I'm not trying to be a hero! I'M FIGHTING THE DRAGON!!

Posts Tagged ‘Steve McQueen’

The Magnificent Seven (1960)

Thursday, September 22nd, 2016

tn_magnificentsevenMan, you’re looking for a movie with seven dudes who possess some level of magnificence, you could do worse than John Sturges’ THE MAGNIFICENT SEVEN (1960). I wouldn’t personally use the adjective “magnificent” to describe any cowboys, but if I did then Yul Brynner, Steve McQueen, Charles Bronson and James Coburn would be good candidates. And Robert Vaughn wouldn’t be out of the question. That there is a hell of a cast, and then they’re facing off against Eli Wallach in a more large-and-in-charge character than he usually plays as Calvera, the leader of a gang of bandits terrorizing a small Mexican village. He’s one of these bullies who gets across his true evil by doing a really unconvincing fake nice guy act to your face. He keeps saying how much he loves the village in the process of threatening it. Make Cuernavaca great again!

This is, of course, a remake of SEVEN SAMURAI, so some of these poor farmers go into town looking for gunmen. Brynner plays Chris Adams, the first one they find, who becomes leader and recruiter. That’s funny, ’cause he’s bald just like the impostor monk Kambei, but not for any narrative reason (and he wears a hat anyway). He’s introduced as a bystander who intervenes when the local funeral home director won’t take a rich traveler’s money to bury an Indian on Boot Hill. He says he wouldn’t have any problem with it (some of his best friends are Indians buried in white cemeteries), but he’s scared of the local whites who he knows won’t stand for it.

Chris proposes that he drive the hearse, and then another drifter onlooker, Vin Tanner (Steve McQueen), calls shotgun (oh yeah, that’s where that term comes from). The crowd follows along, watching in awe, as the two drive up the hill while fending off racist snipers. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

The Blob (1958)

Tuesday, November 10th, 2009

tn_theblobIn THE BLOB Steve McQueen plays “Steve” and he’s supposed to be a teen. But he was actually 28 and looked about the same age as he did in THE GREAT ESCAPE. Therefore I don’t think there’s anything unreasonable about leaping to the conclusion that he was re-enacting true events that had happened to him for real. The Young Steve McQueen Chronicles. None of this is included in his biography and some of what happens here (like his father being a store owner) don’t jibe with the established facts. But what importance do the details have when there is an essential truth at work here, the truth that a teenaged Steve McQueen sighted, tracked, battled and helped defeat The Blob? In a sense, this is BATMAN BEGINS to Steve McQueen’s life. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

The Thomas Crown Affair (1968)

Saturday, February 25th, 2006

This movie stars Steve McQueen as a bank robber, which automatically makes it worth seeing. And this is a good movie. But to be honest it doesn’t live up to its reputation or its potential. I know that Steve McQueen, like me, was someone who often could be spotted out and about striving for excellence. So I don’t think he would have a problem with me holding him to a high standard of achievement.

The first thing you’ll notice about the movie is that it’s very stylish. The opening and various other scenes use split-screen up the wazoo, splitting the screen into something like six different little boxes to show the different people intersecting for a heist. The cinematographer is Haskell Wexler (see TELL THEM WHO YOU ARE above for more on him) so despite all the showoffery in the editing alot of the footage is very handheld, documentary looking, like you’re there. Alot of the scenes are just dialogue-free footage of Steve McQueen as Thomas Crown fucking around. For example he flies in a glider or drives around really fast in a dune buggy. The dune buggy footage is pretty spectular, it seems like he’s about to flip over at any moment and you can’t help but notice he’s got no roll bars above his head. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

The Hunter

Sunday, August 1st, 2004

What could be more badass than Steve Mc-Fucking-Queen in the true life story of a world famous bounty hunter?

Well, it turns out alot of things could, but that’s not a complaint. Maybe it wasn’t the gritty action thriller I pictured when I saw the cover, but I still really enjoyed this goofy movie. It starts out real promising with a bounty hunter named “Papa” Thorsen (Steve) driving a big ass boat of a car into a neighborhood, having a hell of a time parallel parking it, right in front of a crowd of people. Bumping a Cadillac right in front of the owner. Then he goes inside a bar and picks up young Levar Burton, who is wanted for some petty crime. He brings the kid in, gives him some tips for dealing with the judge, and goes home. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

The Getaway (1972)

Wednesday, January 1st, 2003

Now this is what I call a fuckin MOVIE. I forgot about it until seeing it on Bravo today but it is even better now that I’m older and now that I’ve done my own bid. First though, a word about Bravo. This is the “film and arts network” they CLAIM, but they don’t have the balls to live up to that slogan. You know how Sam Peckinpah movies always have the real slick opening credits with the freeze frames and the atmosphere and what not? They show these in widescreen and your thinking, “Look at that! Look at that rectangular screen! That atmosphere! THIS is a fuckin MOVIE.”

And then it says “directed by Sam Peckinpah” and BAM, no more widescreen. No, that’s just so the words will fit, we don’t need it anymore. The picture is square and cramped and the film is all faded and dark and you’re thinkin, “What is this crap, Hunter?” (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.