Albert Johnson (Charles Motherfuckin Bronson) is a trapper drifting through snowy 1931 Canada when he happens to come across some assholes betting on dog fights. One of the dogs is injured and apparently Albert loves animals (when he’s not trapping them) so he takes the dog at gunpoint. In order to smooth things over he gives the owner $200, but just to be clear he’s not negotiating. He’s taking the dog. It’s just like a convenience charge or a dogfight interruption processing fee or something like that. The owner of the dog is Ed Lauter, so this whole incident must be why they don’t seem to like each other in DEATH WISH 3. (read the rest of this shit…)
Posts Tagged ‘Lee Marvin’
I’ve never been much of a Chuck Norris fan, but maybe some day I could be if I fill in that gap in my badass cinema knowledge. I’ll always give a guy a shot. So I figured I couldn’t go wrong with THE DELTA FORCE. Not only is it about an elite counter-terrorist special ops team (same one as on THE UNIT), but with Lee Marvin as the man in charge. Even in his fuck-it-I’m-not-grooming-my-eyebrows-anymore later period Lee Marvin is a plus for any movie, so he could be my gateway drug to Chuck Norris.
Well, could’ve been, but this movie is not very good. It’s written and directed by Cannon head Menahem Golan (OVER THE TOP, ENTER THE NINJA) and seems to be his attempt at an all star ensemble movie with some kind of social message, like Irwin Allen used to make. Yeah, it seems like it’s mainly a Chuck Norris movie, but then you see Martin Balsam (Arbogast from PSYCHO), Joey Bishop, Susan Strasberg, Robert Vaughn, Kim Delaney… (read the rest of this shit…)
PAINT YOUR WAGON was next on my Clint Eastwood list. Holy shit, you’re telling me Clint and Lee Marvin did a western together? How did I never see this one before?
The music on the credits is pretty corny, but I forgive it. Right off the bat you got Lee as a drunk old hustler in a top hat, he meets young Clint and declares him his partner. This is good shit.
Wait, what is Clint doing with that guitar? Hold on, is he crooning? Wait a– is this–
Holy shit, this is a musical! (read the rest of this shit…)
The ’64 version of THE KILLERS doesn’t have much to do with the original and even less to do with the Hemingway story. And maybe it’s not quite the solid punch to the nose you’d hope for from the combination of Lee Marvin, Don Siegel and that title. But on the other hand it might be some kind of subtle dim mak punch because it stuck with me and seemed better and better the more I thought about it. Anyway, it’s damn good.
After I wrote about the ’46 version I listened to the extra on the DVD where Stacy Keach reads the Hemingway story, and it explained alot. That movie was a good mystery, but nothing in the main story approaches the perfection of that opening, the tense scene with the two strangers coming into the diner, talking shit, then taking everybody hostage and saying, “I’ll tell you what’s gonna happen. We’re gonna kill the Swede.” I know now that’s because the Hemingway story is only the opening, the rest is all extrapolated from there. In the story you don’t find out what the Swede did to get killed. Adding a whole story to explain the short story really goes against the spirit of the thing, because to quote Jack Skeleton about Christmas presents, “That’s the point of the thing, not to know.” (read the rest of this shit…)
How do you know to lower your expectations for the sequel? When it’s included on the DVD with the first movie. And not as a double feature, but as a bonus feature. I didn’t realize this was on the DIRTY DOZEN dvd when I rented it, but I found it while browsing the extras. Never seen it before so I decided to give it a shot.
THE NEXT MISSION was made for TV in 1985. It’s supposed to take place about 6 months later, but Lee Marvin has aged 18 years. Somehow they got Marvin, Borgnine and Richard Jaeckel all to come back. They have a new mission with a new Dirty Dozen including Ken Wahl and Sonny Landham.
Alot of the movie, especially the first half hour or so, just made me sad. Marvin’s age is really showing (this was his next to last movie) and he just doesn’t seem like he’s into it at all. They make poor Lee and Ernest rehash the whole Borgnine-pitching-the-mission sequence and the Marvin-recruiting-the-convicts one and they even use whole chunks and paragraphs of the exact same dialogue as in the original. Then Marvin will say things like, “That sounds familiar.” (read the rest of this shit…)
Man, it’s one of those concepts that’s too perfect to fuck up: twelve WWII era inmates of a military prison are sent on a dangerous mission to kill as many Nazi officers as they can. The Americans have this target, but they don’t want to waste good soldiers, so why not these lifers and death row cons, murderers and rapists? It’s kind of the same concept as “paint clothes.” You don’t paint the house in pants you’d wear to church, and you don’t want to waste your best soldiers on a suicide mission so you use these fuckos you got in storage. If they die – well, you weren’t planning on using them anyway. No loss.
For the cons it’s a good deal too. They get to go outside. If it’s true they like killing, here’s their chance for more. They get to postpone their executions, or kill some time before their executions. And if they do a good job and survive they might get pardoned, maybe, if fuckin Ernest Borgnine sees it in his heart. If they die in the line of duty, well, maybe they’d rather die that way than on a rope. (read the rest of this shit…)
Scroll up a little bit and you can read about POINT BLANK, Lee Marvin’s great Richard Stark adaptation. Directed by John Boorman, an obvious influence on THE LIMEY, one of the classics. Well here’s another one in the same tough guy vein. But it’s less arty, less thoughtful, and has a weird ass meat theme to it.
The movie starts with a slaughterhouse montage showing cows going from cows to sausages. Like the e-coli version of the opening credits to WILLY WONKA. Along the way a dead dude gets thrown in there, chopped up, ground and turned into links, then a big sweaty dude says, “Special order,” packs ’em up and mails ’em to the guy’s boss. (read the rest of this shit…)
This is a nice little 1967 action picture starring Lee Marvin and directed by John Boorman, the sick fuck who made the movie deliverance I think you know what I’m talking about, oink oink.
Lee Marvin plays Walker. Not Walker the Texas Ranger, this walker is a Badass criminal type who is betrayed by his partner and his wife and left for dead. But he resurfaces, sees his wife die of a drug overdose and then works his way through his ex-partner and a crim corporation called The Organization, trying to get back the $93,000 that was stolen from him. As you can tell the plot is very similar to 1999 Outlaw Award winner Payback. There is even one scene in Payback that seems to be a direct lift from Point Blank, and believe it or not alot of the characters even have the same last names! An even stranger coincidence is that both films are based on the same book, “The Hunter” by Richard Stark. I mean what are the chances of something like that happening it boggles the mind, in my opinion. (read the rest of this shit…)