"We're still at war, Plissken. We need him alive."

"I don't give a fuck about your war... or your president."

Posts Tagged ‘Saoirse Ronan’

Little Women

Friday, January 17th, 2020

Little women, walking down the street. Little women, bonding with their sisters but also struggling to establish their individual identities in order to find a path in life that brings them happiness

In her joyous new version of LITTLE WOMEN, writer/director Greta Gerwig (LADYBUGS) cleverly acknowledges that the book by Louisa May Alcott may be more appealing to (or more understood by) women than men. When freelance writer Jo (Saoirse Ronan, HANNA) sends stories about her and her sisters to her publisher (Tracy Letts, U.S. MARSHALS) he snidely dismisses them… until his daughters find the manuscript and freak out like it’s a new Twilight. The scene is inspired by reality: Alcott and her publisher didn’t really believe in her work-in-progress until the publisher’s niece read it and loved it.

What I’m saying is not that I, as a male individual, don’t get the appeal of this movie. I loved it. But Little Women is a “girl story” I never knew to open myself up to. I had never read or seen it, not even when it had Winona Ryder in it. I only did it this time because I loved Gerwig’s first film as a director, LADY BIRD (she didn’t direct LADYBUGS, I don’t know why I said that a paragraph ago, but it seemed amusing at the time). (read the rest of this shit…)

Lady Bird

Thursday, March 1st, 2018

Of all the stories we tell over and over, “coming of age” might be the most universal. I don’t care who you are, as long as you live to be a certain age, at some point you’re gonna come of some of that age. And when you see some fictional (or, let’s be honest, usually semi-autobiographical) character’s age coming of you can compare and contrast to your experiences. You see echoes of your own life, revive emotions that were so potent at the time, now faded, learn about other people who had it different. So I have not specifically experienced being a girl in a private school in Sacramento in the oughts, and I definitely have no personal understanding of how it feels to be someone who could identify a song as Dave Mathews and have an emotional response to it that involves embarrassment, nostalgia and personal meaning*, but I can also see those things on screen and have them feel familiar and real and relatable.

(*I did see him in public one time and I could tell he was famous by the women who started gathering around him but I had to ask somebody else who he was) (read the rest of this shit…)

Brooklyn

Thursday, February 25th, 2016

tn_brooklynbestpictureBROOKLYN is my best-picture-nominee-completist viewing for this year. When the nominations were announced the only ones I hadn’t seen were THE REVENANT (which was about to come out and I was excited to see), ROOM (which I had been told was very good so I was already interested) and this one (no interest). And I’m not saying it changed my life or nothin, but it’s a good movie I never would’ve watched otherwise.

Saoirse (pronounced sur-shuh) Ronan plays Eilis (pronounced AY-lish) Lacey, a young woman who works in a shop in a small town in Ireland in 1952 (pronounced nyn-teen-fiff-tee-too). But she doesn’t get paid much and  people are starving and her older sister Rose (Fiona Glascott, RESIDENT EVIL) arranges for her to go to the U.S. where there might be better opportunities. A priest (Jim Broadbent, SUPERMAN IV) sets her up with a home at a boarding house, a job at a department store and even night classes in bookkeeping at a college.
(read the rest of this shit…)

Hanna

Monday, April 11th, 2011

tn_hannaHanna (Saoirse Ronan from ATONEMENT and THE LOVELY BONES) is a young girl raised by a single dad (Eric CHOPPER Bana). She grew up away from the city and was home schooled, so she’s different from other kids. And by that I mean she grew up completely isolated in a remote cabin near the Arctic Circle and spent all her time training in combat, hunting and the speaking of multiple languages. Her dad is a rogue CIA guy but instead of doing freelance work like Seagal he just spends all his time growing a Unabomber beard and turning this bright little girl into a murder machine. She’s the girl Beatrix Kiddo hopes Vernita Green’s daughter never turns into. Some day when Hanna decides she’s ready she’ll literally flip a switch that will set off a war with the bitch (Cate Blanchett) that killed her mom.
(read the rest of this shit…)