My Steve Railsback double feature concludes with the odd 1980 movie-movie THE STUNT MAN.
I don’t know what I was expecting from THE STUNT MAN, but it wasn’t this. It opens with a shot of a dog licking his balls, which is appropriate because this is another movie about making a movie. Two cops are chasing Steve Railsback for crimes unknown. He gets away but, through a complicated series of events, winds up hiding out on the set of a WWII movie pretending to be a stuntman named Bert who is actually dead due to a stunt gone wrong. The identity-switch is arranged to cover the ass of the eccentric director (Peter O’Toole) and he quickly falls for the female lead (Barbara Hershey), who he considers famous because he recognizes her from a sexy dog food commercial.
The police keep hovering nearby and he continues to work on the movie as a stuntman, comparing his situation to a war buddy who stepped on a landmine and couldn’t step off because that’s how you get blown up. But strangely it never really goes back to the story of him being a fugitive. It’s just this really surreal, inventive story about his possessive love for Hershey, his friendship with O’Toole, and eventually his fear that it’s all a conspiracy to kill him in a re-try of the stunt that killed Bert. (read the rest of this shit…)

Time to get back to my ongoing study of the works of Brian Trenchard-Smith. This one will also be part 1 in a Steve Railsback double feature.
After revisiting THE RUNNING MAN I decided it would be a good time to catch up on a more recent Schwarzenegger movie I had skipped before.
Arnold Schwarzenegger is… THE RUNNING MAN. That’s actually what it says on the credits, which makes me feel good, makes me proud to be an American. In fact, I’m gonna make a new tag for this review called “is…” If you can think of some other movies where the star “is…” the title, let me know. But only if it’s in the actual opening credits, not just the trailer or the poster, at least for now. We’ll see how many we can find.
To H. Knowles, M. Beaks, Q. Vespe and A. It Cool News:
In Jim Jarmusch’s new one, Isaach De Bankolé plays a man (“Lone Man” according to the credits) on a mission. He meets some guys at an airport who give him a key and a box of matches and tell him to go to a certain cafe and wait for “the violin.”
Never thought they’d be able to pull a trick like this, but somehow they made STAR TREK cool. I’m not even sure if I can say cool again. I guess when the first couple movies came out it passed as cool. Anyway, this is some top grade movie magic here because it takes this pop culture phenomenon that has for generations been the #1 cliche nerd obsession and makes it into something that we, as a society, can share peacefully and enjoy together.
A Preview and a Pep Talk
Hey guys, good news: I got another review of a weird little inaccessible arthouse movie from last year! This time it’s MISTER LONELY, the most recent movie about a Michael Jackson impersonator in Paris who meets a Marilyn Monroe impersonator who convinces him to come live in a commune where other impersonators live inside a Scottish castle, raise sheep and build a stage where they hope to put on a show. And you can imagine where it would go from there.

















