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Archive for the ‘Thriller’ Category

Ricochet

Wednesday, July 23rd, 2008

I think I saw this movie back when it came out and I remember it just being ridiculous, but seeing it again I thought it was a good ridiculous. The movie begins with a melodramatic Hitchcock style credit sequence, but then cuts straight to Denzel Washington, Ice-T and Kevin Pollack playing very aggressive basketball on a playground. As far as I know this one is one of only a handful of movies in all of cinematic history that begin with those three guys playing street ball.

I like this scene because it very quickly sets up most of the major players in the movie while also establishing just why the movie is cool. For one thing, the director is Russell RAZORBACK Mulcahy, video director turned movie director who is fond of fancy hotshot camerawork. But this is 1991, still firmly in the naive days when a director followed a code of honor that they were expected to provide visual clues to the audience to understand what the fuck is going on. For some of you younger individuals it’s probaly hard to imagine, but the camera is flying around in such a way that it enhances your enjoyment of the movie, instead of pissing you off. This starts in the basketball scene with the camera somehow following right behind Denzel as he weaves through the other players and slam dunks. (read the rest of this shit…)

Vern asks Why Watch Dark Knight when you could be watching…

Sunday, July 20th, 2008

Well it looks like this week is Nerd Hanukkah, when everybody freaks out about the new Batman movie and then they go to San Diego and they seem to open presents every day. I’m not clear what exactly it is they do there but it apparently involves comic books and occasionally Halle Berry or Charlize Theron or somebody. There will be alot of exciting posters passed out or something and lots of exciting news will be broken about some movie or other. You’ll be hearing about your star treks and your hobbits and your Iron Man part 2s and what not. But there is one sequel that you won’t be hearing jack shit about there unless you are currently sitting there reading this article. Ladies and gentlemen, I am proud to announce that I got the exclusive inside scoop on a movie and the title alone is gonna knock your god damn socks off. Your socks are gonna tear right through your fuckin Captain America boots, fly across the room and land on a table where somebody from some Dr. Who spinoff is signing autographs.

There’s only one thing to do, I gotta spit it out: THE ART OF WAR II: BETRAYAL. Starring WESLEY GOD DAMN SNIPES. (read the rest of this shit…)

In the Line of Fire

Sunday, June 29th, 2008

Here’s a movie not directed by Clint Eastwood (it’s Wolfgang Peterson, the DAS BOOT guy) but like alot of his directorial works of the past 20 years it deals with him getting old. Clint plays a Secret Service agent named Frank Horrigan. He’s still working but he’s washed up – he was there when JFK got shot and is still haunted by his failure. After that he became a huge asshole, he started drinking and his wife and daughter left. But this is Clint we’re talking about so we still like him, and also he plays jazz piano.

This is a good example of those ’90s big budget studio action thrillers along the lines of EXECUTIVE DECISION and DIE HARD WITH A VENGEANCE, movies that depict the workings of a city and its various departments as they respond to an emergency. In this case it’s the Secret Service responding to a threat against the president. We see Clint and his new partner (Dylan McDermott, or possibly Dermot Mulrooney – I don’t know which is which so if it’s important to you check IMDb) making their rounds, so first they have to shoot some guys over counterfeit money, then they have to check out a report of “some weirdo.” It just so happens that this is the one in a thousand of those calls that really is a dude planning to kill the president. He’s not home but he sees Clint in his apartment from afar and the game begins. (read the rest of this shit…)

The Enforcer

Wednesday, June 25th, 2008

In the third Dirty Harry picture Inspector Callahan has become some sort of an enforcer, a guy who travels around enforcing things. Alot of people tend to dismiss the series after MAGNUM FORCE, and it’s true that this one isn’t as good as the two before it, but I gotta admit I like it.

Alot of the goofiest shit from ’70s and ’80s cop movies, the cliches that get made fun of all the time, might be traced directly to this movie. This is definitely a prime example of the cartoonishly out of line bureaucrats in the police headquarters who demand the police “clean up the streets” but get mad at them when they do. “I didn’t say to use violence.” It’s got the scene where he gets suspended and has to give back his badge, which is memorable because Harry calls it a “seven point suppository… you heard me, stick it up your ass!” And the opening section of the movie is about him driving around encountering different police situations unrelated to the plot just so they can show the funny/abrasive way he deals with criminals, like the guy supposedly having a heart attack in a restaurant who he kicks and tells to get up or the liquor store hostage-takers who demand a car, so he “gives it to them” by driving through the front of the liquor store. (Of course followed by a scene where the aforementioned bureaucrat yells at him with a tally of all the damage done.) (read the rest of this shit…)

The Happening

Sunday, June 15th, 2008

Okay, you guys were right. I’ve been defending M. Night Shyamalan as a talented director based on how he moved the camera around in THE SIXTH SENSE and UNBREAKABLE. I didn’t like SIGNS as much, but alot of it worked. I didn’t see THE VILLAGE, which may have strengthened my argument through the ancient technique of “denial.” And LADY IN THE WATER was a hilarious disaster, which means he’s at least interesting even when he’s embarrassing himself and all of his ancestors and descendants and anyone who has ever known him or seen one of his movies.

But after this one I’m with you guys, I give up on Shyamalan. And it has nothing to do with twist endings (there isn’t one in this movie). This is just a bad movie that blows it from the beginning and gets more silly as it goes along, and there isn’t even much of the technical skill he used to display to make up for it. (read the rest of this shit…)

Magnum Force

Thursday, June 12th, 2008

DIRTY HARRY is probaly a better movie overall, but as far as sequels go I think MAGNUM FORCE is a work of genius, because it does two things.

ONE:

It does a good job of following the template of the original and delivering alot of what people liked about that one, for example the classic hot dog/bank robbery scene is replaced by a scene where he goes to get a hamburger at an airport cafe and ends up stopping a hijacking. You gotta love when he butts into the security pow wow at the airport, they tell him what’s going on, he asks “Can I make a suggestion?” and it cuts to him walking toward the plane wearing a pilot’s uniform. Classic! (read the rest of this shit…)

Dirty Harry

Tuesday, June 10th, 2008

Man, I’ve watched DIRTY HARRY so many times since I’ve been writing about movies, and it is clearly one of the classics of Badass Cinema (the Loose Canon, I recently decided it should be called. Get it it is a pun I believe.) But I just figured out that I never wrote a review of it. Weird.

This time I watched it on the occasion of buying the new DIRTY HARRY ULTIMATE COLLECTION box set, which totally made my day and I did feel lucky punk and it is so good it would blow your head clean off and is the most powerful box set in the world. That is not really puns but you know what’s going on there, I think you get it. (read the rest of this shit…)

Death Wish V: The Face of Death

Wednesday, June 4th, 2008

This one finishes off the series, it’s a goodbye to Paul Kersey and to Charles Bronson for those who aren’t gonna watch the three FAMILY OF COPS movies (the only thing he made after this). I’ve read that Bronson had Alzheimer’s, but he seems completely with it and in good shape.

The year is 1994, Paul has another girlfriend with another daughter. Like part 4 they don’t get mugged or raped, but like all DEATH WISH movies they’re in serious danger. This time Paul runs afoul of the Irish mafia, specifically his girlfriend’s crazy ex-husband Tommy O’Shea (Michael Parks, aka Sherriff Earl McGraw from FROM DUSK TILL DAWN, KILL BILL and both GRINDHOUSE movies). We find out Paul is in witness protection now, not on the run, and he calls an old friend at the D.A.’s office (Saul Rubinek) to help him with O’Shea. But of course that makes things worse, so Paul finds himself sneaking around picking off mobsters. It occurs to me that makes it kind of like a slasher movie where you root for the slasher. Oh well. (read the rest of this shit…)

Malone

Wednesday, June 4th, 2008

Friends, I don’t know if any of you are with me on this one, but just humor me for a minute and pour one on the curb for the video store. There are still plenty of them holding on and struggling, but the vultures are circling. More and more people prefer the instant gratification of download on demand or the not even close to instant gratification of ordering movies on a fucking websight and then waiting around for them to show up at some later date in your mailbox and then you will leave them sitting on your coffee table for two weeks and then remember that you got it and then watch part of it and send it back. But in my day, and still to this day, there was another part of the equation, the browsing. The hunt.

And it is only through this forgotten activity that you can have an experience like this one. You’re looking through the action section, trying to decide what you should watch:

I’ve seen alot of these. Not interested in a lot of these. Why is that one in the action section? I guess I’m not sure what section you would put it in. Oh, I forgot they did a remake of ASSAULT ON PRECINCT 13. That wasn’t very good. MR. AND MRS. SMITH? I never did see that one. Looked kind of good. Everybody said it was bad though. But there was that shot in the trailer, she was rapelling down the building and she had garters on, maybe I should– (read the rest of this shit…)

Redbelt

Monday, May 19th, 2008

If you’ve seen anything by David Mamet then you know it’s kind of surprising (and awesome) that his new movie is about Brazilian jiu-jitsu. I even heard rumors that it was a straight ahead kickboxing movie like BLOODSPORT, and when the opening credits had Japanese drums like Christopher Lambert’s THE HUNTED I was about ready for the rebirth of action cinema. But this is really not an action movie. Anyone who goes in looking for that might be disappointed like the guy who wanted his money back when I saw GHOST DOG. Maybe not quite as much – there’s not alot of poetic shots of birds flying or long scenes of dudes driving around quietly contemplating. But this is not BEST OF THE BEST 2008, it’s definitely a David Mamet movie. Slowly unfolding plot that could go in any direction, narrative that respects the audience enough not to spell everything out for them, an intricate con, macho dialogue, magic tricks, Ricky Jay, Joe Mantegna, Mamet’s wife, songs by Mamet’s wife. I was hoping William H. Macey would show up as some retired kickboxing legend, but maybe next time.

The best thing about the movie is Chewetel Ejiofor. He plays Mike Terry, the instructor at a small, struggling jiu-jitsu academy, and a total fucking badass. He has some ties to bigshots in competitive mixed martial arts (or “karate potpouri” I believe they prefer to call it) but he doesn’t consider competition fights to be honorable, so he won’t do that even when he needs the money badly. It’s best to just let the plot fall into place, it’s not exactly high concept. But I will say that it involves some coincidence, a broken window, some lies, and some sleeper holds. (read the rest of this shit…)