The martial arts movie THE FURIOUS is coming to American theaters this week, and one of the most no-shit-Sherlock predictions you could make right now is that it will be the action movie of the year. It’s an undeniable banger. Everyone who sees it mentions THE RAID, an easy comparison to make not only because Joe Taslim is one of the two leads and Yayan “Mad Dog” Ruhian is one of the villains, but because it just has that same rare sense of relentless energy and unbridled, violent invention. The story has some of THE RAID’s elegant simplicity, but it’s not as contained, there’s much more variance in location and styles of action. It’s a huge feast of high level martial arts, and luckily I came in hungry.
It was one of my most anticipated films even before it started playing film festivals and igniting explosions of superlatives. That’s because it’s an international supergroup, an ensemble of greats from several countries doing top level work for Japan’s two best fight choreographers, who have a good claim to being the current world’s best. The director is Kenji Tanigaki, long time Donnie Yen collaborator and action director for the incredible RUROUNI KENSHIN series. Not too long ago he was the stunt coordinator for TWILIGHT OF THE WARRIORS: WALLED IN – if you saw that you know that’s a credit to brag about. Then the action director is Kensuke Sonomura, director of HYDRA, BAD CITY and GHOST KILLER and action director of my beloved BABY ASSASSINS movies and tv show. Each of these have a very distinct style – Tanigaki’s involves wires and cartoonish exaggeration, while Sonomura’s is more grounded and technical, quick slashing moves and handwork, but with spinning and sliding while firing guns in close quarters – and I love seeing them find a hybrid utilizing all of their powers. (read the rest of this shit…)
A while ago I reviewed 
