"If victory favors me, I will protect your child with my life."

"I ask you not to worry about that possibility. Because my son and I live on the Demon Way in Hell, we're prepared to descend into Hell through the Six Realms and Four Lives."

Posts Tagged ‘Timothee Chalamet’

Hostiles

Wednesday, February 13th, 2019

Scott Cooper is an actor-turned-writer/director who seems slightly under the radar to me. He made a splash with CRAZY HEART ten years ago, a movie that somehow seems overshadowed by Jeff Bridge’s Oscar-winning performance in it (and that I thought of a few times watching A STAR IS BORN). His followup, the gloomy crime drama OUT OF THE FURNACE (2013), teamed him with Christian Bale (POCAHONTAS) for the first time, and I have to admit that I have not seen his poorly reviewed BLACK MASS (2015). But he didn’t write that one. I only watch the ones he directs and writes, obviously.

2017’s HOSTILES (based on a manuscript written by Donald E. Stewart [JACKSON COUNTY JAIL, DEATHSPORT, THE HUNT FOR RED OCTOBER, PATRIOT GAMES, CLEAR AND PRESENT DANGER] in the ’80s) reteamed him with Bale for what might be categorized as a Real Serious Western – the kind where the director is hesitant to call it a western (“I don’t think in terms of genre… If anything it’s a psychological western in the vein of Anthony Mann…I don’t think it’s a western, it has more in common with Joseph Conrad or Larry McMurtry or Louis L’Amour” he told Moviemaker) and you want to grab them and tell them “all right cool it buddy, just admit you made a really good western.” (See also THE REVENANT.)

But I guess I sort of get it. A completely traditional western is not very marketable in this day and age. Most people don’t really want the genre without a little bit of a new spin on it, and HOSTILES has one. (read the rest of this shit…)

Lady Bird

Thursday, March 1st, 2018

Of all the stories we tell over and over, “coming of age” might be the most universal. I don’t care who you are, as long as you live to be a certain age, at some point you’re gonna come of some of that age. And when you see some fictional (or, let’s be honest, usually semi-autobiographical) character’s age coming of you can compare and contrast to your experiences. You see echoes of your own life, revive emotions that were so potent at the time, now faded, learn about other people who had it different. So I have not specifically experienced being a girl in a private school in Sacramento in the oughts, and I definitely have no personal understanding of how it feels to be someone who could identify a song as Dave Mathews and have an emotional response to it that involves embarrassment, nostalgia and personal meaning*, but I can also see those things on screen and have them feel familiar and real and relatable.

(*I did see him in public one time and I could tell he was famous by the women who started gathering around him but I had to ask somebody else who he was) (read the rest of this shit…)