Yes, it’s true, this is a movie about Mickey Rourke and Bill Murray fighting over Megan Fox because she has wings. Mickey plays a jazz trumpeter (the serious type who always wears colorful suits, a fedora and pointy shoes) who gets in trouble because he accidentally slept with the wife of a gangster named Happy (Murray). So he gets beat up and left in the desert.
When he wakes up he wanders and finds a carnival with a sideshow. That’s where he sees this winged lady. Not riding a ferris wheel – she’s in the sideshow, because she has wings. Not sure if you got that.
(read the rest of this shit…)

God DAMN I’m excited for FAST FIVE. It’s only April and that’s my most anticipated movie of the summer by far. But I gotta wait a couple more days, so in honor of Dwayne “The Rock is a registered trademark of World Wrestling Entertainment Inc.” Johnson’s addition to the series I decided to finally catch up with his last movie, which I never saw because when I went to see it the showing that I chose turned out to be an “open captions” deal, and I decided to bail. (Ironically there’s so much mumbling in the movie I had to turn the subtitles on a couple times anyway. But at least it was my choice. It’s about freedom.)
As successful as they may be in their own countries, global superstars always seem to have their eye on the juicy, low-hanging grape of Hollywood. It doesn’t matter how many soldiers have fallen before them, stumbling on a new language, style and approach to filmmaking and bleeding away everything that made them great in the first place. It’s still hard to resist the temptation. They’re still gonna jump and try to bite it.
THE DISAPPEARANCE OF ALICE CREED is a simple story about two kidnappers and their hostage. And it’s not one of those stories where they become friends. It’s a simple, well-executed thriller and especially before the plot starts thickening this thing is deeply unsettling.
SOMEWHERE is a quiet, simple little thing, like a haiku or a bowl of strawberries. In a movie I usually like to see things like plot, momentum, music, etc., but this isn’t that kind of party. It’s Sofia Coppola trying out a new minimalistic style kind of like what seems to be her own personality: soft spoken and shy, but showing a subtle wit. Some of you would fucking hate it. I liked it though.
You guys know how much I love Richard Stark’s Parker books. I think I’ve mentioned it one, maybe one and a half times over the years.
LITTLE BIG SOLDIER played at the Seattle International Film Festival last year, and I didn’t see it. Then a region 2 dvd and a blu-ray came out and I didn’t see it. Then it played at ActionFest, which was far away, so I rented the blu-ray.
(here’s another one I watched because it played at ActionFest this year)
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