"KEEP BUSTIN'."

Posts Tagged ‘Barret Oliver’

The Neverending Story

Wednesday, April 19th, 2023

I guess this is a weird reason to revisit a family fantasy classic that’s treasured around the world, but I felt like after spending so much time on WARRIORS OF VIRTUE I had an ethical duty to review another first-English-language-movie-by-an-internationally-acclaimed-director, THE NEVERENDING STORY. I saw it in the theater 39 years ago and I remembered it enough to know WARRIORS kinda ripped off its kid-picked-on-by-bullies-given-large-leatherbound-book-magically-connected-to-a-fantasy-world format. I did not remember that in this one the kid just reads about the fantasy world, he doesn’t go there. But there was another detail that did stick in my brain, one that I had to question because it seems so fucking crazy: could it possibly be true that there are no kung fu animals in this one at all? Believe it or not, that is true. What the fuck kind of lunatic wants a story without kung fu animals to never end!? It’s absurd! But somehow they make it work.

Watching it again, I laughed at how quickly it gets into it – not the fantasy world, but the theme song. Limahl and Beth Anderson crooning “The Neverending Stoooor-ryyy, ooo ooow ooh oooowoo ooh, the Neverending Stooor-ryyy…” over Giorgio Moroder synths and footage of clouds. One thing this opening sequence gets across very clearly is that if you want to see a movie called THE NEVERENDING STORY, you came to the right place.

The kid is named Bastian, played by Barret Oliver (Kid #2, UNCOMMON VALOR). We don’t see too much of his life, but we pick up on a few things. His mom died fairly recently. His dad (Gerald McRaney, MOTORCYCLE GANG) is emotionally distant and tells him to keep his head out of the clouds, which the credits already told us is the opposite of what you gotta do in a neverending story. (read the rest of this shit…)

Frankenweenie

Tuesday, August 11th, 2020

Frankenweenie is a 26-minute long black-and-white Disney live action short that was not quite, as far as I can tell, a Summer of 1985 release. It was made in 1984, planned to play with a re-release of THE JUNGLE BOOK that summer, then production was delayed, moving it to PINOCCHIO in December, but when it received a PG rating they couldn’t play it with a G-rated movie, so it got shelved until playing with only the U.K. release of BABY: THE SECRET OF THE LOST LEGEND. I couldn’t find proof of a date, but if it was the same as the U.S. then it was in March of ’85.

But I decided it was an important backstory to fill in, because it keeps coming up. It was one of the projects then-25-year-old Disney artist Tim Burton switched to after the company didn’t use any of his designs for THE BLACK CAULDRON. It was the short they considered releasing with MY SCIENCE PROJECT. And it was what brought Burton to the attention of Paul Reubens to direct a classic Summer of 1985 movie we’ll be discussing tomorrow.

It’s a simple story. Barret Oliver (D.A.R.Y.L.) plays Victor Frankenstein, a normal suburban kid who enjoys making Super-8 monster movies with his dog Sparky. But one day while playing fetch, Sparky is run over by a car – off screen, in a beautifully crafted sequence of visual storytelling that ends with a baseball rolling to the curb and Victor rising to his feet in shock. (read the rest of this shit…)

D.A.R.Y.L.

Wednesday, June 17th, 2020

June 14, 1985

Like THE GOONIES, D.A.R.Y.L. is a family-friendly movie that opens with a high speed car chase (stunt coordinator: John Moio, who then did THE TEXAS CHAINSAW MASSACRE 2). But the Spielberg movie that scene reminds me of most is A.I.: ARTIFICIAL INTELLIGENCE. A scientist (stuntman Richard Hammatt, WILLOW, BATMAN, NIGHTBREED) is driving through winding roads, pursued by a helicopter, with unnaturally calm ten year old boy Daryl (Barret Oliver, KID #2, UNCOMMON VALOR) in the back seat. We know because we know what movie we’re watching that Daryl is a robot, and much like the mom in A.I., Dr. Mulligan sees no way to protect his robot boy except to drop him off in the woods and hope he can make it on his own. (But I think Mom survives – the doctor drives his car off a cliff. R.I.P.)

At various points in the movie Oliver’s performance will remind me of Haley Joel Osment’s in A.I., but it’s a very different approach to the story. Rather than a dark fairy tale journey through a fantastical future world, this is what happens to a character like that trying to pass for human in a normal ‘80s suburb.

(read the rest of this shit…)