I'm not trying to be a hero! I'M FIGHTING THE DRAGON!!

Posts Tagged ‘Will Poulter’

Detroit

Tuesday, August 22nd, 2017

You guys, it’s seeming more and more like Kathryn Bigelow, Academy Award winning director of THE HURT LOCKER, has permanently replaced Kathryn Bigelow, awesome director of POINT BREAK and BLUE STEEL. That’s okay, they’re both very good at what they do. DETROIT follows ZERO DARK THIRTY as another heavily researched, based-on-actual-events issue movie with writer Mark Boal (IN THE VALLEY OF ELAH). This time they step away from the “War on Terror” to look at an even more intractable American quagmire: the war that members of law enforcement have on African American citizens, and the way the system harbors maniacs and racists who abuse their power.

The subject is the Algiers Motel Incident, a particularly gruesome chapter of the 1967 Detroit riots when police officers and National Guardsmen detained a group of young, mostly African American people, beat and tormented them, (SPOILERS if you don’t know about the true story) murdered three of them and were not punished for it. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

The Revenant

Tuesday, January 26th, 2016

tn_revenantRight now THE REVENANT (from executive producer Brett Ratner) is being marketed as an Important Awards Contender type movie. It’s the year’s most Oscar-nominated film and the winner of the Golden Globe for Best Picture – Drama, so until THE BIG SHORT won the Producer’s Guild award the other day it seemed like the frontrunner for the coveted title of Answer To Trivia Question About Which Lesser Movie Got Best Picture Instead Of MAD MAX: FURY ROAD.

It’s the latest from Alejandro G. Iñárritu, the least fun of the Three Amigos, but the one who got best picture, director and screenplay last year for BIRDMAN. He’s also a guy who talks real passionately and is charming in interviews, but in print or out of context can sound like a pretentious asshole, for example when he said that his excellent new western is not a western because it transcends pathetic human genre:

“Western is in a way a genre, and the problem with genres is that it comes from the word ‘generic’, and I feel that this film is very far from generic.”

(Genre actually comes from the French word for ‘kind’ or ‘type’.)

But fuck all that. That’s a distraction. On its own, THE REVENANT is the kind/type/genre of pure, undiluted, immersive filmatism that I love. Unafraid to go long stretches without dialogue, or to have the minimal exposition mumbled through an unintelligible accent, it plunges us into a world (1823 fur trappers and hunters under siege by Arikara Indians) and doesn’t give us any instructions on how to get home. It trusts that the dense atmosphere and simple, action-based narrative will lead the way. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.