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Posts Tagged ‘monster movies’

Sweetheart

Thursday, January 16th, 2020

SWEETHEART is a simple little horror movie from second-time writer/director J.D. Dillard (SLEIGHT). It only has a couple characters, most of the time only two, and only one of those is human. Jenn (Kiersey Clemons, DOPE) wakes up face down on an island shore, life vest on, having survived some unspecified boat disaster. A friend or acquaintance of some kind, Brad (Benedict Samuel, the Mad Hatter on Gotham), has washed up too, but he’s impaled on some kind of shell, and he doesn’t last long.

So it’s a castaway movie. Jenn immediately proves to be very resourceful, smashing through a coconut with a sharp rock to get water. She finds her luggage, and manages to be well dressed in beach attire throughout the movie. She also finds luggage from someone else who’s been on the island, but maybe a long time ago. Long enough to have a Gameboy.

For a bit it seems like some puzzle-oriented video game like Myst, because she’s looking at objects and photos, piecing together a bit of a backstory for characters we never even see. There’s a journal, but it got wet enough that all the ink smeared away. (read the rest of this shit…)

The Fly (1986)

Wednesday, November 12th, 2014

tn_theflyDavid Cronenberg’s THE FLY is about a best case scenario for a remake. It takes the premise of a fun but very dated old sci-fi joint and gives it context, tone and emotional substance more fit for its time of 1986. At the same time it’s a great stealth-Cronenberg movie that was normal enough to be a big hit at the time but artful and weird enough to be different from anything we’d seen before. This was his brief Hollywood period with DEAD ZONE, which was sandwiched between THE BROOD/SCANNERS/VIDEODROME and DEAD RINGERS/NAKED LUNCH/M. BUTTERFLY/CRASH/EXISTENZ/etc.

It starts cute with undiscovered genius Seth Brundle (DEATH WISH‘s Jeff Goldblum) awkwardly hitting on magazine reporter Veronica Quaife (THE LONG KISS GOODNIGHT‘s Geena Davis) and somehow getting her back to his lab, which she’s not happy to learn is also his bachelor’s pad. She’s skeptical and probly a little creeped out until he demonstrates what he’s secretly been working on: “telepods,” a set of chambers that can disintegrate matter on one end and reintegrate it on the other. Teleportation. Star Trek shit! He points out that it will revolutionize transportation. In one of the few corny bits in the screenplay by Charles Edward Pogue (PSYCHO III, KULL THE CONQUEROR) we find out Brundle gets car sickness as extra motivation for inventing such a thing.
(read the rest of this shit…)