"We're still at war, Plissken. We need him alive."

"I don't give a fuck about your war... or your president."

Posts Tagged ‘Bob Odenkirk’

Little Women

Friday, January 17th, 2020

Little women, walking down the street. Little women, bonding with their sisters but also struggling to establish their individual identities in order to find a path in life that brings them happiness

In her joyous new version of LITTLE WOMEN, writer/director Greta Gerwig (LADYBUGS) cleverly acknowledges that the book by Louisa May Alcott may be more appealing to (or more understood by) women than men. When freelance writer Jo (Saoirse Ronan, HANNA) sends stories about her and her sisters to her publisher (Tracy Letts, U.S. MARSHALS) he snidely dismisses them… until his daughters find the manuscript and freak out like it’s a new Twilight. The scene is inspired by reality: Alcott and her publisher didn’t really believe in her work-in-progress until the publisher’s niece read it and loved it.

What I’m saying is not that I, as a male individual, don’t get the appeal of this movie. I loved it. But Little Women is a “girl story” I never knew to open myself up to. I had never read or seen it, not even when it had Winona Ryder in it. I only did it this time because I loved Gerwig’s first film as a director, LADY BIRD (she didn’t direct LADYBUGS, I don’t know why I said that a paragraph ago, but it seemed amusing at the time). (read the rest of this shit…)

The Post

Monday, February 12th, 2018

THE POST is Spielberg’s newspaper movie. Specifically it’s about the Washington Post in 1971 struggling for relevance, banned from a first daughter wedding, in the process of taking an inherited family business public, when suddenly their more exalted rivals the New York Times get a court injunction for breaking the story of the Pentagon Papers (a secret study proving that the government had known for years that the war in Vietnam was unwinnable and stayed in just to put off the humiliation of a loss). Can The Post’s reporters get ahold of these Papers for themselves, will they have the balls to print a story about them, and will they get away with it? I think you know the answers, but tune in to find out how it goes down.

Like LINCOLN or MUNICH, this is one of Spielberg’s very good grown up movies that doesn’t necessarily light the world on fire, seems destined to be buried in his catalog of iconic classics, but gets some nice reviews and an “it’s an honor just to be nominated” slot in the best picture category at the Oscars. Another movie like that was BRIDGE OF SPIES, the year SPOTLIGHT won best picture. SPOTLIGHT was a good movie with a big cast doing great work in a story about the importance of journalists uncovering dangerous secrets and standing up to powerful institutions that have covered up their own complicity in atrocities. THE POST is all those things with the added bonus of being thrilling and cinematic. Spielberg might be doing a smart-people-talking-and-figuring-things-out movie, but he’s gonna do that with an eye for imagery, period detail, and visual explanations of processes: stealing and reproducing a massive document, puzzling together the order of said document when the pages get mixed up, delivering a message across town, creating the plates to actually print a newspaper, running the printing press, the list goes on.

(read the rest of this shit…)