I use hands to help my fellow man / I use hands to help with what I can / But when I face an unjust injury / Then I change my hand into FIST OF FURY

Posts Tagged ‘Burt Young’

Rocky Balboa

Tuesday, November 24th, 2015

tn_rockybalboaI already reviewed ROCKY BALBOA when it came out, but it’s such a great movie I wanted to checked in on it again.

It’s hard to believe this humble character drama is Stallone’s directorial followup to the rock n roll tall tale ROCKY IV. The style, the content, the tone, even the character are from different planets. This one has zero (0) Survivor songs in it and it reminds me less of ROCKY IV than of later Clint Eastwood directorial works: quiet, mournful, wintery colors, gentle piano scoring, character driven, raw. And the trashy people who give Rocky a bunch of shit at a bar could be family members from MILLION DOLLAR BABY.

This is a more pure ROCKY I throwback than ROCKY V was because Rocky’s life is simple, humble and gentle again. He’s not poor – he owns a restaurant called Adrian’s – but that’s not exactly high roller shit. He actually runs the place, seems to be there every day to greet customers, does the hiring and shops for some of the ingredients himself. It’s small, and Paulie makes fun of his “Italian food made by Mexicans.”

That Adrian has died since part V is crucial. Even in V, when Rocky lost “everything,” he didn’t lose Adrian. Rocky is alone again, but seems to take it in stride, because he’s Rocky. Although the beginning is specifically about marking the anniversary of Adrian’s death by visiting important places like the ruins of the skating rink where they had their first date, I get the feeling that the shot of him sitting contently at her grave in a folding chair is a pretty regular occurrence. And I love that Paulie lingers uncomfortably on the perimeter just like he did in II when she was in the hospital. He’s very aware that he’s an asshole and doesn’t deserve to be near her as much as Rocky does. He’s tormented by how he treated her. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Rocky V

Monday, November 23rd, 2015

tn_rockyvI think ROCKY V is the least enjoyable of the ROCKY pictures, but I admire its intentions. This is actually my first time watching it, and maybe it plays better when you watch them all close together. I know it was poorly received when it came out, and I’m sure some people were confused that it wasn’t more of the mountain-conquering commie-smasher Rocky had turned into when we last saw him five years earlier. But like I said, the ROCKY series evolves with the times. Allow me to submit to you an acknowledgment that appears on the end credits:

“We wish to express our gratitude to the Soviet government for granting us the use of their Aeroflot jet.”

With Reagan and the Cold War in the rear-view mirror and Survivor on indefinite hiatus, Stallone decided to shed some of the ’80s-style excess of the last two sequels. The world had changed again. People didn’t even care about Rambo anymore. Stallone’s last movie had been TANGO & CASH, which did okay, but was a troubled production and got poor reviews. He was obviously itching to try something different, because he followed ROCKY V with OSCAR and STOP! OR MY MOM WILL SHOOT. But first he felt it was time to put the tiger jacket in the closet and bring back the underdog. This was his first attempt, before ROCKY BALBOA, to go back to Rocky’s roots as well as to deal with his advancing age. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Rocky IV

Thursday, November 19th, 2015

tn_rockyiv“Yo, can you turn your robot down?”

Which is stranger: that a legit, best-picture winning sports drama like ROCKY would eventually have a part IV that was this ridiculous, or that such a part IV could still stand apart from the series as a classic of a totally different kind? IV goes all in on the Reagan-and-MTV glitz of part III, crafting a preposterous Cold War face-off with so many song montages in the second half it almost qualifies as a rock musical. In fact, the whole sound of the movie is different because I-III composer Bill Conti and his inspirational brass section are replaced with a cool synth score by Vince DiCola (TRANSFORMERS: THE MOVIE) that was “one of the first to exploit the Fairlight CMI and Synclavier II computers’ sequencing capabilities” according to DiCola’s websight. I guess that’s fitting for the ROCKY where the first new scene is about Rocky giving Paulie a robot for his birthday. The robot will occasionally pop up to force Apollo or Rocky’s driver to barely suppress a “these crazy white people” look, or to be used as a boombox. So if you were hoping III was a fluke, and that this one will be gritty again, I got bad news.

It’s tradition to replay part of the fight from the end of the previous movie. This one not only reminds us of the fight with Clubber Lang, but also the private, no witnesses rematch between Apollo and Rocky. Of course it was ambiguous like the Toretto-O’Connor rematch, or King Kong vs. Godzilla or Freddy vs. Jason, it froze just as they were swinging at each other. But now for the sequel they’re replaying it, so we must be about to finally find out who– ah, never mind. Freeze frame again. I’m not sure why they had to replay that.

(read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Rocky II

Tuesday, November 17th, 2015

tn_rockyiiAfter the success of ROCKY, screenwriter Sylvester Stallone became writer-director Sylvester Stallone with the period wrestling movie PARADISE ALLEY. And then after that practice run he was ready to direct the rematch.

ROCKY II starts right before where ROCKY left off, with about 5 minutes of Balboa vs. Creed. In other words “the end of ROCKY.” This type of recap used to be done in many sequels and never is now. You have to remember, there was no home video at that time. It seemed important to remind people what happened because the last movie was 3 years ago and people haven’t necessarily been able to see it since then.

So the first new footage is right where ROCKY left off, right after the fight, and we can compare and contrast it to the first movie’s scene after Rocky beat Spider Rico in the church. Instead of our hero and his opponent laying bloodied in a small back room waiting for the doctor to show up later, they are both rushed to the hospital in ambulances, and are welcomed there by crowds of fans and press. And instead of the two fighters being like friendly co-workers in-this-shit-together, Apollo starts barking in front of the cameras about a rematch and calling Rocky a punk. This confuses Rocky because, as we were reminded by the archival footage, the very first thing Apollo said after winning the fight was “No rematch.” He was very clear about it. They both agreed. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Rocky

Monday, November 16th, 2015

tn_rockyI bet ROCKY is one of these movies that’s become so famous, so iconic – it won best picture, it made a stairway famous, it inspired a statue, it has five sequels, now a spin-off, and catchy theme music that everyone knows, that’s used in a million parodies – that some of the young people figure they can already imagine what it is, they don’t bother to see it. In fact, maybe my bet should be with them over the outcome of the big fight at the end.

It opens with a small fight. “The Italian Stallion” Rocky Balboa (Sylvester Stallone) vs. Spider Rico (Pedro Lovell) inside a small church. They beat the pulp out of each other and then they’re laying in back, they get paid about sixty bucks between them, and are told the doctor will be there in about 20 minutes. And they’re not mad about it. That’s their life.

This is part of what makes the character of Rocky so appealing. He lives in a slum in a small apartment with taped up windows, he doesn’t own a car, his three best friends seem to be an asshole named Paulie (Burt Young, THE KILLER ELITE) and his two turtles Cuff and Link, who he bought while hitting on Paulie’s painfully-shy sister Adrian (Talia Shire, RAD), who works at a pet shop. He has to work as a collector for Mr. Gazzo (Joe MANIAC Spinell) but he’s not good at it because he feels sorry for the people. The gym owner Mick (Burgess Meredith, G.I. JOE: THE MOVIE) won’t talk to him and kicked him out of his locker to make room for a fighter he thinks might have a future. Rocky’s life is pretty shitty, but he rarely complains or mopes about it. He talks positively (if self-deprecatingly) and makes up terrible jokes to tell Adrian, to try to get her to say words to him. The people in his life, such as Adrian’s boss Gloria (Jane Marla Robbins, THE WEREWOLF OF WASHINGTON) seem about 25% charmed by him and 75% annoyed. But that doesn’t stop him from talking their ears off, showing them wallet-sized clippings from his matches and telling them they shoulda seen it. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

The Killer Elite

Friday, February 20th, 2015

tn_thekillereliteTHE KILLER ELITE is Sam Peckinpah’s don’t-be-naive-these-covert-ops-are-happening-all-the-time thriller kinda like MUNICH. It starts with straight up perfection: a title card explaining that “This film is a work of fiction. There is no company called Communications Integrity NOR ComTeg and the thought that the C.I.A. might employ such an organization for any purpose is, of course, preposterous.”

James Caan and Robert Duvall star as Locken and Hansen, two hard-drinking, lady-loving partners who claim to have never heard of the C.I.A. even though we just saw them bomb a building. They’ve spent enough time together that they’re always singing made up songs and saying stupid jokes that seem like you had to be there. But they’re obviously having fun.

When they go to a safe house, Locken goes to take a shower and Hansen turns traitor, killing the defector they’re supposed to be protecting and then trying to cripple his partner. When he’s standing there naked with a gun pointed at him Locken doesn’t even get scared because he can only comprehend it as a joke. He really thought he knew that guy, now he’s shooting him in the shower? He never took him for a shower-shooter.
(read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Excessive Force

Thursday, May 5th, 2011

tn_excessiveforceEXCESSIVE FORCE is a pretty generic cop-who-can-kick action movie from Jon Hess, the director of ALLIGATOR II: THE MUTATION. That would be funny if it was the same guy that did NAPOLEON DYNAMITE, but I guess that was Jared Hess. It’s written by and stars Thomas Ian Griffith.

Griffith reminds me a little bit of Jeff Wincott. He’s a slim guy, not muscled out like Van Damme or somebody, with long hair and a dangly earring. He tends to wear long coats and scarfs, looks more like somebody who would play a troubled musician than an angry cop. But he’s a real martial artist who’s apparently good at kicking, so (much like Van Damme and his splits) he’s always looking for openings to kick guys in the face, just so you remember he can do it. I’m surprised he doesn’t use his feet to open doors, turn lights on and off or scratch his nose. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Rocky Balboa

Monday, January 22nd, 2007

A couple weeks ago I saw a theater marquee that said APOCALYPTO and ROCKY BALBOA on it. And I thought damn, Mad Max and Rambo are both directing movies now. Tryin to join the ranks of the Badass Laureates like Clint and Takeshi. While my man Seagal is busy revolutionizing the world of DTV self expression, these guys are going in a more societally accepted direction. Of these two action hero directors, Crazy Fuckin’ Mel obviously gets the medal for ambition because he made an epic about a culture rarely portrayed on film, in a language never spoken on film. He’s moving forward. Stallone is moving backwards but that’s okay, he’s taking care of some personal business. He’s putting a cap on the ROCKY series. And doing a fine job of it in my opinion.

It turns out I did the right thing preparing for this movie. I watched the original ROCKY for the first time in more than a decade. I meant to watch the sequels again too but didn’t get around to it. Well it turns out ROCKY BALBOA is a direct sequel to ROCKY. Forget about what happens in the middle, that still happened but this is all about revisiting what happened in part 1. This is what becomes of that young guy we saw 30 years ago, with the mumbling and the bad jokes, the deep hunger for achievement and the funny hat. It’s almost like those 7 UP documentaries, or BEFORE SUNRISE/BEFORE SUNSET, or maybe HALLOWEEN H20. With punching. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.