"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Taylor Russell’

Hope

Thursday, September 17th, 2026

HOPE is the new movie from the great South Korean director Na Hong-jin, his first since the horror movie THE WAILING nine years ago. Before that he did two really excellent, bleak crime movies, THE CHASER (2008) and THE YELLOW SEA (2010). This shows some of the detail, personality and mastery of those films, but it’s Na’s version of going into blockbuster mode – a big, action-packed monster movie. And though it shares some of the matter-of-fact horrors of his previous movies (it’s not the anti-septic death and destruction we’re used to from PG-13 Hollywood), it’s pleasant by comparison, because it’s very funny, and even a little warm at times. (Other times it’s mean as hell.)

Oddly, a movie it kept reminding me of was TREMORS, because it’s about the quirky residents of this small, rural area called Hope Harbor gathering their resources to deal with some crazy shit involving a monster. The lead is the police chief, Ko Bum-seok (Hwang Jung-min, THE WAILING), who in the opening scene pulls up to the spot where some guys found a dead cow with giant claw marks on her. His second cousin Ko Sung-ki (Zo In-sung, HUMINT) has gathered some of the boys and their hunting rifles – there’s a great running joke that Bum-seok keeps being surprised by how many illegal guns everybody has – and they tell him about sightings of a tiger in the area. He’s incredulous until they insist and tell him detailed stories about it, but later we find out they were just fucking with him. (read the rest of this shit…)

Bones and All

Monday, December 5th, 2022

note: This is a great fuckin movie and this review has spoilers, so if you’re planning on seeing it anyway, I suggest doing that first and coming back.

I’m not fully up on the films of director Luca Guadagnino. He’s done several I haven’t seen, including A BIGGER SPLASH, which I know some people love. I did see CALL ME BY YOUR NAME, which I didn’t officially review but did write a little about in a 2018 Oscar preview. I concluded that, “My main feeling about CALL ME BY YOUR NAME was that it was pretty good but just not for me. But I did continue thinking about different aspects of it for days afterward, making me think I liked it more than I realized at first.”

Since that was my only impression of Guadagnino it seemed kind of crazy that he was the one to finally do a remake of SUSPIRIA! Or as I called it in my review, “SUSPIRI… uh…”

Actually I liked that one, and will watch it again, though I didn’t understand what it was trying to say about German politics of the ‘70s. As I wrote in my review, “It is possible that this Italian director and American writer have something very important to say about the post-WWII generational shift that was happening in Germany when they were 6 and 8 years old, respectively, and that it adds greatly to the story of these dancing witches. If so it’s way over my head, so for me it dilutes what could be a far more intense experience if the horrific parts weren’t so spread out.”

With those mixed feelings in mind, I’m thrilled to say that Guadagnino’s new one BONES AND ALL is the first one I’ve seen by him that I unreservedly loved. This is another horror one that will get some of the more finicky genre purists in their feelings about it being pretentious or whatever, but I think it’s a real fuckin knockout. It’s a cannibal road movie romance. You’re gonna love it. (read the rest of this shit…)