You know how much I love those Baby Assassins, the young women in the movie series from writer/director Yugo Sakamoto. Chisato (Akari Takaishi) is an energetic, giggly anime girl come to life, Mahiro (Saori Izawa) is her dour bleach blond best friend, they were raised to murder for money, a job they’re very good at, but that they try to just get over with so they can pursue their passions such as enjoying desserts and making soup and going to restaurants.
In BABY ASSASSINS (2021) they had graduated high school so their organization made them find an apartment and day jobs. In BABY ASSASSINS 2 (2023) they had to get out of an enormous debt because they forgot they signed up for an elite assassin gym membership and ignored all the bills. There’s plenty of absurd humor about the bureaucratic operations of this underworld, but the main attraction is obviously the excellent fights, action directed by Kensuke Sonomura (MANHUNT, HYDRA, BAD CITY). Izawa is a veteran stunt pro (doubling the lead of the RUROUNI KENSHIN movies) while Takaishi is an actress, but they both acquit themselves well in long, brutal battles. I like how in this little scene where they play fight on the beach Izawa can’t help but go into a serious fight stance and reveal the muscles she usually keeps hidden under baggy clothes.
A while ago I reviewed 
BABY ASSASSINS is a 2021 Japanese film that I really enjoyed on Hi-Yah! a while ago and it has a sequel coming out soon (it already played at Fantastic Fest), so I figured I better get off my ass and finish writing the review. This is a movie that has some really well-executed fighting and bloody violence, but it’s really not focused on action. It’s mostly a very dry comedy about the lives of two freshly-graduated-from-high-school roommates, Mahiro (Saori Izawa, stunt double in the last two 
