Archive for the ‘Reviews’ Category
Tuesday, May 12th, 2020
Before going into seclusion to plot my revenge on the coronavirus I rented a bunch of Akira Kurosawa movies. Didn’t even really know what they were about. Luckily one of them was HIGH AND LOW, because that’s what more than one of you recommended after I reviewed STRAY DOG. Another contemporary police procedural one. No samurais in it at all.
One thing I did not expect: themes of shoe industry integrity. It opens with our initial protagonist Mr. Gondo (Toshiro Mifune in a white cardigan) meeting at his house with his fellow board members for the National Shoe company. They’re each in charge of one specific part of the company (one guy conveniently lists them all off for us), and Gondo’s is the factory. All of them agree that “the old man,” (the president of the shoe company, not Dan Inosanto’s character from REDBELT) is out of touch with what modern women want. They call his pumps “combat boots.” But they’ve come up with a plan that by teaming together they represent a majority of shareholders and can replace the old man and begin making shoes that are more current and cheaper to manufacture. (read the rest of this shit…)
Tags: Akira Kurosawa, Ed McBain, Kenjiro Ishiyama, Kyoko Kagawa, Tatsuya Mihashi, Tatsuya Nakadai, Toshiro Mifune, Tsutomu Yamazaki, Yutaka Sada
Posted in Crime, Reviews | 13 Comments »
Monday, May 11th, 2020
When we last saw Wong Fei-hung (Jackie Chan), he was a bratty kid always getting in trouble, getting disowned by his martial artist/physician father Master Wong, trained in drunken boxing by Beggar So, learning to fight really well if he has access to a gourd he can use to get blitzed out of his, you know, gourd.
Now its… I’m not sure how long later. But it’s the early twentieth century. There are cars and shit. Though he’s presumably an adult, he still lives with his parents – now played by Ti Lung (A BETTER TOMORROW) and Anita Mui (RUMBLE IN THE BRONX) – and fucks around and gets in trouble constantly.
When DRUNKEN MASTER came out in 1978, Jackie was just beginning to explore his comedic approach to kung fu movies, and it established him as a major movie star in China. Sixteen years later, when DRUNKEN MASTER II (a.k.a. THE LEGEND OF THE DRUNKEN MASTER) came out, Jackie and martial arts cinema were in an entirely different place. Jackie had moved over to Golden Harvest, directed ten movies, started the POLICE STORY and ARMOUR OF GOD series, even done a few American movies. And then he returned to the famous folk hero character in the only time he was ever directed by the great Lau Kar-leung (EXECUTIONERS FROM SHAOLIN, THE 36TH CHAMBER OF SHAOLIN, HEROES OF THE EAST, DIRTY HO, THE 8 DIAGRAM POLE FIGHTER, TIGER ON BEAT). But they fought about the shooting and fighting styles and Jackie took over to direct the final fight that the movie’s best known for. (read the rest of this shit…)
Tags: Anita Mui, drunken boxing, Felix Wong, Jackie Chan, Ken Lo, Lau Kar-Leung, Ti Lung, Wong Fei-hung
Posted in Action, Martial Arts, Reviews | 14 Comments »
Friday, May 8th, 2020
I’ve reviewed and enjoyed Sonny Chiba’s three STREET FIGHTER movies (THE STREET FIGHTER, RETURN OF THE STREET FIGHTER and THE STREET FIGHTER’S LAST REVENGE), so now it’s time to get started on the SISTER STREET FIGHTER quadrilogy. It was marketed (at least in the U.S.) as a spin-off of the other series, but star Etsuko “Sue” Shihomi is not playing her character from THE STREET FIGHTER, or her other character from THE STREETFIGHTER’S LAST REVENGE, and Chiba is in it not playing “Terry” Tsuguri. There’s no narrative connection, but it is in a similar vein of funky contemporary karate blast full of fun comic book gimmicks, cool ‘70s fashion and exaggerated violence.
Shihomi (GOLGO 13: ASSIGNMENT KOWLOON) plays Koryu, a Hong Kong martial artist who gets sent to Yokohama to search for her brother Mansei (Hiroshi Miyauchi, Kamen Rider, Go Ranger, Spider Man, REBORN FROM HELL II: JUBEI’S REVENGE), a narcotics agent who disappeared while undercover in a heroin smuggling ring. Kuryo has other family there. She beats up some assholes in front of her restaraunteur uncle (Hiroshi Kondo, GRAVEYARD OF HONOR, WOLF GUY), who is delighted that she’s “still a tomboy,” and cousins (Tatsuya Nanjo [TOKYO DEEP THROAT] and Nami Tachibana), who ask her for lessons and tell her she’s famous in Japan as the Hong Kong Martial Arts Champ. (Nobody else seems to recognize her.) (read the rest of this shit…)
Tags: Asao Uchida, Bin Amatsu, Etsuko Shihomi, Hiroshi Kondo, Hiroshi Miyauchi, Kazuhiko Yamaguchi, Shohei Yamamoto, Sonny Chiba, Tatsuya Nanjo
Posted in Action, Martial Arts, Reviews | 5 Comments »
Thursday, May 7th, 2020
Many of the movies I love are a kind of heightened or polished exploitation. They’re the standout kicking and stabbing movies that were mass-produced in the ’70s to fill slots at drive-ins but exceeded their mandate and ended up acing the test of time. Or they’re the modern, more expensive movies in popular genres that evolved out of the best b-pictures. But occasionally I’ll take the seatbelt off and step into the muck of legitimate 21st century exploitation.
That’s what I would consider CRY HAVOC, a mashup between a slasher movie and a Charles Bronson movie that came out on VOD and DVD this week. I don’t mean a Charles Bronson type movie. I mean there is a straight up Charles Bronson impersonator trying to rescue his daughter from a masked slasher. And it’s important to emphasize that this is not a SHARKNADO deal. There are zero jokes in the movie and if it’s meant to be funny it wisely doesn’t let on.
I first learned of the Robert Bronzi phenomenon in 2018 when I reviewed DEATH KISS. Writer/director/editor/cinematographer Rene Perez, who has been doing horror and fantasy b-movies since 2010, spotted him in a wild west stunt show in Spain and put him in a horror western called FROM HELL TO THE WILD WEST, followed by that DEATH WISH riff. Both DEATH KISS and CRY HAVOC take place today but make Bronzi look like the actual Charles Bronson, transported through time, mustache, clothes and attitude intact. A timeless, ageless, nameless spirit of vengeance. (read the rest of this shit…)
Tags: Rene Perez, Richard Tyson, Robert Bronzi, slashers
Posted in Horror, Reviews | 9 Comments »
Wednesday, May 6th, 2020
BARRY LYNDON is not the type of movie people recommend to me all the time, but it is the kind of movie that most people who have spent as long as me trying to be up on the good movies have, like, bothered to see at some point. Because it is widely known that that Stanley Kubrick usually did a pretty good job of the movies. Yet I managed to go several decades not seeing it. I guess there’s no way to be suspenseful about this – you’ve probly done the math and figured out that since this is a review of BARRY LYNDON by me that means I’ve finally seen BARRY LYNDON. An exciting day. I get to go over to the Homicide: Life On the Street dry-erase board and change the letters from red to black.
Ryan O’Neal (THE DRIVER) stars as Redmond Barry, horny Irish ne’er-do-well who has to leave home and have adventures because he thinks he killed an English officer in a duel. I’m not clear how old he’s supposed to be in the early scenes, but it’s funny that they keep referring to mid-‘30s, manlier-than-everyone-around-him O’Neal as a “boy.” Maybe they should’ve made him sit in oversized furniture like Martin Short in CLIFFORD.
(read the rest of this shit…)
Tags: Arthur O'Sullivan, Gay Hamilton, John Alcott, Ken Adam, Leon Vitali, Leonard Rossiter, Marisa Bernson, Michael Hordern, Murray Melvin, Ryan O'Neal, Stanley Kubrick
Posted in Drama, Reviews | 24 Comments »
Monday, May 4th, 2020
LONE WOLF AND CUB: BABY CART IN PERIL is #4 out of six LONE WOLF AND CUB films, and comes pretty directly out of the stories from the late Kazuo Koike’s manga about the former Shogun’s-executioner who was framed by the god damn Yagyu Clan (fuck those guys) and now travels Japan with his young son Daigoro, working as a freelance assassin along his “Demon’s Path” toward vengeance and damnation. He usually ends up doing something very honorable that seems a little more like redemption, but he doesn’t see it that way. He thinks he’s the devil. This was before heavy metal, too.
This one’s kinda got an A and B plot. One of them (take your pick which letter it is) involves the badass Oyuki (Michi Azuma, who played a different character in BABY CART AT THE RIVER STYX – they should do that in more American movie series), a former “sword mistress” gone rogue so she can avenge her former mentor for raping her. One of her trademarks is to cut off the top knots of all the motherfuckers who come after her, which in their culture seems to be even more humiliating than when Brutus “The Barber” Beefcake used to badly shave the heads of those he defeated in the ring. (read the rest of this shit…)
Tags: Buichi Saito, Kazuo Koike, live action manga, samurai, Tomisaburo Wakayama, Yoichi Hayashi
Posted in Action, Comic strips/Super heroes, Martial Arts, Reviews | 8 Comments »
Thursday, April 30th, 2020
I keep having to write this same exact preamble, so here’s the short version: yes, we all think we’re sick of zombie movies, but here’s another really good one. (See also: TRAIN TO BUSAN, THE GIRL WITH ALL THE GIFTS.) The fresh spin on BLOOD QUANTUM – a Canadian one that opened the Midnight Madness portion of the 2019 Toronto International Film Festival and got a surprise release on Shudder this week – starts with it taking place on a First Nations reserve (or Indian reservation as people here call it).
It has a vivid weird-day-unfolding feel, like a serious THE DEAD DON’T DIE, rolling out the odd characters in town through the point of view of Red Crow reserve chief of police Traylor (Michael Greyeyes, DANCE ME OUTSIDE, FIRESTORM, Fear the Walking Dead, True Detective). But it starts on his dad, Gisigu (Stonehorse Lone Goeman, a sturdy, bald old badass with no other acting credits) gutting a bunch of salmon he caught. The fucking things won’t stop flipping around like they’re in that Faith No More video. (read the rest of this shit…)
Tags: Brandon Oakes, Canadian, Devery Jacobs, Elle-Maija Tailfeathers, Forrest Goodluck, Gary Farmer, Jeff Barnaby, Kiowa Gordon, Michael Greyeyes, Olivia Scriven, Shudder, Stonehorse Lone Goeman, zombies
Posted in Horror, Reviews | 7 Comments »
Wednesday, April 29th, 2020
“Listen, I got nothin against playin army. I don’t mind that at all. I think the ideology of some of these folks is good. But there’s assholes everywhere, and Floyd is an asshole.” —Dr. Wesley McCLaren (Steven Seagal), THE PATRIOT
THE DECLINE (originally Jusqu’au déclin, UNTIL THE DECLINE) is a French Canadian thriller, the first Netflix production out of Quebec. It was recommended to me by “some asshole” (@QBF4LYF) on Twitter and coming in at a swift and economical 83 minutes it was an easy, successful bet.
It’s about this guy named Antoine (Guillaume Laurin, MOMMY), middle class husband and father, slightly on the dorky side, and really into survivalist shit. He watches his hero Alain (Réal Bossé, NITRO)’s well-produced, reasonable-seeming instructional videos online, follows along with his daughter, sealing a giant pack of rice for storage and getting her to repeat her lessons about why it’s important. Alain mentions how fast Montreal grocery stores will run out of staple foods during an emergency, which hits a little close to home in this time of pandemic. (Later someone will mention the threat of an H1N1 outbreak.) And Antoine doesn’t fit the stereotypes of survivalists so it comes across as a weird but harmless hobby more than a paranoid obsession. (read the rest of this shit…)
Tags: Guillaume Cyr, Guillaume Laurin, Krav Maga, Marc Beaupre, Marie-Evelyne Lessard, Patrice Laliberte, Quebec, Real Bosse, survivalists
Posted in Reviews, Thriller | 2 Comments »
Tuesday, April 28th, 2020
GIRL ON THE THIRD FLOOR is a 2019 horror film that’s been on video for a while and recently showed up on Netflix. It stars Phil Brooks (RABID), better known under his pro-wrestling name CM Punk, but it’s not a movie designed to star a muscleman, and not released under the prestigious WWE Films banner. That might be because they don’t do as many wrestler-based movies anymore, or because he’s a mixed martial artist now, or because he left WWE on bad terms saying he would never work with them again and accused their doctors of malpractice on a podcast and was subject of a defamation lawsuit for it and won. Could be any of those reasons that he had to go out and book a normal acting role.
To be honest I had to look that stuff up, I don’t know much about him. I didn’t even know that he looks like Jon Hamm. He slimmed down to regular-muscular-guy size as opposed to wrestler size, but doesn’t hide that he’s covered in tattoos. His character Don Koch is an ex-lawyer infamous for ripping off his clients, but doesn’t fit your preconceived notions of somebody like that since he’s got the ink and listens to Neurosis and stuff. That helped me not hate him as he tries to start over in the Chicago suburbs.
That’s where he’s just starting renovating a rundown house, his pregnant wife Liz (Trieste Kelly Dunn, LITTLE CHICAGO, Banshee) periodically checking in on Facetime. He’s alone with his dog, some power tools, some personal demons, and maybe some supernatural entities. At least that’s my interpretation of the various goos dripping from outlets, lightbulbs and holes in the walls. (read the rest of this shit…)
Tags: C.M. Punk, ghosts, Karen Woditsch, Sarah Brooks, Steve Albini, Travis Stevens, Trieste Kelly Dunn
Posted in Horror, Reviews | 4 Comments »
Monday, April 27th, 2020
EXTRACTION seems to be getting good promotion as far as non-awards-contender-made-for-Netflix movies go. And there aren’t movie theaters at the moment anyway, so it was the hot movie to see this weekend. I’m glad they figured out a way to get people interested – I’ve been anticipating it for a while, but “it’s the first movie directed by the stuntman who did the action direction for ATOMIC BLONDE and WOLF WARRIOR II” maybe doesn’t have the same currency with normal people as it does for me.
Sam Hargrave has been the Captain America stunt double since the first THE AVENGERS, and a Marvel fight/stunt coordinator/second unit director since CAPTAIN AMERICA: CIVIL WAR, so he was well known to “visionary directors” Joe and Anthony Russo, who used their Marvel money to start the production company/studio AGBO. And they were wise enough to get him as director for this movie based on their 2014 graphic novel Ciudad (written with Ande Parks, adapted for the screen by Joe Russo). (read the rest of this shit…)
Tags: AGBO, Anthony Russo, Chris Hemsworth, David Harbour, Golshifteh Farahani, Joe Russo, Netflix, Pankaj Tripathi, Priyanshu Painyuli, Randeep Hooda, Rudhraksh Jaiswal, Sam Hargrave
Posted in Action, Reviews | 43 Comments »
