"I'll just get my gear."

Posts Tagged ‘Miguel A. Nunez Jr.’

Friday the 13th: A New Beginning

Tuesday, October 12th, 2021

“This is a small town, and small towns are supposed to be safe!”


FRIDAY THE 13TH PART IV: THE FINAL CHAPTER made almost as much as its predecessor so – Ah, hell, who are we fooling? Let’s make another one so immediately that it can be released in less than a year!

To restart the series they went to director Danny Steinmann, whose horror experience was THE UNSEEN (1980), and who’d just done SAVAGE STREETS starring Linda Blair. Steinmann gets a writing credit alongside part III co-writer Martin Kitrosser – because they used his early attempt at the part III script that would’ve been about Part II’s Ginny in a mental institution – and newcomer David Cohen, who rewrote that script (and would go on to write and direct HOLLYWOOD ZAP [1986], about “two friends, one searching for his father, the other searching for the ultimate sexual video game competition.”)

FRIDAY THE 13TH: A NEW BEGINNING cold opens with the type of storm the original FRIDAY THE 13TH had to build to. Part IV’s pre-teen Jason-killer Tommy Jarvis (Corey Feldman) is visiting a cemetery (not the same “old cemetery” from the last installment) where there’s a makeshift grave for Jason (who buried him?). Tommy watches as two idiotic, cackling fuckos dig up Jason’s worm-covered, still-masked corpse just for laughs. And then, for some reason (or none at all – you know how these resurrections go) Jason sits up and kills them. (read the rest of this shit…)

The Return of the Living Dead (35th anniversary revisit)

Monday, August 24th, 2020

August 16, 1985

THE RETURN OF THE LIVING DEAD is a movie that I already reviewed thoroughly for Halloween 2015, but it’s such a classic I felt it would be wrong to exclude from this retrospective. So feel free to click on that link for a straightforward piece about some of the reasons I love the movie, but this one will zero in on a few aspects I feel are interesting in context with other movies we’ve discussed from the Summer of 1985 movie season.

As a horror-comedy that’s more of a real horror movie than a parody, RETURN arguably has a kinship with FRIGHT NIGHT. But obviously its closest comparison is its brother from another producer, George Romero’s DAY OF THE DEAD. Earlier in the summer I wrote about some of the ways DAY fit the specific moment of 1985. RETURN does it in a totally different way. Romero’s takes a grey, grim approach to railing against the Reagan era, while RETURN writer-director Dan O’Bannon does the EC Comics and punk rock version. Like so many of the movies we’ve been looking at, it’s a very soundtrack-oriented movie, embracing music of the time. But it’s not Huey Lewis, Cyndi Lauper or even Oingo Boingo – it’s punk rock bands like T.S.O.L., The Cramps, The Damned and The Flesh Eaters. (read the rest of this shit…)