After determining that Brian Helgeland was responsible for the scene I loved in ASSASSINS I thought I should watch one of his movies that I haven’t seen before. But not his new one (the remaking of Pelham One Two Three) because life is too short for new Tony Scott movies.
So I went way back to this VHS-only cult oddity from Ate de Jong, director of DROP DEAD FRED. This is actually Helgeland’s last credit before ASSASSINS, but it came out back in 1991, when he was still considered a horror guy, having done NIGHTMARE ON ELM STREET 4, 976-EVIL, and some episodes of FRIDAY THE 13TH: THE SERIES. (read the rest of this shit…)
After the disappointment of TERMINATOR SALVATION the last thing we need is another movie that fails to live up to James Cameron’s original creation. But here is TERMINATOR WOMAN, which not only lacks the punch of Cameron’s two sci-fi action classics, but also fails to communicate to the viewer (in this case me) why the hell it’s called TERMINATOR WOMAN. The cover says “It’s about time!” as if to suggest it’s exciting to have a woman Terminator (before TERMINATOR 3: RISE OF THE MACHINES), but the movie isn’t even remotely about robots or even terminating, and there’s also a man in the movie who fights on what is portrayed as an approximately equal skill level with the woman. So if she counts as a Terminator then he must too. I’m not sure why it’s not TERMINATOR MAN AND WOMAN.
DIRECT CONTACT is the new Dolph Lundgren DTV movie directed by Danny Lerner (SHARKS IN VENICE) and written by Les Weldon (RAGING SHARKS). It comes out in the US on Tuesday and has already been released in Thailand, Kuwait, Italy, the Netherlands, Norway, Finland, Denmark and Sweden.When we first meet Dolph as Mike Riggins, life is not the best. #1, he lives in a Balkan prison. #2, he owes a bunch of gangsters money, and some guy spits in his food, so he has to fight everybody and stab a dude in the eyeball. #3, the screws come in and club him like a baby seal. #4, he gets put in solitary. #5, when he pukes up blood a rat comes over and starts eating it.
See, this is the type of gold I’m always digging for. This is why I keep browsing and renting weird old movies I don’t know much about. I’m trying to find a movie like HIT!. Last time I rented a Billy Dee Williams movie it was AGENT 00-SOUL, which I’d wanted to see for years only to discover it’s not a serious movie, it’s a “comedy” where he just keeps tripping on things and falling out of things. It makes the worst Leslie Nielsen movie look like the Coen Brothers.
I’ve missed some potential good ones at this year’s Seattle International Film Festival, but I was not about to miss the midnight show of BLACK DYNAMITE. If you don’t know what this is, it’s a retro blaxploitation movie where Michael Jai White (also co-writer) plays the title character, an ex-CIA, Vietnam vet, kung fu practicing, five-women-at-a-time-fucking badass motherfucker trying to find out who killed his brother.
Sadly, David Carradine wasn’t the only martial arts star who died yesterday – we also lost Shih Kien, best known as Han in ENTER THE DRAGON. Apparently he’s also in DRUNKEN MASTER but I didn’t realize it at the time so if anybody remembers which character he played let me know.
ASSASSINS: the word with two asses
A supernatural horror movie like DRAG ME TO HELL might seem like a weird thing to release in the end of May. But it’s a hell of a fun time at the movies, making up for some of the underwhelming feelings we had from the bigger popcorn type movies. Looks like it’s not doing so well right now, which is too bad. I recommend all horror fans see this immediately. But if you don’t like being bossed around (and I don’t blame you on that) at least read my review please. Thanks.
Welcome to another episode of Vern’s Soft Side. In this episode, Vern cries at a fuckin cartoon.
From Uli Edel, the visionary director of BODY OF EVIDENCE and THE LITTLE VAMPIRE, comes the 1995 made-for-cable biopic of Mike Tyson. HBO had made alot of money off the Mike Tyson fights, but then he lost the title and went to prison. I guess they made this movie to keep him in their library and maybe spark new interest for his comeback.
