Ronnie and Reggie Kray were identical twin gangsters who ran London’s East End in the ’50s and ’60s. They owned night clubs (part of the movie SPARROWS CAN’T SING with Roy Kinnear was filmed in one of their clubs) and hung out with celebrities including Judy Garland and Frank Sinatra. Ronnie was gay, and was involved in a political scandal, allegedly having sex with and supplying men for the conservative politician Lord Boothby. The brothers were crazy and vicious and in ’69 got twin life sentences for different murders.
I’m not sure when they did all those weird stop motion films with the creepy dolls and shit.
THE KRAYS is a 1990 movie about the Krays, directed by Peter Medak (THE RULING CLASS, SPECIES II) and written by Philip Ridley (writer/director of THE REFLECTING SKIN and THE PASSION OF DARKLY NOON). I guess that combination is why it’s not a traditional gangster movie. It gives the twins a creepy DEAD RINGERS kinda vibe and spends less time than you’d think on their criminal activities.
In fact, the first 20 minutes is about their childhood. We see their traumatic experiences during the war, and how much time they spent surrounded by women while the men were off fighting. They were protected by their mother Violet (Billie Whitelaw, TWISTED NERVE, THE OMEN, SLAYGROUND) and spoiled by their Aunt Rose (Susan Fleetwood, CLASH OF THE TITANS). (read the rest of this shit…)
Oh shit. What if instead of a female alien killing people in a 
This is one of the ’90s crime pictures I had to catch up on. It came out in ’93, the year after Reservoir Dogs so it probaly just missed the raising of the standards. If it came out in the ’80s it would have seemed a little better but since then we’ve had a whole lot of far superior crime pictures and neo-noir type creations. This has the slick feel of a True Romance and the nihilistic attitude of a True Romance, but not the characterization of a Reservoir Dogs or the strong themes of honor and betrayal of a Reservoir Dogs.
