If you trust me to say “Go watch this intense crime drama, I thought it was excellent” without needing me to tell you anything else about it, then go do that. I’m awarding EDEN my controversial The Best Thing I’ve Seen Lately medal to encourage you. It came out on the DVD last week under the title ABDUCTION OF EDEN, but the title on screen and when it was playing film festivals was just EDEN. (I hear they had to change the cover and name for Redbox – artistic decisions now determined by vending machines. Today’s cinematic art must have the same wide appeal as Doritos or Chips Ahoy.)
Because of the new title we know there’s an abduction of some kind, and the movie opens with a girl crying, tied up in the trunk of a car (as crappily photoshopped on the generic DTV-looking cover). If you insist on knowing more than that then read on. (read the rest of this shit…)
In SNITCH, Benjamin Bratt (CATWOMAN) plays El Topo, a notorious ex-military badass who leads a Mexican drug cartel. He’s elusive to the authorities, preferring to stay back in a car and watch his underlings from afar, but when the shit goes down he’s the first to pull out a huge gun that looks like it should be mounted to a jeep. He’s very dangerous, especially to the naive Americans who he convinces to drive his drugs across the border. What they don’t understand is they don’t need to be working on a playlist for the drive back.
The obvious question: is this supposed to be a loose remake of EL TOPO, or a sequel, or what? I gotta go with prequel. At the end of EL TOPO El Topo (originally played by Alejandro Jodorowsky) had achieved enlightenment, gone underground and become a Saint. It just doesn’t follow that he would then become a cartel leader. Instead, SNITCH shows how the El Topo we first met riding through the desert with his young son came from a troubled background. It gives him all the more darkness to be redeemed from, retroactively adding more depth to Jodorowsky’s film. (read the rest of this shit…)
NINJA III is one of the only movies to really explore how much ninjas like yogurt
One of our nation’s perennial VHS favorites, NINJA III: THE DOMINATION, has recently made the transition to digital and high definition disc type formats courtesy of the heroes at Shout Factory. Check out my review of the new blu-ray over on Daily Grindhouse. If you also want to read a review I wrote of the movie a couple years ago then you can click here.
I’m kinda late on writing this one up, not sure if it’s even playing anywhere anymore, but what are you gonna do.
THE GREAT GATSBY is the story of this rich guy that’s in love with a gal that’s already married. It turns out he only got rich to try to impress her ’cause when he first fell in love with her 5 years ago she found out he was, as he says, penniless, and married this other asshole, etc. Leonardo DiCaprio (THE QUICK AND THE DEAD) plays the rich guy, Gatsby, Carey Mulligan (DRIVE) plays his love interest Daisy Buchanan, and Joel Edgerton (ANIMAL KINGDOM) plays her husband Tommy. But the main character is actually Tobey Maguire as whatsisdick, Daisy’s weiner of a cousin. (read the rest of this shit…)
JACK REACHER is the latest in a line of movies based on a pulp character using the character’s name as the title and not making enough money to continue as a series like they probly planned (see also JOHN CARTER, ALEX CROSS, PARKER, HITCHCOCK). This one’s specifically from a book called One Shot by Lee Child, ninth in the Reacher series. I don’t know the books, just the complaint by many readers that it’s important for him to be a big intimidating guy and not a little guy in a little leather jacket like Tom Cruise always plays. So this would probly bother me if I had read them. (read the rest of this shit…)
SUPERGIRL is the story of Superman’s younger cousin Kara (Helen Slater), who lives in Argo, a small commune of (I guess) Krypton refugees encased in a glass sculpture under the water or in another dimension or in space or something, I don’t think it’s explained but maybe you gotta read the comics. The “city” is powered by two magic Faberge egg type deals, one of which Kara’s adult friend Peter O’Toole “borrows” for the day to use in an art project. It’s portrayed as eccentric envelope-pushing, like a teacher standing on a desk or a magic nanny taking the kids onto the roof to watch dancing, but in fact it’s incredible irresponsible behavior that very well could cause the death of the already endangered Kryptonian race. It’s even more inexcusable when he leaves this crucial component of the survival of his entire people with a kid, Kara, who uses it to play God and give life to a giant dragonfly. As kids do.
The dragonfly flies around and tears a hole in the roof and the magic ball gets sucked out into inner space, dooming the entire city to suffocate and die slowly.
Bolo explains energy transference punches using that desk thing you buy at the Sharper Image
It’s back-to-back Blanks! Everything’s coming up Blanks! This week my column on Daily Grindhouse somehow merged with their regular column Videogeddon. I didn’t intend that, but then the world didn’t intend to use up all their resources and have to move all the rich people underground to be protected by Billy Blanks on a motorcycle. These things happen.
That’s right, I reviewed TC 2000 starring Blanks with Bolo Yeung, Jalal Merhi and Mathias Hues, and celebrating its 20th anniversary this August. Click on the title there to check it out.
Round 1, final competitor, Team Blanks vs. The Red Fist Club
“I didn’t come here to box. I gave that up a long time ago. I came here to find his killer.”
I’m not sure, but could BLOODFIST be the first movie to include sports achievements in the credits? Because it lists the star as DON WILSON – WORLD KICKBOXING ASSOCIATION LIGHT HEAVYWEIGHT WORLD CHAMPION.”
(Rob Kaman, Billy Blanks and Kris Aguilar get similar credits.)
Of course, we call him Don “The Dragon” Wilson for short, and he stars as Jake Raye, a retired boxer who works pathetically giving faked fight demos for bullied kids at Hal & Jake’s Self Defense in the Valley. He coulda been a contender or whatever but he selflessly donated his kidney to his half brother Mike (Ned Hourani, BLOOD CHASE, BLOOD HANDS, BLOOD RING, FIST OF GLORY, ETERNAL FIST, LIVE BY THE FIST). With only one of those things he could die if he went back in the ring. (read the rest of this shit…)
I cannot tell a lie, I was really fuckin excited for the new Superman movie. I went to the midnight show and everything. I showed up way too early. I passed a guy dressed as Superman going into the john and might’ve given him a high five if I knew he’d washed his hands. I’m down for this. I wanted this to be great.
I’m not one of those people who shits on SUPERMAN RETURNS. I liked it, I just didn’t love it, mainly because I think it was shackled by nostalgia, held back by trying so hard to recapture the old Richard Donner movies. I know this is considered blasphemy in many circles (you’re gonna be hearing that a couple more times in this review) but I just don’t like those Superman pictures that much. They were great in the ’70s and early ’80s but to me they haven’t held up the way the Spielberg and Lucas joints of the era still do and will continue to. So as good of a job as Bryan Singer did of imitating that old version of Superman and goofball Lex Luthor and re-using the same font and music and all that, I feel like what I want to see now is start over and do a different take on Superman that’s made for the futuristic year of 2013. That’s what director Zack Snyder, writer David S. Goyer and producer Christopher Nolan have done with MAN OF STEEL and… well, I like not love this one also. But maybe like it a little more. Maybe a smidge closer to love on this one. I don’t feel high off it like I did off the Batman movies. But I am still thinking about it, and already want to see it again, see how it plays without all the baggage of expectations. (read the rest of this shit…)
This week in my column at DAILY GRINDHOUSE I take a look at yet another VHS-only martial arts oddity, it’s called EQUAL IMPACT. Hats off if any of you have heard of it. This one stars one-and-done tae kwon do practicing twin brothers Joe and Jay Gates, plus Robert Z’Dar and Joe Estevez. And as I was watching it I was surprised to realize it was filmed in Seattle.
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if that's your thing:
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(NOTE: My ten year contract has passed on the Titan books, so I don't get residuals on them like I do WORM ON A HOOK and NIKETOWN, but I would love for you to read them because I'm proud of them)
EXTRA CREDIT: Review them on Amazon! That would really help me out. Unless you didn't like them, in which case forget I said anything.
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THANKS EVERYBODY. YOUR FRIEND, VERN
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Recent commentary and jibber-jabber
Glaive Robber on The Killer’s Game: “Did not know that the new Adkins/Zaror vehicle was only FIVE DAYS AWAY. Interested in DIABLO… https://www.youtube.com/watch?v=ANKPsCTh0Og Looks like Zaror…” Jun 8, 20:39
jennifer on Karate Kid: Legends: “Am sorry for putting this on the net but I have to. I will forever be indebted to DR, Ezomo…” Jun 8, 06:33
Ronnie Gardocki on Karate Kid: Legends: “The record scratch thing drove me crazy because they do it at least four times. You can get away with…” Jun 7, 08:14
Marvin on Last Bullet: “The movie is action packed and the connection of the past makes it more intriguing and why he had to…” Jun 6, 13:19
VERN on Karate Kid: Legends: “CJ – I’ve seen the trailer playing before movies recently, alongside SUPERMAN, MEGAN 2.0, etc. Rundle – Thank you, I…” Jun 6, 12:49
Pacman2.0 on Karate Kid: Legends: “I caught up with the last season of COBRA KAI in the week or so before seeing this. Maybe I…” Jun 6, 08:53
Universal★Rundle on Karate Kid: Legends: “Not sure how much difference it makes onscreen, but they shot the city in Montreal, not Ontario – it’s getting…” Jun 6, 06:02
CJ Holden on Karate Kid: Legends: “Am I wrong or was this movie just dumped into theatres? I remember seeing the trailer when it came out,…” Jun 6, 01:03
VERN on Karate Kid: Legends: “I really do wonder if it was more like 2 hours and they decided it needed to be 90. Seems…” Jun 5, 23:50
Franchise Fred on Karate Kid: Legends: “I’ll not stand for this Next Karate Kid slander. I’ve written my piece on Legends. It might have been ok…” Jun 5, 23:27
Dreadguacamole on Return of the Bastard Swordsman: “I haven’t seen any of the BASTARD SWORDSMANSES, but I clearly need to rectify that. I will happily second both…” Jun 5, 16:03
Jake on Mission: Impossible – The Final Reckoning: “Tom’s last stunt in the film is something I had assumed he wasn’t crazy enough to do for real but…” Jun 5, 11:10
Mr. Majestyk on Mission: Impossible – The Final Reckoning: “From what I understand, McQuarrie made it a point to switch up some of his basic filmatistical grammar between movies.…” Jun 5, 09:14
neal2zod on Mission: Impossible – The Final Reckoning: “Oh and another thing – I’ve started to see (valid) complaints that the McQuarrie M:I’s have a bit of sameness…” Jun 5, 07:47
If you trust me to say “Go watch this intense crime drama, I thought it was excellent” without needing me to tell you anything else about it, then go do that. I’m awarding EDEN my controversial The Best Thing I’ve Seen Lately medal to encourage you. It came out on the DVD last week under the title ABDUCTION OF EDEN, but the title on screen and when it was playing film festivals was just EDEN. (I hear they had to change the cover and name for Redbox – artistic decisions now determined by vending machines. Today’s cinematic art must have the same wide appeal as Doritos or Chips Ahoy.)
In SNITCH, Benjamin Bratt (CATWOMAN) plays El Topo, a notorious ex-military badass who leads a Mexican drug cartel. He’s elusive to the authorities, preferring to stay back in a car and watch his underlings from afar, but when the shit goes down he’s the first to pull out a huge gun that looks like it should be mounted to a jeep. He’s very dangerous, especially to the naive Americans who he convinces to drive his drugs across the border. What they don’t understand is they don’t need to be working on a playlist for the drive back.
I’m kinda late on writing this one up, not sure if it’s even playing anywhere anymore, but what are you gonna do.
JACK REACHER is the latest in a line of movies based on a pulp character using the character’s name as the title and not making enough money to continue as a series like they probly planned (see also JOHN CARTER, ALEX CROSS, PARKER, HITCHCOCK). This one’s specifically from a book called One Shot by Lee Child, ninth in the Reacher series. I don’t know the books, just the complaint by many readers that it’s important for him to be a big intimidating guy and not a little guy in a little leather jacket like Tom Cruise always plays. So this would probly bother me if I had read them. 
SUPERGIRL is the story of Superman’s younger cousin Kara (Helen Slater), who lives in Argo, a small commune of (I guess) Krypton refugees encased in a glass sculpture under the water or in another dimension or in space or something, I don’t think it’s explained but maybe you gotta read the comics. The “city” is powered by two magic Faberge egg type deals, one of which Kara’s adult friend Peter O’Toole “borrows” for the day to use in an art project. It’s portrayed as eccentric envelope-pushing, like a teacher standing on a desk or a magic nanny taking the kids onto the roof to watch dancing, but in fact it’s incredible irresponsible behavior that very well could cause the death of the already endangered Kryptonian race. It’s even more inexcusable when he leaves this crucial component of the survival of his entire people with a kid, Kara, who uses it to play God and give life to a giant dragonfly. As kids do.
Round 1, final competitor, Team Blanks vs. The Red Fist Club
(contains THE SPOILERS)
This week in my column at DAILY GRINDHOUSE I take a look at yet another VHS-only martial arts oddity, it’s called EQUAL IMPACT. Hats off if any of you have heard of it. This one stars one-and-done tae kwon do practicing twin brothers Joe and Jay Gates, plus Robert Z’Dar and Joe Estevez. And as I was watching it I was surprised to realize it was filmed in Seattle.
