

If I had turned off TERMINATOR SALVATION about 2/3 in I would’ve come to you and made a case for it being underappreciated. I mean, I think it is, it doesn’t deserve the worldwide wholesale rejection and scorn it gets. But it has such a crippling case of T.A.P.s (third act problems) that it’s hard to be excited about it after you get to the end.
But let’s talk about what’s good in it, because there’s plenty of it, and nobody ever talks about that. First of all, a good cast. John Avatar himself, Sam Worthington, plays the anti-hero Marcus, a death row inmate (we don’t actually know exactly how Riddick he is – “My brother and two cops are dead because of me” is the only explanation of his crimes) who gets the lethal injection and then wakes up in a post-apocalyptic battle between man and machine. On one hand, hey, I’m alive, and I’m free! On the other hand… (read the rest of this shit…)





The first time we see Riddick in his new movie RIDDICK he’s buried under rocks, okie noodling a dumbass flying space lizard that mistakes him for a corpse. He’s been left for dead on the planet “not Furya” by the Necromongers from 

Okay, I know it’s after Labor Day, so it’s weird that I’m continuing with this retrospective on summer movies. But you know what, they also say to never wear white shoes after Labor Day. Did that ever stop Run DMC? Fuck no. So I’m gonna keep going until I get to 2012.
…which ends with Mr. Davis promising to look up my book Seagalogy, thanks to Fred telling him about it. It’s a good interview centering on THE FUGITIVE (on the occasion of its 20th anniversary) but also giving some background on the script of ABOVE THE LAW that I sure could’ve used when I wrote the book.

















