A BETTER TOMORROW II is a crazy fuckin sequel. The story is incredibly convoluted, the plot (or plots) divided between Hong Kong and New York, continuing the story of Ho, Kit and Jackie, but also following a new character called Uncle Lung (Dean Shek) in conflict with the police and with two unrelated crime syndicates. The weirdest (and best) part is that they actually used the gimmick that’s always joked about but almost never actually done: Chow Yun Fat plays Ken, the never-mentioned-before-twin-brother of his deceased part 1 character Mark. I probly don’t have to say any more than that to convince you this movie is stupid. I liked it though. (read the rest of this shit…)
Archive for the ‘Crime’ Category
A Better Tomorrow 2
Friday, October 15th, 2010A Better Tomorrow
Thursday, October 14th, 2010If you look for pictures from John Woo’s 1986 breakthrough A BETTER TOMORROW you’ll mostly find Chow Yun Fat lighting a cigar with a burning counterfeit American $100 bill, or wearing a real nice suit holding two guns. That’s from the beginning of the movie when his character Mark is a big shot in a Hong Kong syndicate. That’s not a better tomorrow, that’s a more financially stable yesterday. Most of the movie takes place years later, when Mark has been shot in the leg and has to wear a metal brace, so he’s now just an errand boy instead of a Big Brother. (read the rest of this shit…)
Steven Seagal: Lawman – Episode 13
Tuesday, October 12th, 2010When the first season of LAWMAN wrapped up I must’ve been busy with something real important, like the birth of a child or the construction of a bridge. I don’t remember anything like that going on, but it had to’ve been something big to prevent me from writing a review of the season finale.
After some legal delays and what not the show resumed last Wednesday with 2 new episodes, and 2 more tomorrow, so I figured I better play catch up. I dug up the extensive notes I wrote for that last first season episode, watched it again on DVD, and now I will present to you my findings. (read the rest of this shit…)
The Town
Monday, September 27th, 2010THE TOWN is a real well done, more-realistic-than-most crime drama. Not exactly a heist movie, because although it’s leading up to an elaborate caper it’s not as much about the planning and executing of the thing as it is about the people who do it. It’s also one of these movies people from Boston make where they’re real anxious to show off every last detail about the Boston neighborhoods and culture. I haven’t been there much so I got no clue how accurate it is, but it seems believable enough. There’s a part where they have coffee at Dunk’n Donuts, that part was real I know. (read the rest of this shit…)
The Lost Man
Thursday, September 16th, 2010THE LOST MAN is a 1969 Sidney Poitier heist movie, a pretty obscure one, never released on DVD. Maybe if it was better known then Tony Scott and Denzel would do a juiced up remake. But actually it’s already sort of a remake, based on a novel that was made as ODD MAN OUT in ’47, but that version had James Mason as an IRA type, this has Poitier as a Black Panther type. (read the rest of this shit…)
The American
Tuesday, September 7th, 2010George Clooney is… THE AMERICAN. In Anton Corbijn’s Americanized remake of Soderbergh’s THE LIMEY, Clooney plays–
nah, that’s not true, it’s not a remake. That would be weird though, especially since Clooney knows Soderbergh pretty good. But I do think THE AMERICAN joins THE LIMEY in a modern genre that I think of as arthouse badass. These are movies that are too quiet and leisurely paced to show to a bunch of teens in a multiplex, but also got motherfuckers getting shot or punched. THE AMERICAN is much more basic and straightforward than THE LIMEY, LIMITS OF CONTROL or GHOST DOG, and admittedly less original. But there’s something powerful about its simplicity. Like a bullet. (read the rest of this shit…)
The Horseman
Tuesday, June 15th, 2010THE HORSEMAN is an Australian revenge picture out on DVD in the U.S. today. At the start this guy’s daughter has already died of a heroin overdose just after filming a porno. It’s a low budget deal shot in a boxing gym – she’s not a Vivid girl or nothing. He doesn’t really know what happened but he blames the porn people for her death, so he’s tracking down everybody involved, burning them alive, etc. (read the rest of this shit…)
Fresh
Monday, June 14th, 2010FRESH (1994) is a real underseen gem of the 1990s, a low budget crime drama about a 12 year old drug courier (Sean Nelson). His aunt calls him Michael, everybody else calls him Fresh. It opens with him going to an apartment where a lady tries to talk up her daughter Marisol to him like she wants to hook them up because she thinks he’s such a smart kid. It seems like he could be there for innocent kid business like meeting a friend to walk to school or getting paid for his paper route, but you quickly realize he’s picking up a brick of heroin and she’s trying to rip him off. He’s smarter than she assumes and he doesn’t take any of her shit, and this is the key to the character throughout the whole movie.
Also did I mention he’s 12. It’s kind of like Doogie Howser. (read the rest of this shit…)
Pronto
Tuesday, May 18th, 2010I always enjoy Elmore Leonard, and I got no excuse for why I haven’t read his book Pronto . But I did just check out Jim McBride’s Showtime TV movie version of this book that introduced Raylan Givens, the cowboy-hat-wearing U.S. marshal that Tim Olyphant plays on the show ‘Justified.’ It’s a very different take on the character and feels very TV-movie, but I thought it was an enjoyable one with a funny, laid back Leonard feel. (read the rest of this shit…)
Harry Brown
Thursday, May 6th, 2010MICHAEL CAINE IS… HARRY BROWN, a pensioner with two things left in the world: his wife (but then she dies) and one friend (who is murdered after complaining that he wants to stab the dumb assholes who keep dropping dog shit through his mail slot). So it’s about an old dude becoming lonely and deciding to hammer down on the hooligans that are ruining his neighborhood (not soccer/football hooligans, just regular unaffiliated hooligans. In fact an interest in sports or arts of some kind, such as graffiti or beatboxing, might be good for these particular hooligans, give them more of a productive focal point for their hooligannery).
Harry is one of the very best categories of badass: the type with a PHd in killing but who chose to go into another field. The war was a long time ago and he doesn’t even like to talk about it. But he told his friend to go to the police, he already had, and they were no help. And Harry is an old man in the same neighborhood, he has to walk past these fuckers too, and he’s always taking the scenic route to avoid them which wastes his time and causes him to miss out on opportunities (little things like being there with his wife when she died). (read the rest of this shit…)