Back in 2020 there was a pretty cool indie action type thing called BECKY. Lulu Wilson (The Haunting of Hill House) played a sullen thirteen year old trying to emotionally survive a cabin retreat with her widower father and his new fiance when suddenly she has to physically survive a home invasion by a neo-nazi gang. They killed her family (except for her dog Diego) so she hides the mysterious, possibly-mystical key they’re looking for and turns into kid McClane, violently hunting them using household and treehousehold items and wearing a cutesy knitted chipmunk hat.
I had some issues with BECKY but I enjoyed it enough to be excited by the prospect of a sequel with the pulpy title THE WRATH OF BECKY. It got a limited theatrical and VOD release back in May and has since come out on DVD (but not blu-ray I guess?). (read the rest of this shit…)
BECKY (2020) is a pretty quick and simple thriller with a promising hook: neo-Nazi escaped convicts invade a vacation home looking for a valuable item, and it’s up to a 13-year old girl to improvise enough weapons to seriously fuck them up. Gritty HOME ALONE, I guess. It somewhat delivers on the premise, mostly in the area of (as the rating says) “grisly images and strong bloody violence.”
This is a rare event for me, to watch a prequel to a movie I haven’t seen and don’t plan to see. The original OUIJA from 2014 was a PG-13 horror movie co-produced by ghost-merchants Blumhouse and remakers Platinum Dunes, “based on Ouija by Hasbro.” It’s the same writers as KNOWING, which could be a plus, but I didn’t know that until just now. So it didn’t seem like a movie for me, and nobody told me otherwise.
