You bet your ass I’m gonna go see a theatrically released Dave Bautista vehicle directed by action legend J.J. Perry. THE KILLER’S GAME came out during the week I was traveling and it’s already down to limited showings but I got in there in time. I’m glad I did, but I gotta admit I can already feel it dissolving from my memory as I type this. I didn’t know it was based on a book and that it’s been in development since the ’90s (more on that later), but coming now it’s very well-worn material within the familiar Wacky Assassins mode of action filmmaking (think THE BIG HIT, LOVE AND A BULLET, THE TOURNAMENT, SMOKIN’ ACES, BULLET TRAIN, POLAR, ACCIDENT MAN and its sequel or HOTEL ARTEMIS, which even features both of THE KILLER’S GAME’s leads).
Bautista (MASTER Z: THE IP MAN LEGACY) stars as Joe Flood, elite assassin who in the opening scene kills an arms dealer in the balcony of an opera house. All he really has to do is come in wearing a tux and kill a couple guards to get up there. It’s kind of funny that this is the last role before Bautista decided to slim down from his giant wrestler body, because his huge size seems like a disadvantage in this job (along with his attention-grabbing hand and neck tattoos). That’s not a complaint, though! I enjoy improbable muscleman characters – Schwarzenegger playing scientists, etc. (read the rest of this shit…)
SORRY TO BOTHER YOU is an absurd, inventive new comedy that’s so playful and funny that its acidic satire of soul-crushing capitalism comes across a little more like an inspirational rallying cry than blind fury at a seemingly insurmountable wall of corporate greed and dehumanization. Though it’s that too.
If I was required by law to describe it in terms of movies that already exist, I’d say “low-wage OFFICE SPACE by way of Michel Gondry.” But fuck the law, because it feels like something very new, distinctive and of the moment, from the cast headed by Lakeith Stanfield and Tessa Thompson to the soundtrack to even the cool fonts and logos by children’s book illustrator J. Otto Seibold. Stanfield plays Cassius Green (yes, it’s a pun), who lives in his uncle (Terry Crews, STREET KINGS)’s garage until he finds his calling (oh shit, another pun) at a new telemarketing job. I mean, the place is a hellhole on the verge of a strike led by Squeeze (Steven Yeun, formerly of The Walking Dead), but he turns out to be really good at it after co-worker Langston (Danny Glover, PREDATOR 2) teaches him the secret of the “white voice.” It’s not mere code-switching, but a near supernatural channeling of a voice with no worries that he manifests by being dubbed by David Cross (ALVIN AND THE CHIPMUNKS). It’s a broad and hacky joke made almost profound by its layers of subtext and power to creep out his friends and loved ones. (read the rest of this shit…)
If I had turned off TERMINATOR SALVATION about 2/3 in I would’ve come to you and made a case for it being underappreciated. I mean, I think it is, it doesn’t deserve the worldwide wholesale rejection and scorn it gets. But it has such a crippling case of T.A.P.s (third act problems) that it’s hard to be excited about it after you get to the end.
But let’s talk about what’s good in it, because there’s plenty of it, and nobody ever talks about that. First of all, a good cast. John Avatar himself, Sam Worthington, plays the anti-hero Marcus, a death row inmate (we don’t actually know exactly how Riddick he is – “My brother and two cops are dead because of me” is the only explanation of his crimes) who gets the lethal injection and then wakes up in a post-apocalyptic battle between man and machine. On one hand, hey, I’m alive, and I’m free! On the other hand… (read the rest of this shit…)
I guess when THE 6TH DAY came out I was less loyal to Schwarzenegger than I am now. I thought it looked shitty, so I skipped it. And I kinda forgot I never watched it. But now I feel bad that nobody’s going to see the new Schwarzenegger and Stallone movies in theaters so I wanted to show my appreciation for their works by watching a movie from each of them that I skipped before.
With these low expectations THE 6TH DAY worked out well. It’s enjoyable lesser Arnold, clearly better than COLLATERAL DAMAGE and arguably more consistent than ERASER or END OF DAYS. It takes place in “the near future – sooner than you think,” when cloning is a thing. Cloning humans is illegal, but Re-Pets (clones of your dead pets that you can buy) are popular and Dr. Griffin Weir (Robert Duvall) has made strides in cloning human organs for transplants, though not without protest. (read the rest of this shit…)
THE EXPENDABLES 2 is a sequel to THE EXPENDABLES. It is the second one. And all that that implies.
Like part 1 it has an incredible cast of action stars that you never thought could all be in a movie together, making a movie that is not worthy of all of them being together but does get by on the strength of, you know… those guys are all in it.
My friends, I write this review with a heavy heart. I know you’ve been waiting patiently for me to review THE EXPENDABLES, but first I had to process it, and what it has done to us. Sometimes a man must go on a journey to find himself before he can rise in the morning and face others. Ever since I was a young (read the rest of this shit…)
Although welcomed into THE EXPENDABLES with open arms by action fans, Terry Crews is one of the cast members with the least experience in straight up action movies. He was brought in late in the game to replace 50 Cent shortly after 50 Cent was brought in late in the game to replace Forest Whitaker. (Or at least that’s how it was reported, but I thought Whitaker was supposed to be playing CIA agent Will Sands, and Crews ended up playing Expendables team member and excellent-name-haver Hale Caesar.) (read the rest of this shit…)
I really don’t have much to say about this movie, so instead I will rail against our modern consumerist society. thanks for your understanding.
I really feel old when I show up to a movie 10 or 15 minutes early. Sure I like to think I’m young in the heart and all that shit, but I still remember when moviegoing was a pleasant experience. Sure I am thankful for the innovations of digital sound and automatic ticket machines. But it’s time to dump the rest of the cineplex baggage. These chains are all going chapter 11 anyway, why not jettison the extra weight?
So I walk in there, the old man, and I let this CD pretending to be a radio station introduce me to the latest contemporary R&B products. I’m pretty sure they have a camp somewhere where they raise these kids to groom them into soul-less, personality-less test tube warblers with prefabricated sexuality. They keep them naked in cages until the cameras are ready, then they throw each of them a plastic bag containing 1 (one) wireless microphone headset (does not work), 1 (one) pair white leather pants (low riding), one (1) $200 boutique t-shirt (one sleeve only), and 1 (one) rhinestone cowboy hat. (read the rest of this shit…)
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Recent commentary and jibber-jabber
Skani on Violent Night: “Seconding the love for CARRY ON. Very, very good!” Dec 17, 17:51
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psychic_hits on Eraserhead: “Dreadguac- My pleasure! I had the same reaction: never would have guessed it all began with the sound, but yeah,…” Dec 14, 07:41
You bet your ass I’m gonna go see a theatrically released Dave Bautista vehicle directed by action legend J.J. Perry. THE KILLER’S GAME came out during the week I was traveling and it’s already down to limited showings but I got in there in time. I’m glad I did, but I gotta admit I can already feel it dissolving from my memory as I type this. I didn’t know it was based on a book and that it’s been in development since the ’90s (more on that later), but coming now it’s very well-worn material within the familiar Wacky Assassins mode of action filmmaking (think THE BIG HIT, LOVE AND A BULLET, THE TOURNAMENT, SMOKIN’ ACES, BULLET TRAIN, POLAR, ACCIDENT MAN and its sequel or HOTEL ARTEMIS, which even features both of THE KILLER’S GAME’s leads).
SORRY TO BOTHER YOU is an absurd, inventive new comedy that’s so playful and funny that its acidic satire of soul-crushing capitalism comes across a little more like an inspirational rallying cry than blind fury at a seemingly insurmountable wall of corporate greed and dehumanization. Though it’s that too.
I guess when THE 6TH DAY came out I was less loyal to Schwarzenegger than I am now. I thought it looked shitty, so I skipped it. And I kinda forgot I never watched it. But now I feel bad that nobody’s going to see the new Schwarzenegger and Stallone movies in theaters so I wanted to show my appreciation for their works by watching a movie from each of them that I skipped before.
My friends, I write this review with a heavy heart. I know you’ve been waiting patiently for me to review THE EXPENDABLES, but first I had to process it, and what it has done to us. Sometimes a man must go on a journey to find himself before he can rise in the morning and face others. Ever since I was a young 
Although welcomed into THE EXPENDABLES with open arms by action fans, Terry Crews is one of the cast members with the least experience in straight up action movies. He was brought in late in the game to replace 50 Cent shortly after 50 Cent was brought in late in the game to replace Forest Whitaker. (Or at least that’s how it was reported, but I thought Whitaker was supposed to be playing CIA agent Will Sands, and Crews ended up playing Expendables team member and excellent-name-haver Hale Caesar.) 
I really don’t have much to say about this movie, so instead I will rail against our modern consumerist society. thanks for your understanding.
