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Posts Tagged ‘Patrick Lussier’

Trick

Thursday, October 28th, 2021

I figured I should see another Halloween-set film this season, and I knew this one was from director Patrick Lussier (DRACULA 2000) and writer Todd Farmer (JASON X), the team that brought us MY BLOODY VALENTINE 3D and DRIVE ANGRY 3D, so I’d been wanting to see it even though it was filmed in a pathetic 2 (two) dimensions.

TRICK is a mystery slasher set not just on Halloween, but on multiple Halloweens from 2015-2019. It begins at a high school party during a game of spin the bottle. Well, spin the knife. The camera focuses on the reactions of Cheryl (Kristina Reyes, Blindspot), who seems uncomfortable with a guy in a pumpkin mask (Thom Niemann, The Deuce) who is not speaking or responding to anyone. When it’s his turn she calls him “Trick,” which does turn out to be his name. He spins and it ends up on a boy and he tries to re-spin but they tease him and tell him he has to kiss the boy. As he leans in to do it, suddenly he grabs the knife and stabs the guy.

(Though this inciting incident implies some sort of homophobia-related motive, that does not turn out to be a theme of the film.) (read the rest of this shit…)

Flesh & Blood (Into the Dark)

Wednesday, November 27th, 2019

Into the Dark is a series of low budget holiday-themed horror movies that Blumhouse produced for Hulu. IMDb and Wikipedia classify them as an anthology TV series like Masters of Horror, but Hulu presents them as individual movies, and they’re feature length. (For some reason I assumed they’d be shorts.) I decided to try out last year’s FLESH & BLOOD, one of the two Thanksgiving movies in the series so far.

Kimberly Tooms (Diana Silvers before BOOKSMART and GLASS) has just turned 17 in early November of 2018. Some time after Thanksgiving the year before her mother (Meredeth Salenger, EDGE OF HONOR) was murdered, and the case has not been solved. Since then she’s developed agoraphobia. She has a bit of a support group online, but Dr. Saunders (Tembi Locke, STEEL), the therapist who comes to the house to work with her, doesn’t think she’s making enough progress. When she follows her dad (Dermot Mulroney, COPYCAT – also about agoraphobia)’s encouragement to try to get an Amazon package off the porch she fails. The world turns blurry, dizzying, loud. She can’t function. (read the rest of this shit…)

Terminator Genisys [sic]

Wednesday, July 1st, 2015

tn_terminatorgNote: if you know nothing about this movie, this review has lots of spoilers. However, every major twist is given away in the advertising, one of them even on the poster.

There’s a cool, clever idea near the beginning of TERMINATOR GENISYS. We start out in the post-Judgment Day future, where the resistance leader John Connor (now played by Jason Clarke of ZERO DARK THIRTY) is about to destroy Skynet and its army of machines. But Skynet has just sent a T-800 (played by a body double with a digital-young-Arnold-Schwarzenegger head) back to 1984 to kill his mother Sarah Connor (now played by Emilia Clarke from Game of Thrones, not to be confused with Lena Headey from Game of Thrones, who played her on Terminator: The Sarah Connor Chronicles) before she conceives him. So John sends his best soldier (and secret father) Kyle Reese (now played by Jai Courtney from JACK REACHER and who would have been in the fifth DIE HARD if they had made one but there is not one in my opinion) back in time to protect Sarah. You know, the plot of THE TERMINATOR.

And then it goes and re-creates a few scenes we recognize from the first movie: the man in the garbage truck seeing the Terminator arrive naked in a ball of lightning, the homeless man in the alley seeing Kyle, the Terminator approaching three punk rockers (none of them Bill Paxton) and demanding their clothes. Except then, all the sudden, there’s another, older Arnold Schwarzenegger there, attacking the young one, with the help of Sarah. And we learn that this is a different timeline, not the one from THE TERMINATOR that we and Reese expected. This older Arnold is a Terminator who was sent back to when Sarah was 9 to protect her and raise her. So she’s not a clueless waitress who he has to convince, she already knows about the future and her son and how to shoot guns and everything. (read the rest of this shit…)

Drive Angry 3D

Thursday, March 3rd, 2011

tn_driveangryDid you guys know that Tim Burton’s ALICE IN WONDERLAND is the #6 highest grossing movie of all time? It’s literally made over a billion dollars. Just seems weird to me, because I don’t know anybody that liked that movie. I thought it was pretty terrible but keep finding myself “defending” it trying to convince people that at least it was cool looking. Except for the Mad Hatter.

When I mention that somehow it made that much money everybody says “Well, because the 3D tickets cost more.” I’m sure that was part of it. But it’s not like every 3D movie makes a ton of money.

Case in point: DRIVE ANGRY 3D (read the rest of this shit…)

My Bloody Valentine 3-D

Sunday, January 18th, 2009

I believe there are different levels of slasher movies. There are the masterpiece ones like HALLOWEEN and TEXAS CHAIN SAW MASSACRE – ingenious, masterful works of art that happen to be about weirdos on murder sprees. Below that there are the perennial favorites, not necessarily on the same level but that I like to dig out every few years: FRIDAY THE 13TH sequels, SLUMBER PARTY MASSACRE, THE PROWLER, BLACK CHRISTMAS, HAPPY BIRTHDAY TO ME, THE BURNING, SLEEPAWAY CAMP, that kind of stuff.

The best in that category are the ones that really master the mechanics of the form. They have great chase scenes, new and innovative forms of fake violence, spooky atmosphere and imagery. And then they usually have an unexpectedly weird touch or two, a few clever surprises, and maybe some laughs (usually unintentional, which is kind of better because I don’t like alot of clownin around in my horror).

Since almost all of the best are made in the ’70s and ’80s I have to admit that part of the appeal is a certain vibe, a nostalgia for that time period and a reaction to whatever modern form of slickness has developed in horror movies since. So I think for me and even moreso for alot of my horror purist buddies the old ones can get away with a level of crappiness that the new ones can’t. I got buddies who will go on and on about hating the characters in some modern horror movie and not believe me when I try to tell them that almost all of their favorite slasher movies from the ’80s were inhabited by characters who were just as obnoxious, but with different clothes and hair. (read the rest of this shit…)

Vern Reviews CUBE 2: HYPERCUBE and DRACULA 2: HYPERDRACULA!!

Monday, February 17th, 2003

Hey, everyone. “Moriarty” here with some Rumblings From The Lab.

Vern’s a good egg. If you don’t know that by now, then catch up to the rest of us and enjoy this new review by him.

Boys –

It’s me Vern. Remember me, I write articles, win awards, etc. Today I am returning to my old shtick of reviewing straight to video sequels nobody asked for. Enjoy!

Actually the first picture I’m gonna deal with here is not completely un-asked for. The first movie CUBE was one of those small time cult movies that nobody is really rabid about but everybody kind of likes. The premise is that a group of strangers find themselves inside strange, symmetrical rooms with vault doors on each side. When they go through a door, they find themselves in a room exactly like the last one. And when they go through one of the doors in there, it’s another room exactly like that one. And when they go through one of the doors in there, it’s another room exactly like that one. And I could go on man. There’s nowhere to go. So of course they get into a George A. Romero type deal where they each have a different background and they argue and what not by they try to put aside their differences to solve the puzzle of “what in fuck’s name is going on here.” There is math, etc. (read the rest of this shit…)