In case you skipped my INDEPENDENCE DAY review last week: For me, a connoisseur of the summer blockbuster, its release twenty years ago was a dark time. It was one of the earliest cases of the widespread “It’s not supposed to be Shakespeare!” defense in the internet age, and one of the first times I felt wildly out of step with the popular opinion on a movie like that. I already thought JURASSIC PARK was no JAWS but here people were forgetting that a blockbuster movie of that quality had come out just a few summers earlier. Apparently these expensive studio sci-fi romps could only be idiotic and painfully unfunny and if I couldn’t jump up and down hooting and hollering about any dumb bullshit that they decided to put on screens then I was the asshole.
20 years later I’m softer on it. I still think it sucks, but it’s a funny sucks. And I’ve been able to laugh through other equally terrible (though never as societally elevated) Roland Emmerich pictures including 2012. As long as we’re talking about him as a back-up Rob Cohen, not what we have now instead of James Cameron or George Lucas, I can appreciate him. (read the rest of this shit…)
When Roland Emmerich’s INDEPENDENCE DAY: RESURGENCE landed (get it, like a space ship [although I guess technically these ones never land, so forget it, I retract that pun]) in theaters 20 years after the first one was a smash hit in the summer of ’96, people were asking if the first one held up. Trick question! It was never good. If there’s any way it’s a classic it’s as a classic example of a summer blockbuster that’s a huge hit, but unworthy to join RAIDERS OF THE LOST ARK, TERMINATOR 2, etc. in the pantheon.
Let me put it this way: It’s a movie made by people who thought five syllables was too unwieldy for a title, but two was too small, and therefore it should be referred to by the half-sensical abbreviation “ID4.” That’s not normal people thinking. That’s pure Emmerich. And I think it’s fair to say that only Emmerich (with his then writing/producing partner Dean Devlin, an actor from MOON 44) could’ve, or at least would’ve, made this movie. (read the rest of this shit…)
GHOSTWATCH is a famous 1992 BBC Halloween special which, like THE CONJURING 2, is based on the alleged ghosting incident known as “The Enfield Poltergeist.” A mom and her two young daughters claimed to have a ghost they could hear knocking on the walls and bending their spoons and stuff. And there really was no way to disprove that this was a ghost, other than that they caught the kids faking it. Still, other than that, 100% for sure it was real ghosts and worthy of multiple true story movies and books.
While THE CONJURING goes through the motions of pretending to be based on a true story, GHOSTWATCH goes the extra mile and pretends to be a documentary. It takes the form of a live broadcast with an in-studio host (Michael Parkinson as himself), on a corny set decorated with skulls and crystal balls, interviewing a doctor (Gillian Bevan) who’s supposed to have investigated the case. They have a bunch of screens to go via satellite to the house, where a reporter (Sarah Greene as herself) and camera crew are with the family talking about their story and hoping to document ghost activity. Also Red Dwarf‘s Craig Charles (playing himself) is the wacky comic relief reporter on the scene outside the house. And in the studio they also have a phone bank and take calls about people’s ghost stories and stuff. (read the rest of this shit…)
TEENAGE MUTANT NINJA TURTLES II: THE SECRET OF THE OOZE finds the four rubber turtle people (now with different voices, but I only noticed because Corey Feldman was missing) and their master Splinter the rat co-habitating with locally famous human TV reporter April O’Neil (now played by Paige Turco [THE STEPFATHER, The 100] instead of Judith Hoag). They make a mess of her apartment, order stacks of pizza all day and hang up a swimsuit babe poster. They’re still trying to keep their existence a secret from other humans, but in the opening a young pizza boy named Keno (Ernie Reyes Jr.) witnesses them stopping a robbery, and helps them using his own martial arts skills.
It seems like a pizza deliverer would be the most desirable possible friend for these turtles, because you see they love pizza is one of the main things we have learned about these characters through years of development in many different mediums, from years of comic books, several different animated series, one live action series, one animated movie, two live action(ish) movie franchises and a live tour. Still, they brush him off and return to Splinter-prescribed secrecy until Keno spots them in the apartment while delivering more pizzas. Splinter gives him some fighting and meditation training but tells him to stay out of their fight against Shredder. Keno completely ignores this, and there are no negative consequences. You don’t know what the fuck you’re talking about, rat. Who oozed and made you talk, anyway? (read the rest of this shit…)
The world needs the NEVER BACK DOWN series. Why? Because we don’t have a currently running NO RETREAT, NO SURRENDER series, or a BLOODSPORT series, or a BLOODFIST series. We will soon have more KICKBOXER, but that’s not enough.
If I had to guess I’d say your average citizen on or off the street doesn’t know what the fuck a NEVER BACK DOWN is, so I’m gonna explain it to everybody now. Part 1 was a slick theatrical release, a dumb movie with the admirably ridiculous premise of combining a teen romance type of story with an underground fighting tournament. They’re supposed to be these legendary illegal pitfighters but also they go to the same high school. The hero was Tom Cruise lookalike Sean Faris (STASH HOUSE), the villain was Cam Gigandet (IN THE BLOOD), the mentor was Academy Award nominee Djimon Honsou (ELEPHANT WHITE). Afterwards they all went their separate ways: director Jeff Wadlow went on to do KICK-ASS 2, comic relief nerd Evan Peters went on to become Quicksilver in the X-MEN pictures, love interest Amber Heard went on to become Amber Heard. And that could’ve been the end of never backing down. (read the rest of this shit…)
I do my e-books through this company called Smashwords, which is having a “July Summer/Winter Sale.” Don’t ask me why it’s a winter sale, but the point is I’m offering my novel Niketown for 50% off on there all through July. It’s ordinarily a mere five bucks and now it is a pathetic $2.50. I just checked, and that’s less than it would cost you to buy a thing of Mentos at Target. I cannot guarantee fresh breath, but I can guarantee that it will be more mentally stimulating than your Mentos. I mean, you could easily get both the Mentos and Niketown, it would still be very cheap. I’m not trying to talk you out of the Mentos.
Anyway, I’m very proud of the book and the elite individuals who read it tend to tell me they liked it. Maybe it’s time you joined them.
GET IT RIGHT HERE, and for some reason they make you use the coupon code SSW50, but if I can pour my heart and soul into a book for years then you can type in three letters and two numbers to save $2.50 on it, in my opinion.
Seriously though, I hope some of you check it out and enjoy it. Thank you!
Remember when comic book movies were rare, and usually bad? When the idea of a Marvel Comics movie not powered by Wesley Snipes being a mainstream hit seemed laughable? It’s hard to believe that Bryan Singer, then the respected director of Oscar-winning THE USUAL SUSPECTS, and not a self-identified “geek”, was there to take the torch from BLADE, and that he is still doing X-Men movies 16 years later. Now he’s in a vastly different pop culture, where there are nine total movies in this world (plus more, including a TV show, in the works)… and it’s not even one of the more popular Marvel Comics movie franchises currently running!
We’re used to the X-Men now. We have experienced alternate timelines, recastings and two different spin-off series. And I don’t know if I’d ever rewatched the first one since part 2 came out. I wasn’t sure how well it would hold up, but I gotta tell you, I liking going back to a world where they had to work to convince us that this shit was cool. They took nothing for granted. (read the rest of this shit…)
Okay, everybody remain calm, I know this is fucking crazy but two of you lucky individuals are about to have your lives changed FOREVER. Some day soon, a CODE OF HONOR blu-ray will arrive at your home, and from that moment until the end of your life, you will never have not once been an owner of CODE OF HONOR on blu-ray. These sort of momentous events cannot be planned for. The best we can do is just take a deep breath and let destiny do her thing.
Here’s how to enter: in the comments, write me a sentence or a paragraph about a movie character you like that operates by a code of honor. It could be a Seagal character or otherwise. I will (somewhat arbitrarily, I suspect) choose two winners at noon on July 5th, which also happens to be the release date of CODE OF HONOR starring Steven Seagal as basically The Punisher.
Please make sure to use your current email when you sign in so I can get a hold of you if you win.
One catch: Lionsgate will only ship inside the U.S. Sorry about that my international friends. I don’t make the rules. That’s just how the lion’s gate swings. (read the rest of this shit…)
Maybe it doesn’t mean shit to you whippersnappers, but Alice was one of the favorite properties of many young geeks growing up in the late 19th century. And fave genre author Lewis Carroll would be happy to know that his content still exists today. Through the Looking-Glass, and What Alice Found There is Lewis Carroll’s 1871 young adult beach read sequel to the 1865 blockbuster franchise-starter Alice’s Adventures in Wonderland.
Part 2 is a similar nonsense adventure tale where half a year later Alice decides to step through a mirror into a fantasy world on the other side for one last mission. Instead of a government and military force based on playing cards, this time they’re based on chess pieces. TOTALLY DIFFERENT. It’s just a shame Carroll gave it that cumbersome title instead of something sleek like A2: DARK REFLECTION so it would’ve caught on better.
In the tradition of the BOURNE or FRIDAY THE 13TH series, many of the elements associated with the Alice in Wonderland intellectual propertyverse are actually from part 2. The singing flowers, the weird, rotund twin manbabies Tweedle Dee and Tweedle Dum and the poem that they recite (“The Walrus and the Carpenter”) were all included in Disney’s 1951 animated classic ALICE IN WONDERLAND, which continues to be the best known version of the story. Alice finds the poem “Jabberwocky” in a book, but unfortunately it made no sense, audiences couldn’t relate. Luckily we got his backstory in ALICE IN WONDERLAND ORIGINS: JABBERWOCKY (1977) by Terry Gilliam. (read the rest of this shit…)
EXPLANATORY INTRODUCTION PARAGRAPH: I have noticed that some of the movies coming out this summer are based on pre-existing characters or stories. In this off and on series we’ll look at earlier versions.
I don’t know if the young people know about this now, but in 1989 Tim Burton’s BATMAN (do people even watch that anymore?) was a gigantic explosion in pop culture. This was way back when “geek” was considered an insult and “actually some comic books aren’t just for kids they call them graphic novels” was considered interesting trivia. A movie about a super hero hadn’t been popular since SUPERMAN twelve years earlier, and that had seemed like an isolated incident. Now all the sudden the world was captivated by billboards and merchandise of just the bat symbol. It was on cereal boxes and racks of bootleg t-shirts in parking lots. Batman was worn by skateboarders, celebrated in weird Prince videos on MTV, welcomed back nostalgically in reruns of the ’60s comedy series starring Adam West. Intrigued newcomers picked up paperbacks of the groundbreaking ’80s work of dark Batman that were considered sacred texts from publication until the exact moment when musclebound Zack Snyder picked up the ball (the dodge ball?) and ran with it. (read the rest of this shit…)