"CATCH YOU FUCKERS AT A BAD TIME?"

Ayiti Mon Amour

As I write this there’s a terrible sickness going around. All the world’s authoritarian assholes have agreed it’s time to whip out the ol’ “immigrants are scary” cliche to rile up the dumbest motherfuckers on earth. In my country there’s a specifically idiotic one where the two sweaty goblins running on the Keep Trump Unaccountable For His Crimes ticket purposely spread a racist myth about Haitian immigrants in a specific town in Ohio, leading to weeks of chaos, harassment and bomb threats. And of course they’ve refused to apologize, doubled down on the lies, and promised to deport these (legal!) immigrants if they manage to take power again.

What can I do about this within my chosen medium of outlaw film criticism? The level of ignorance and gullibility a person would have to possess in order to believe these particular grifters on this specific con seems almost unfathomable, and I do not think it’s within my gifts as a writer to express the humanity of Haitians to somebody lacking the wisdom of the common housefly. All I can do is enlighten myself a little by watching a movie from Haiti and trying to learn a little something. There aren’t many of them available in the U.S., but I found a pretty good one. (read the rest of this shit…)

September 30th, 2024 | 14 Comments »

Knox Goes Away

KNOX GOES AWAY is, somehow, the second movie I watched in a week where a professional killer is diagnosed with the fatal neurocognitive disorder Creutzfeldt-Jakob disease. In THE KILLER’S GAME it quickly turns out to be a false alarm, but even setting that one aside there’s a small subgenre of killers trying to do one last job before their dementia stops them. I’ve also seen THE DYING OF THE LIGHT with Nicolas Cage and MEMORY with Liam Neeson, which is a remake of a Belgian film called THE ALZHEIMER CASE (or at least an adaptation of the same novel). I suppose all of these are a cousin to movies about killers with other fatal diseases – in 3 DAYS TO KILL, for example, Kevin Costner has an aggressive form of cancer, in SHADOWBOXER Helen Mirren has the cancer, in KATE Mary Elizabeth Winstead has been poisoned, etc.

This one has a little dark humor but it’s mostly grim and serious. Michael Keaton (AMERICAN ASSASSIN) directs and stars as John Knox, who has hidden his memory problems from people including his partner Muncie (Ray McKinnon, FOOTLOOSE). When a specialist (Paul Perri, MANHUNTER) tells him the news he starts saying he’s “going away” and “cashing out,” as he arranges to launder his assets and give them to his ex-wife Ruby (Marcia Gay Harden, SPACE COWBOYS), estranged son Miles (James Marsden, ACCIDENTAL LOVE) and favorite sex worker Annie (Joanna Kulig, COLD WAR). (read the rest of this shit…)

September 28th, 2024 | 19 Comments »

Beetlejuice Beetlejuice

A sequel to BEETLEJUICE was first announced when part 1 was still in theaters. Director Tim Burton started developing it in earnest, went through a couple different ideas, it seemed like it was really gonna happen in the early ‘90s until he and Michael Keaton shifted their focus to BATMAN RETURNS. In my opinion that’s one of Burton’s best movies and one of the great sequels – it’s a continuation but reinvents so much of the first movie’s approach that it feels completely fresh and even more potent.

A bit of the song “Macarthur Park” echoes hauntingly over the production logos of the BEETLEJUICE sequel we finally got 36 (!) years later: “I don’t think that I can take it / ‘cause it took so long to bake it.” But after all that time in the oven, BEETLEJUICE BEETLEJUICE is no BATMAN RETURNS. It’s more of a getting-the-gang-back-together type of sequel, not as much of a shift as it probly would’ve been back then, or that it would need to be to be a new classic. To me it feels less aggressive about nostalgia than most of these types of things, but I gotta admit it’s built more on “remember this?” than “hey, check THIS out!” It returns to the afterlife but mostly just the same bureaucracy/waiting room stuff as the first movie. We get another sandworm, another non-consensual lip synch, another wedding. All fun stuff, but wouldn’t all-new stuff be better? I bet younger, hungrier Burton would’ve brought us somewhere totally different. (read the rest of this shit…)

September 26th, 2024 | 25 Comments »

Baby Assassins 2

A while ago I reviewed BABY ASSASSINS, the really fun 2021 Japanese action-comedy about two teenage assassins forced by their organization to get an apartment and day jobs. It has a bunch of top notch martial arts action choreographed by the great Kensuke Sonomura (MANHUNT, HYDRA, BAD CITY), but it’s mainly about the friendship, personality conflicts and growing-up-struggles of these two goofballs who have fun killing people but mostly enjoy laying on the couch eating desserts and talking about anime and stuff.

There’s actually a part 3 coming out, it played the New York Asian Film Festival in July and Fantastic Fest yesterday and I’ve seen more than one person saying it’s one of the best action movies of the year. Also, in Japan it’s already continuing as a TV mini-series called Baby Assassins Everyday (I watched the first episode on Youtube, and it’s a delight). So, shit, I better get caught up by finishing my review of part 2! (read the rest of this shit…)

September 24th, 2024 | 6 Comments »

The Killer’s Game

You bet your ass I’m gonna go see a theatrically released Dave Bautista vehicle directed by action legend J.J. Perry. THE KILLER’S GAME came out during the week I was traveling and it’s already down to limited showings but I got in there in time. I’m glad I did, but I gotta admit I can already feel it dissolving from my memory as I type this. I didn’t know it was based on a book and that it’s been in development since the ’90s (more on that later), but coming now it’s very well-worn material within the familiar Wacky Assassins mode of action filmmaking (think THE BIG HIT, LOVE AND A BULLET, THE TOURNAMENT, SMOKIN’ ACES, BULLET TRAIN, POLAR, ACCIDENT MAN and its sequel or HOTEL ARTEMIS, which even features both of THE KILLER’S GAME’s leads).

Bautista (MASTER Z: THE IP MAN LEGACY) stars as Joe Flood, elite assassin who in the opening scene kills an arms dealer in the balcony of an opera house. All he really has to do is come in wearing a tux and kill a couple guards to get up there. It’s kind of funny that this is the last role before Bautista decided to slim down from his giant wrestler body, because his huge size seems like a disadvantage in this job (along with his attention-grabbing hand and neck tattoos). That’s not a complaint, though! I enjoy improbable muscleman characters – Schwarzenegger playing scientists, etc. (read the rest of this shit…)

September 23rd, 2024 | 12 Comments »

Rebel Ridge

REBEL RIDGE is the latest from writer/director Jeremy Saulnier, who’s now five for five in my book. He did the gory art world satire MURDER PARTY (2007), then broke through with the revenge deconstruction BLUE RUIN (2013), followed by the punks vs. skinheads gem GREEN ROOM (2015) and the eerie Alaskan Gothic HOLD THE DARK (2018). Like that last one, REBEL RIDGE is a straight-to-Netflix movie, but it already seems to be more of a crowdpleaser (being their number one movie for a week) and I appreciate that I’ve been able to watch it twice already, even if I would’ve loved to see it in a theater. (read the rest of this shit…)

September 19th, 2024 | 46 Comments »

Programming note

I’m going on a week long trip for family stuff, so I will not be posting any new reviews next week, and possibly the week after that (depending on how fast I get rolling again). So consider this my end of summer break and/or your break from me. But I promise after I get back I’ll catch up on new releases I miss like Jeremy Saulnier’s REBEL RIDGE and Hot Topic’s BEETLEJUICE2, and hopefully I’ll get in some time to enjoy the freedom of September, when I’m out of summer mode but not fully in Halloween mode and can just review whatever random things catch my interest for a bit. Have fun everybody, be respectful, no parties, I left some money on the table to get pizza and rent videos.

September 5th, 2024 | 40 Comments »

Strange Darling

STRANGE DARLING is a lower budget horror-adjacent thriller currently playing in theaters. It’s one of those movies that premiered at Fantastic Fest, it had a cryptic trailer and some buzz, so I checked it out without knowing much, and that went well for me.

It starts off kind of winkingly pretentious. The first thing you see after the production logos is a card saying “FILMED ENTIRELY ON 35MM FILM.” I laughed out loud. It seems that others have written off the entire movie for that boast/marketing hook/disclaimer/joke/whatever. Pardon my French, but you’re being a bunch of fuckin silly billies. Did you ever see the opening title of UNBREAKABLE? Of course you did, and maybe you joked about it later but it wasn’t the one thing you had to say in any discussion of the movie UNBREAKABLE. Back then you knew how to let things like that go.

Next is a riff on the narration from THE TEXAS CHAIN SAW MASSACRE, leading into the type of knock out opening credits sequence that warms my heart (with an “in” between the actors and the title, even). Then it says “STRANGE DARLING – A Thriller In 6 Chapters.”

I really like this type of storytelling, laying out at the beginning what the approach is gonna be. Oh, okay. Six chapters. Got it. Thanks for the heads up. (read the rest of this shit…)

September 4th, 2024 | 37 Comments »

The Next Karate Kid / Fresh / Milk Money (the end of the summer ’94 series)

Well, my friends, it’s after Labor Day. Time to stop wearing white shoes according to Serial Mom, and time to wrap up the summer retrospective according to me. Some interesting movies that were released at the end of the summer include Richard Rush’s COLOR OF NIGHT (yet another legendarily hated movie at the time time, I thought it was kind of interestingly crazy when I watched it years later) and Roger Avary’s KILLING ZOE (which I’ve always sort of liked but never nearly as much as I wanted to), both released on the 19th. The 26th gave us another Tarantino-connected movie that was a huge deal at the time, Oliver Stone’s NATURAL BORN KILLERS.

I previously reviewed that one so thoroughly that I not only covered the movie, but the earlier script and the making of book, so I’m not going to rehash it much here. I do want to note that Oliver Stone was one of the directors most associated with boomer self analysis – rightly or wrongly, his movies were a big part of the way people my age conceived of the Vietnam War, the JFK assassination, and of course The Doors. But here in the summer of GUMP he was more interested in being contemporary, cutting edge, of-the-moment. I found the movie’s hyperactive collage style annoying at the time, but I can respect it more now, and it was obviously influential for other movies I initially and/or still find annoying like DOMINO and CRANK. His choice to recruit Trent Reznor to produce the soundtrack album proves that the movie is more Lollapalooza than Woodstock. It was also an early foray into cinema for the future Academy Award winning composer (though of course we all know he was in Paul Schrader’s LIGHT OF DAY in 1987, plus “Head Like a Hole” was in CLASS OF 1999 and PRAYER OF THE ROLLERBOYS and “Dead Souls” was in THE CROW).

This finale to the Summer of ’94 series will focus on a triptych of movies with this sort of generational torch passing as part of their plot. They are stories about young people and the lessons they learn from older mentors. (read the rest of this shit…)

September 3rd, 2024 | 11 Comments »

The Adventures of Priscilla, Queen of the Desert vs. It’s Pat

I’ve seen THE ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT before, but haven’t reviewed it, and it’s one of those ones that I might come up blank trying to say something fresh about. It’s extremely well known and appreciated, I’m not sure who out there would need to know about it who doesn’t already, and I’m not qualified to speak on it either as a drag/trans film or as Australian cinema. But it was an unlikely international hit and has stood the test of time, so it would be a shame not to say a few words about it in this series.

Written and directed by Stephan Elliott (FRAUDS starring Phil Collins), it was released on August 10, 1994 in the United States (about a month before it came out in Australia, I guess?). It’s the story of three drag queens in Sydney who get a bus (Priscilla) and travel to central Australia together for a gig at a hotel. Bernadette (Terence Stamp, ALIEN NATION) is a wry older trans woman who ordinarily would avoid this sort of thing, but wants to take her mind off the recent death of her husband. Adam (Guy Pearce in only his fifth movie) is the diva of the group, kind of a pain in the ass but takes it well when they tease him. It’s Tick (Hugo Weaving, RECKLESS KELLY) who got the gig, and he’s nervous as hell because, unbeknownst to his friends, he used to be married to and have a kid with the owner of the hotel (Sarah Chadwick, GROSS MISCONDUCT), and he doesn’t know how it’s gonna go. (read the rest of this shit…)

September 2nd, 2024 | 10 Comments »

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