Isn’t DEMOLITION MAN a weird one? Sci-fi/action moosh up, Sylvester Stallone plays cryogenically frozen supercop Jack Spartan, cryogenically unfrozen Captain America style to capture his arch-nemesis Simon Phoenix (Wesley G.D. Snipes) in a jokey future society of wimps.
Spartan is a typical non-iconic Stallone character – mumbly, down-to-earth, see-through-the-bullshit everyman, except when he goes into battle, then he’s so prone to blow shit up that he’s nicknamed Demolition Man against his wishes.
I’m sorry to have
I think SAFE is easily one of Jason Statham’s best starring vehicles so far. It’s a less cartoonish tone than the TRANSPORTERs (and obviously the fuckin CRANKs) but still firmly planted in the world of action movies, where one guy if he’s tough enough can use his brains, fists and guns to take on two warring gangs and a corrupt police force. So it’s probly somewhere in between 
spoilerish
For some reason I was thinking of this song the other day. Like others of the 21st century, I got one of these iPods, although I got it specifically to drown out the sound of people talking on cell phones on the bus when I’m trying to read or write. Somehow I got “Way Back Home” going through my head but I didn’t have it on my iPod so I couldn’t listen to it.
POLICE STORY PART II (as the opening credits call it) begins with a montage of all the highlights of part 1, set to the theme song, sung by star/director Jackie Chan.
Today I’m 
For years Robin Hardy, the director of the original non-mega THE WICKER MAN, has been trying to make this movie based on his novel Cowboys For Christ. It’s supposed to be a “spiritual sequel” dealing with the same themes but not the same characters or story. I expected a barely watchable but hopefully interesting mess, but that’s not what it is. Without being directly connected to THE WICKER MAN it pretty much takes the WILD THINGS approach to sequelizing: kind of a loose paraphrase with all the details changed. It’s clunky at times and always completely unnecessary, but surprisingly compelling. 
“I come for the girl. Now kindly dismount and offer her your most sincere apology.”
Part 2 in the SNAKE EATER saga came a couple years later, in 1991, and has a definite early ’90s vibe. In part 1 the goofiest obviously-painted-by-Canadian-production-assistants graffiti I noticed was the one that said “SUPER RAD,” in this one it was “RAP HEADS.” So times are a changin’. It opens in a school gym full of African-American youths in Nike “Just Do It” t-shirts doing double dutch while others practice kung fu nearby. All the kids are being overseen by a paroled ex-troublemaker named Speedboat, played by Larry B. Scott (he played Lamar, the gay guy in REVENGE OF THE NERDS). Speedboat tells all the kids they gotta get ready for “the tournament,” and we never find out if it’s a fighting tournament, a jump-roping tournament, or some combination of the two. Two of them suddenly fall down and die from some bad coke, and the shit is on. 
