AMERICAN SNIPER is a pretty good movie. I wouldn’t rank it too high in the pantheon of Clint Eastwood directorial works, and it’s definitely not one of the all time great war movies, or even the best movie about the Iraq war. It has some overlap with THE HURT LOCKER without being as effective, in my opinion, either as a thriller or as a character study. And obviously we gotta deduct points for it not being a story about a very old sniper played by Clint. But it’s a very good performance by Bradley Cooper (THE MIDNIGHT MEAT TRAIN), it looks into an interesting world (that of the Navy SEAL sniper), it has several tense battle sequences, and it speaks about the experiences of soldiers with some of the quiet simplicity and understatedness I appreciate in an Eastwood picture. That last part is causing a problem.
In many ways it feels different from the rest of Clint’s filmography, but it returns him to one of his favorite themes: the man who has lived a life of violence having a hard time doing something else. Instead of an old outlaw it’s “most lethal sniper in U.S. military history” Chris Kyle (played by Cooper with some extra muscle, facial scruff and Texan drawl), who goes through four tours of duty in Iraq, more than his share, but every time he tries to live a peaceful life with his family he starts itching to be back in combat. It also reminds me a little bit of Clint’s movie J. EDGAR, another biopic of an extreme character that refuses to condemn him. It just presents him, tries to give him a fair shake, shows him as a human, for better or worse.
With most of Clint’s directing-not-acting movies these days (JERSEY BOYS, HEREAFTER, CHANGELING, LETTERS FROM IWO JIMA, etc.) it’s the same routine: a bunch of people say they suck, I see them and like them, but don’t really know many people who bothered to see them, and the world moves on. Even when he does what seems like a crowd-pleasing awards-bait type movie, like INVICTUS, the academies and what not don’t give much of a shit, and Clint doesn’t care that they don’t. Why would he? Who needs another trophy when you wake up every morning and you’re still Clint fucking Eastwood?
But AMERICAN SNIPER is different. It was nominated for 6 Oscars including best picture, and when it went into wide release last weekend it immediately became a smash hit, the biggest opening of Clint’s career. Also, it’s one of those movies that not only sells tickets, but that people apparently like. It has an A+ Cinemascore and an 89% audience rating on Rotten Tomatoes. (His previous three movies as director rated 65%, 45% and 38%). (read the rest of this shit…)

GI JANE is way classier than its male counterparts
ACT OF VALOR takes the covert-military-mission subgenre that we know so well from the works of Cannon and Nu-Image and puts a new spin on it: it’s a special ops procedural. Directed by 2005 Baja 500 winner Mike “Mouse” McCoy and stuntman/documentary editor Scott Waugh (together known as commercial directors “The Bandito Brothers”), it combines the old “elite team of warriors have to stop a mad bomber” formula with sort of a Soderberghian approach, building the movie around non-actors and taking advantage of their real life skills and unpolished presence. Except for the abducted CIA asset they have to rescue (Roselyn Sanchez from RUSH HOUR 2) the heroes are all played by actual Navy SEALs. “Active duty,” the ads and press releases like to say, so their last names are left off the credits.
No man, I don’t got a problem. I just watch Michael Bay movies recreationally. I don’t gotta watch them when I wake up or nothin. It’s just every once in a while. I only watched
Man, Michael Biehn and the other guys on his team in NAVY SEALS really like to party and be outrageous. Especially Charlie Sheen, have you seen how out of control that guy is? On the way to Dennis Haysbert’s wedding he jumps out of a moving Jeep and over the side of a bridge just for laughs. You know how those SEALs boys are. You don’t even have to TELL them to jump off a bridge, they just do it for no reason. And their nice wedding clothes get all fucked up, but they don’t care because they’re Navy SEALs.

















