If I had to choose the better STREET FIGHTER I guess I’d have to go with the newer one, STREET FIGHTER: THE LEGEND OF CHUN LI. It’s a slick, competently made preboot with TV actress Kristin Kreuk as the young Chun Li. There seems to be more martial arts in the first 8 minutes (when Chun Li is still a kid) than in the entire STREET FIGHTER: THE MOVIE even if you watched it two times in a row. Could’ve done without Chun Li’s constant voiceover narration through the first half, though. (read the rest of this shit…)
Posts Tagged ‘Andrzej Bartkowiak’
There are three very clever sequences in this movie. First, it opens with narration over a starfield, and then pans over to show Mars. Suddenly the familiar UNIVERSAL logo letters spin around Mars. So it’s just like the usual studio logo except the red planet instead of the globe. Then the letters go off screen and the camera zooms into Mars and into a space colony where the movie takes place. It’s like there’s not even time to bother with a studio logo, our only option is to work it into the plot. That is how urgent it is to get to the motherfucking DOOM.
Yeah yeah, I know my movie history, so you don’t have to flood me with emails pointing out that the great visionary McG already connected the first shot of C’S As 1 to whichever studio logo it was. But this is a different thing because the movie has already started, and then we get the logo within the movie. If we are to follow our understanding of standard cinematical language, there may really be giant letters orbiting around Mars within the reality of DOOM. It all takes place indoors, so there’s no way to know if there are giant UNIVERSAL shaped shadows dripping across the landscape. (read the rest of this shit…)
From the same director, producer and cast as Romeo Must Die and Exit Wounds comes another exciting pile of disparate elements squooshed together into the same basic shape as an action movie. It’s really more of a booger sculpture than a movie, but for a booger sculpture, it’s not that bad, I guess.
Joel Silver originally announced this as Untitled DMX Project, supposedly a remake of Fritz Lang’s M. If that was the case, then I guess Tom Arnold (our generation’s Peter Lorre) would’ve been playing a perverted child killer whose killing spree had caused the police to clamp down so hard that organized crime would be pretty much put out of business. So the leaders of rival gangs (DMX, Jet Li, Mark Dacascos) would pool their resources to catch Tom Arnold so everything could go back to normal. (read the rest of this shit…)
This is the latest Jet Li picture, his last in the US was 1999 Outlaw Award Winner for Best Picture – Karate Black Mask. That was weird type of comic book story where there is karate, masks, lasers and all that sort of garbage, which is why it is good. Jet Li is an amazing type of action star as far as the kicks, the punches and etc. Legend has it that he is so fast they have to ask him to slow down so the camera can pick him up properly. In fact this guy is faster than Superman in my opinion, and he can also fly although only with the help of cables that are removed using high tech electronic computers that they have today. But the real thing about Jet Li is that he is a very charismistic and good looking dude, maybe a little feminine but in a “I’m gonna kick your ass and the girls will still think I’m sensitive, sucker” type of way.
What’s historic about this one is that it’s the first picture ever made in English with Jet Li as the star. The only English language picture he’s done in the past is I believe Beverly Hills Cop 4 or one of those type of movies, where he played the bad guy in a couple scenes and then the good guys make fun of him for being chinese. But he was so much more popular in that movie than the movie itself that now he is being groomed to join the pantheon with Bruce Lee, Jackie Chan, Rudy Ray Moore and other martial arts superstars who have made it big in the states. And what better to story give this motherfucker than one by the bard of writing, Mr. William Shakespeare himself, the genius behind Titus and other hits.
Well, that’s what they WANTED us to think. I’ve been reading about this piece for a long time and every single time they call it an update of Romeo and Juliet. I knew they wouldn’t talk like Shakespeare, and obviously there is gonna be some liberties as well as possibly some karate. But I thought it was gonna be a serious, modern karate type of picture which coincidentally happens to be about the warring capulets and whatsits and how Romeo and Juliet meet and fall passionately in love and then the shit hits the fan if you know what I mean, as far as a bunch of karate scenes happen and what not. Of course that would be totally ludicrous. I think it would be very enjoyable. (read the rest of this shit…)