“What the fuck was our daughter doing in a 3,000 year old sarcophagus!?”
Yeah, I know, it’s real funny that LEE CRONIN’S THE MUMMY is called LEE CRONIN’S THE MUMMY. I’m not normal, so I saw that title and knew Lee Cronin was the director of an okay movie called THE HOLE IN THE GROUND (2019) that got him the job on EVIL DEAD RISE and now this is his third movie. Normal people see that title and think I don’t know who the fuck that is. So it’s funny that they wouldn’t let him just call his mummy movie THE MUMMY and made him put his name on it. This is true. But let’s move on.
Now, to the important business: this is a good movie! Research confirms it got mostly bad reviews, but I’m telling you, there are delights to be had here. I had heard people say it was more like an EVIL DEAD movie than a mummy movie, sometimes meaning that as a complaint, but obviously it’s a selling point for me. To me the worst EVIL DEAD movie (Lee Cronin’s) is better than the best modern mummy movie (the Tom Cruise one). But now this is the best modern mummy movie precisely because it uses some mummy tropes but with the energy, momentum, style and outrageousness of an EVIL DEAD. It’s very gross, it takes itself seriously but has a great sense of absurdity and dark humor, it has a momentum to it even though it’s over two hours. (I’m sure it helps that they have Bryan Shaw, editor of EVIL DEAD 2013, EVIL DEAD RISE and nine episodes of Ash vs. Evil Dead. Director of photography David Garbett is also a veteran of RISE and Ash vs.) LEE CRONIN’S THE MUMMY quite firmly fits into the spookablast category, so I recommend it to fellow aficionados of such blasts. (read the rest of this shit…)
MIDSOMMAR is the new one from 
