner Don Jakoby. It’s one of those movies that says, “Hey guys, check out this special police unit, it’s pretty interesting.” And the unit is the people who fly the police helicopters. Since I was a kid at the time I can only assume it did for police helicopters what SATURDAY NIGHT FEVER did for disco. I don’t know if some of it is based on research or if it’s complete horse shit, but in this they go around fingering people on the streets as drug dealers and rapists and shit, spot abandoned cars and report them, even do detective work in the sky. They don’t just look for and shine the spotlight on the guy making a run for it (although they do that too). (read the rest of this shit…)

City Slickers

Tuesday, June 8th, 2021

June 7, 1991. Despite the notable release of another odd Spike Lee movie, this week was won by more middle-of-the-road culture. It was the week that the original run of Twin Peaks ended. The #1 and #2 songs on the Billboard charts were “More Than Words” by Extreme and “I Wanna Sex U Up” by Color Me Badd. And the #1 movie was a nice normal comedy about wisecracking Billy Crystal birthing a cow to cope with the boredom of middle aged, middle class existence.

Like JUNGLE FEVER, CITY SLICKERS is about some lives upended and rearranged after a married man has an affair with a subordinate at his workplace. In this case the dude is Phil Berquist (Daniel Stern, C.H.U.D., FRANKENWEENIE), a wet blanket grocery store manager who is very unhappily married to a mean bully (Karla Tamburrelli, “Stewardess [Northeast Plane],” DIE HARD 2) until panicked young clerk Nancy (Yeardley Smith, then in her third season as the voice of Lisa Simpson) finds him outside of work to tell him she thinks she’s pregnant.

“Why is she telling you this?”

The scene goes down at the 39th birthday party of Mitch Robbins (43 year old Billy Crystal, ANIMALYMPICS) and inspires Phil to unleash twelve years of suppressed fury at his wife in front of the Robbins family and all their friends. If this was reality he’d for sure be the bad guy here, but we’ve already been primed to hate how this horrible wife talks to him and feel victory in him telling her off. (read the rest of this shit…)

Frankenweenie

Tuesday, August 11th, 2020

Frankenweenie is a 26-minute long black-and-white Disney live action short that was not quite, as far as I can tell, a Summer of 1985 release. It was made in 1984, planned to play with a re-release of THE JUNGLE BOOK that summer, then production was delayed, moving it to PINOCCHIO in December, but when it received a PG rating they couldn’t play it with a G-rated movie, so it got shelved until playing with only the U.K. release of BABY: THE SECRET OF THE LOST LEGEND. I couldn’t find proof of a date, but if it was the same as the U.S. then it was in March of ’85.

But I decided it was an important backstory to fill in, because it keeps coming up. It was one of the projects then-25-year-old Disney artist Tim Burton switched to after the company didn’t use any of his designs for THE BLACK CAULDRON. It was the short they considered releasing with MY SCIENCE PROJECT. And it was what brought Burton to the attention of Paul Reubens to direct a classic Summer of 1985 movie we’ll be discussing tomorrow.

It’s a simple story. Barret Oliver (D.A.R.Y.L.) plays Victor Frankenstein, a normal suburban kid who enjoys making Super-8 monster movies with his dog Sparky. But one day while playing fetch, Sparky is run over by a car – off screen, in a beautifully crafted sequence of visual storytelling that ends with a baseball rolling to the curb and Victor rising to his feet in shock. (read the rest of this shit…)

C.H.U.D.

Tuesday, March 15th, 2016

tn_chudI’ve never had HBO or Showtime, including in the ’80s, so I only know C.H.U.D. as a reference. But we still have a video store here in Seattle and I was looking at the box one day and these glowing-eyed cannibalistic humanoid underground dwellers looked pretty cool so I figured it was time I learned what all this is about.

If you never saw it either I’ll tell you what I have learned. It’s about a rash of disappearances among “undergrounders,” the homeless who find shelter in the underground tunnels of New York City, like in that documentary DARK DAYS. (This would be cooler if it had a DJ Shadow score, but the one it has by David A. Hughes is pretty good.) The authorities don’t really care until it starts happening to people who live at surface level in a higher class. There’s a nicely shot title sequence with a cool keyboard theme playing as a monster arm reaches out of a steaming manhole to snatch a woman out walking her little dog. It’s a powerfully simple opening that really sets the scene for a fun, energetic movie that doesn’t quite materialize. (read the rest of this shit…)